Architecture in its broadest sense concerns itself with the uprooting of structures that are permanent, cementing themselves within the greater cultural context and history of its humanity, however, where do we place the creation of structures that are designed with the intention to be disassembled. How much meaning and value can these structures hold, knowing they were never designed to last, but to simply take up space for a moment?
In preparation for the Disrupt Symposium, as the conference launch planned for the 1st of May approaches I sat down with Krista Kim a contemporary artist and founder of the Techism movement, whose work explores the concept of digital consciousness. Her interest in digital technology and it's revolutionary effects on human perception, media, social structures, and communication have led her to work in both digital and physical realms.
All businesses, large or small, have faced unprecedented challenges in the last couple of years – but one of the positive outcomes of the global pandemic is the notion that work can be done wherever you are in the world. And while work has changed, expectations have not. Teams need to work with the same speed, efficiency and security as when they were all within the same four walls. It's now up to IT to rise to this challenge with the right solutions to meet the new demands of the hybrid workforce. Remote working – and remote collaboration – is here to stay.
Until this Tuesday, May 3rd at 23:59 EST you can submit your work for the second edition of the ArchDaily Architectural Visualization Awards. For us, visualizations have become a powerful tool that has helped us to think without limits about the design of our future cities, buildings, and structures. This is one of the reasons why we decided to launch this competition: to find the best talent from around the world and discover who is setting trends with their work and aesthetics, helping us to visualize the future of architecture.
This week's curated selection of Best Unbuilt Architecture highlights educational and cultural projects submitted by the ArchDaily community. Through examples from all around the world, the article explores how these spaces of knowledge and discovery are designed to inspire and inform.
Featuring a monolithic museum in Portugal, a digital heritage centre with a media facade in Korea and a mobility research centre in Turkey, the round-up spans various kinds of educational and cultural spaces, as well as different attitudes towards the built or natural environment. The following projects reveal the ideas that shape spaces of knowledge in different contexts, illustrating diverse approaches toward what constitutes an institution of culture.
The 59th International Art Exhibition - La Biennale di Venezia has officially opened its doors to the public on the 23rd of April, 2022. Titled "The Milk of Dreams". the exhibition is welcoming more than 210 artists from 58 countries, to showcase over a thousand artworks and installations that promote art, science, research, and ecological transition from the environmental humanities.
The Art Gallery of New South Wales expansion designed by SANAA is set to open to the public on December 3rd, 2022. The project, dubbed Sydney Modern Project and first revealed in 2019, is the most significant cultural development in the city in almost five decades since the opening of the Sydney Opera house. The new building designed by SANAA, together with Australian practice Architectus as executive architect, features a series of pavilions of various sizes and gallery volumes cascading towards the harbour. The structure that opens toward its surroundings is designed to provide a backdrop for 21st-century art.
Over the past few years, educational campuses around the world have been confronted with various trends and challenges of change, such as pandemic adaptation, climate crisis, the responsibility for sustainable design and online teaching. SasakiArchitecture, with offices in Boston, Denver and Shanghai, specialises in planning educational campuses around the world. With a broad portfolio of projects at various scales of intervention, recent projects in the United States, China, Mexico and Peru stand out.
One of the world's leading metropolises, Tokyo is home to extraordinary architecture that fascinates through its blend of traditional values and high-tech expression. The 1923 earthquake and the bombardments of World War II dramatically influenced the image of the city and its architecture, giving rise to modern urban environments with complex infrastructure.
The Japanese capital constitutes the most populated metropolitan area in the world, housing 33 million inhabitants. Divided into 23 wards and numerous neighbourhoods, the city features a diverse blend of atmospheres and urban fabrics that support an amalgamation of architectural typologies.
While Stephen Zacks' new book, G.H. Hovagimyan: Situationist Funhouse, is ostensibly about the life and work of the artist, there's an intriguing and seemingly topical subtext looming in the background: the role of art and culture on the development and redevelopment of cities. It's a complicated and sometimes fraught issue, prone sometimes to simplistic, even binary thinking. Zacks, a friend and former colleague at Metropolis, has always had a more nuanced view of the issue. Last week I reached out to him to talk about the work of Hovagimyan, the historic lessons of 1970s New York, and why "gentrification" needs a new name.
After the first years of launching their architectural practice, Ben van Berkel and Caroline Bos renamed their practice to UNStudio. Short for United Network Studio, the change of name stands symbolic to the knowledge based, networked nature of the firm, which has grown to expand to 6 offices worldwide today.
Since the beginning of the war, over 7.1 million people have been internally displaced within Ukraine. In response to this growing humanitarian crisis, Kyiv-based practice Balbek Bureau has developed a modular temporary housing system that aims to provide a dignified dwelling to internally displaced Ukrainians. RE:Ukraine is designed to adapt to different types of terrain and settlement density while being deployed in a short time frame. While the project was intended for areas of Ukraine that are not under fire, the framework can also accommodate refugees abroad.
The Power of Data is an exhibition created in a virtual building, conceived by three-dimensional geometries based on various artificial intelligence algorithms. The project was created by the OLA (Online Lab of Architecture) team of research architects formed by Jennifer Durand (Peru), Daniel Escobar (Colombia), Claudia Garcia (Spain), Giovanna Pillaca (Peru) and Jose Luis Vintimilla (Ecuador).
Contemporary challenges and developments in technology inevitably trigger changes in the way we design and build our cities. SUMMARY, one of ArchDaily's Best New Practices of 2021, is a Portuguese architecture studio focused on the development of prefabricated and modular building systems. Striking a balance between pragmatism and experimentalism, the firm develops prefabricated solutions in order to respond to a driving challenge of contemporary architecture—to speed up and simplify the construction process. Founded in 2015 by the architect Samuel Gonçalves, a graduate of the School of Architecture of the University of Porto, the studio has presented at prominent events such as the 2016 Venice Biennale. We talked with Samuel about the firm's practical experience in prefabrication and modulation, as well as their experiments and forays into research.
How can Universal Design bridge the divides that have left many Americans stranded in their own communities? In its latest exhibition, Manhattan's Center for Architecture calls for a "reset." On view until September 3, Reset: Towards a New Commons, displays projects that "encourage new modes of living collaboratively" and "more holistic approaches to inclusion."