nedjelja, 27. listopada 2019.

Arch Daily

Arch Daily


Sustainable Parking Space for an Eco-Responsible Generation

Posted: 26 Oct 2019 09:00 PM PDT

© Studio NAB © Studio NAB

Every year, France uses 66,600 tons of plant protection pesticides for its agriculture and produces 4.5 million tons of plastics, of which only 22% are recycled. Almost 48,000 deaths are attributed to fine particle pollution and automobile activity, and the planet is still expected to endure. In such grave situations, urban developments have become subject to new ecological criteria that focus on finding biodiverse solutions for both public and private sectors.

In compliance with the United Nations Sustainable Development Goals Agenda 2030 that aims to find eco-responsible urban solutions, Studio NAB created Car Parks 2.0, an ecological parking space that rethinks commercial parking areas and transforms it into a more sustainable and humane place.

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Bolshaya Morskaya Street / AB CHVOYA + AM TRI

Posted: 26 Oct 2019 07:00 PM PDT

© Grigoriy Sokolinsky © Grigoriy Sokolinsky

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Shenshan Ridge Integrated Service Center / 3andwich Design / He Wei Studio

Posted: 26 Oct 2019 04:00 PM PDT

patio courtyard. Image © Liming Fang patio courtyard. Image © Liming Fang

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Providence College: Ruane Friar Development Center / Perkins Eastman

Posted: 26 Oct 2019 02:00 PM PDT

© Sarah Mechling | Perkins Eastman © Sarah Mechling | Perkins Eastman

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Mountain Hotel / Brenas Doucerain Architectes

Posted: 26 Oct 2019 12:00 PM PDT

© Studio Erick Saillet © Studio Erick Saillet

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Vejlskovgaard Stable / LUMO Architects

Posted: 26 Oct 2019 10:00 AM PDT

Courtesy of LUMO Architects Courtesy of LUMO Architects

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Hut-to-Hut / Rintala Eggertsson Architects

Posted: 26 Oct 2019 08:00 AM PDT

© Pasi Aalto © Pasi Aalto

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Eagle Academy / Shinberg.Levinas Architectural Design

Posted: 26 Oct 2019 06:00 AM PDT

© Alan Karchmer © Alan Karchmer

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Paragon Apartments / GRAFT

Posted: 26 Oct 2019 02:00 AM PDT

© Kevin Fuchs © Kevin Fuchs

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Urban Cinematics and the Revenge of Place / François Penz for the Shenzhen Biennale (UABB) 2019

Posted: 26 Oct 2019 01:00 AM PDT

The Man with the Movie Camera (Dziga Vertov, USSR, 1929) The Man with the Movie Camera (Dziga Vertov, USSR, 1929)

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," Archdaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the "Eyes of the City" curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

Ever since the Lumière brothers trained their camera on La Place des Cordeliers in Lyon in 1895, cinema has shaped our collective urban imagination. For 125 years, film has relentlessly recorded the deaths and lives of not just great American cities but of all great – and not so great – cities the world over. Film-makers have observed, expressed, characterized, interpreted and portrayed hundreds of thousands of city streets. By charting the cities' evolution across the 20th century to present days, films are the quintessential Eyes on and of the City.

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Douglas House / RISE Design Studio

Posted: 25 Oct 2019 10:00 PM PDT

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Flying Panels – How Concrete Panels Changed the World

Posted: 25 Oct 2019 09:00 PM PDT

Gerbert Rappaport. Director. Image from the movie Cherry Town (Cheryomushki) 1963. Gerbert Rappaport. Director. Image from the movie Cherry Town (Cheryomushki) 1963.

Flying Panels - How Concrete Panels Changed the World is a new ArkDes exhibition designed by Note Design Studio and curated by Pedro Ignacio Alonso and Hugo Palmarola - authors of the Monolith Controversies exhibition, the winner of the Silver Lion award at the 14th Venice Architecture Biennale in 2014.

It brings together a series models and material as posters, paintings, films, toys, cartoons and opera sets are gathered to reflect on how concrete panels influenced culture for the construction of a new society.

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