'La Muralla Roja' When the sun goes down III, is an evocative new Photo series by Andrés Gallardo. 5 years after initially visiting Ricardo Bofill's creation, Gallardo revisited with the intention of creating a totally contrasting series, capturing the complex through sunset, the night and into sunrise. With regard to the fact that there are not many photographs in circulation during the night-time period, Gallardo set out to capture the complex during twilight, with the placid roll of the waves against the seafront.
'La Muralla Roja' translated as 'The Red Wall' is a vibrant housing project in Spain's Calpe. Casbah is a term often mentioned in regards to this particular project, suggesting Bofill himself drew upon North African Arabic themes for his inspiration. Casbah refers to a citadel or castle, a walled central area of a town or city upon the traditional quarter. The Mediterranean complex mimics this built-up realm, with an entanglement of walkways, stairs, balconies, and bridges interlocking in harmonious effect.
Meet 2022 Pritzker Architecture Prize winner, Francis Kéré, Burkina Faso-born black architect, in an interview about his architectural philosophy, with Louisiana Channel. As the official statement of the Pritzker Architecture Prize notes, "Through buildings that demonstrate beauty, modesty, and invention, and by the integrity of his architecture and geste, Kéré gracefully upholds the mission of this Prize", continually "empowering and transforming communities through the process of architecture."
Foto panorámica de la playa de Paysandú. Imagen de Gabriel Stock Uruguay. Image via Shutterstock
The Municipality of Paysandú commissioned OMA (Office of Metropolitan Architecture) to draw up the project for the urban transformation of Paysandú's waterfront. Covering an area of about 350 hectares, the Master Plan extends from the "General José Artigas" International Bridge, which links Paysandú with Argentina on the northern border, to the mouth of the Sacra Stream.
Despite being the smallest rooms of houses, bathrooms have always been one of the most challenging and critical to design, which often left them fairly simplified. The past few years, however, saw these spaces undergo significant change; what was once only limited to functionality, ease of maintenance, and privacy, is now being given a strong character with pops of color, classic fixtures, and patterned surfaces. Similarly for public bathrooms, where "functionality" and "ease of maintenance" are now complimented with aesthetics, technology, and high quality finishing. In this interior focus, we explore the three main bathroom typologies used in residential projects, and look at how architects have employed them through 12 examples.
Architecture firm HKS and landscape designer Hood Design Studio have been selected by global entertainment and media company CMNTY Culture to design a new creative campus in the heart of Hollywood. Dubbed CMNTY Culture Campus, the project will feature production spaces, offices, performance venues, bringing together creative industries in a 500,000-square-foot development.
The upcoming exhibition in The Architect's Studio series hosted by the Louisiana Museum of Modern Art presents the work of Forensic Architecture, a multidisciplinary research group operating at the intersection of architecture and investigative journalism. Led by architect Eyal Weizman, the collective of architects, artists, software developers, journalists, lawyers, and animators investigates and documents human rights violations across a wide range of global conflicts.The practice constructs models and virtual spaces to share a new perspective on specific events.
Biblioteca Jose Vasconcelos / Taller de Arquitectura X / Alberto Kalach. Image Cortesía de Taller de Arquitectura X / Alberto Kalach
Over the years, interior design has evolved according to the needs that arise, but above all according to the experiences we seek to provoke in the user. In the last two years, we witnessed a radical change and a particular interest in this subject because the pandemic forced us to pay specific attention to the configuration of the places we inhabit. This brought about much more holistic designs that cater to the wellbeing of the user, combining colours, sensory experiences, technology and natural elements that promote health.
For centuries and centuries we've built – and the diversity in our global built environment is a testament to that. The many different cultures around the globe have had different ways of building throughout history, adapting locally found materials to construct their structures. Today, in our globalized present, building materials are transported across the globe far from their origins, a situation that means two buildings on completely opposites sides of the world can be more or less identical.
Tragedy, protest, insurrection, and political turmoil have led to a renewed awareness of racial injustice and democratic instability. These issues create new challenges for users and designers of public spaces in America. Cultural spasms have resulted in contested public spaces — sites of killings, protests in streets and parks, and forgotten burial grounds. These spaces need a new form of environmental justice.
Wolf Trap National Park for the Performing Arts – Vienna, Virginia | FlexShade® ZIP | Dealer: Goodwin Bros. Shades and Specialties | Photographer: Alan Wycheck – alanwycheckphoto.com. Image Cortesia de Draper
Comfortable outdoor spaces are more desirable than ever. Over the past couple of years, people have been spending more time at home, connecting with nature from the relative comfort of covered balconies, patios, and pergolas. But even with pleasant views, cooling breezes, and the warmth of the sun, covered outdoor spaces can be uncomfortable. Temperature variations, glare, rain, and wind quickly create an unpleasant experience. In warmer climates, insects can be an additional a nightmare.
© Inclined Studio 
© ZY Architectural Photography 
© Andy Macpherson 
© Camille Sonally 
The white moon-viewing platform and red moon gate. Image © Chill Shine 
