In 2021, CRA-Carlo Ratti Associati's proposal to create sustainable alternatives for urban heating networks was selected as one of four winners of the global Helsinki Energy Challenge. The project entitled Hot Heart proposed "island-like, floating seawater reservoirs to heat the city of Helsinki in a green way". Using Twinmotion, Epic Games' real-time visualization platform for the architecture industry to design the intervention, the large scale infrastructural project needed a digital representation tool to possibly put scale into perspective, offer a real immersive experience to engage the client, and exhibit instant changes related to natural factors such as daylight. Come SpaceForm, a data-driven virtual presentation and design tool. Created to facilitate remote cooperation, the technology allows clients or stakeholders to be more immersed in the story of the design.
Since the early 2000s, it has been widely reported that the construction industry accounts for nearly 40% of the planet's CO2 emissions. The role of interiors in that percentage has been historically underestimated, with common statistics suggesting that a project's furniture, fixtures and equipment are only responsible for about 7 to 10% of its overall carbon footprint. However, new research notably indicates the contrary: in a building's average life span, the carbon footprint of its interiors will equal – if not exceed – that of the structure and envelope. Interior design, to the surprise of many, has actually been doing great harm.
Pelli Clarke & Partners' A District tower, a 330-meter mixed-use high-rise in central Tokyo, has finally topped out to become the tallest building in the country. The tower is part of the Tora Asa urban village, which aims to "forge a city within the city" and revitalize Tokyo's city center. A District Tower will feature large-scale office spaces, residences, a school, a medical center, and retail facilities, along with vast green spaces on the ground floor.
UN-Habitat and blue tech firm OCEANIX unveiled the design of the world's first prototype for a sustainable floating city, to be hosted by Busan. The project is intended to provide a scalable framework of development for coastal cities facing land shortages and rising sea levels. With a population of 3.4 million people, Busan is the second-largest city in the Republic of Korea and, at the same time, one of the most important maritime cities, making it a suitable environment for deploying the floating city prototype.
Architecture uses drawings as a form of communication. Whether to represent ideas, communicate spaces and their ambiences or even technically understand constructive issues, there are many types of drawings and tools used to make them. It is up to the architects to find, within their knowledge, preferences and goals, the best way to communicate. If, on the one hand, the work drawings are more technical, rigid and standardized, so that they can be used for constructive execution, those used to understand the project by the client are usually freer and have greater visual appeal. It is within this aesthetic freedom that we question: how far can we go with these representations without confusing people?
Storytelling is undoubtedly one of the oldest informative tools; a universal language that has transcended generations and cultures, and has been adapted into different media such as video games, theater, and film. Regardless of how old the narratives are, the success of these adaptations relies heavily on production - the visual and audible elements - and their ability to allow viewers to fully immerse themselves in the storyline. In this article, we explore the magical and captivating world of Marvel Cinematic Universe, and how architecture played an important role in contributing to the movies' notorious storylines.
BUGA Pavilhão de Fibra / ICD/ITKE Universidade de Stuttgart. Image Cortesia de ICD/ITKE University of Stuttgart
Let us return to the first architecture class on structures and the classification of structural efforts. In most structures, whether natural or man-made, compression forces are the primary actors. These are efforts undertaken with equal and opposing loads, applied in the interior of the structure, which tend towards the shortening of the piece in one direction - or compressing it, as the name indicates. It is not difficult to find examples of this: for example, a stone wall or a wooden log can resist the weight of a covering through internal compression efforts that are inherent to each material. Tension efforts, on the other hand, tend to lengthen components in the direction of the applied force of action. Steel, for example, is a material with good tensile strength. It is used in reinforced concrete precisely in the parts where the piece is in traction. But it is also possible for a structure to only have tensile parts, as is the case of membrane, tensioned, or tension structures, which consist of surfaces pulled by the action of cables or ropes in which the masts absorb compression efforts.
The Holocaust Memorial Resource and Education Center of Florida (HMREC) and architecture firm Beyer Blinder Belle have unveiled the design of Orlando's new Holocaust Museum for Hope & Humanity. The 43,000-square-foot lakefront structure will be the world's first Holocaust museum designed around survivor and witness testimonies, serving as a distinctive destination for the region and a global point of attraction.
Courtesy of Santiago Calatrava and the Glyptothek Museum
The Glyptothek Museum will showcase the first exhibition dedicated to Santiago Calatrava's array of sculptures and paintings inspired by Greek Antiquity. Running from June 21st to October 23rd, "Beyond Hellas: Santiago Calatrava in the Glyptothek" traces the architect's career as a sculptor, highlighting the influence of histories and cultures on Calatrava's design process.
Transformação de Estacionamentos em Fazendas Urbanas. Image via Studio NAB
On March 31st, the Health and Nutrition Day is celebrated in Brazil, factors that are gaining more and more notoriety in the society in which we live. After more than two years living through the ups and downs of the Covid-19 pandemic and facing the evident need for a healthier, more active and community reality, it is important to reflect on how architecture and urbanism can become tools for accessing healthier daily lives.
The Turba Tol Hol-Hol TolPavilion is a collective project led by curator Camila Marambio that proposes an experimental path towards the conservation and visibility of peatlands, a type of wetland considered to be the most efficient natural ecosystem for accumulating carbon in the atmosphere and yet one of the least researched.
Presented by the Ministry of Cultures, Arts and Heritage and the Ministry of Foreign Affairs of the Government of Chile at the 59th International Art Exhibition - La Biennale di Venezia, which will have its official opening on the 23rd of April, was a collaborative work between art, science and traditional knowledge, promoting research and ecological transition from the environmental humanities. In this sense, a diverse multidisciplinary team was brought together: sound artist, Ariel Bustamante; art historian, Carla Macchiavello; filmmaker, Dominga Sotomayor; and architect, Alfredo Thiermann.
In most countries around the world, value is placed on older buildings. There's something about the history, originality, and charm of an older home that causes their value to sometimes be higher than newly constructed projects. But in Japan, the opposite is almost always the preference. Newly-built homes are the crux of a housing market where homes are almost never sold and the obsession with razing and rebuilding is as much a cultural thing as it is a safety concern, bringing 30-year-old homes to a valueless market.
Until this Friday, April 29th at 23:59 EST you can submit your work for the second edition of the ArchDaily Architectural Visualization Awards. For us, visualizations have become a powerful tool that has helped us to think without limits about the design of our future cities, buildings, and structures. This is one of the reasons why we decided to launch this competition: to find the best talent from around the world and discover who is setting trends with their work and aesthetics, helping us to visualize the future of architecture.
© Tom Ross 
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