Arch Daily |
- Coordinate Across Software Lines with Open BIM
- Van De Velde Funeral Center / HULPIA architecten
- Iker & Maria House / Tangram Arquitectura + Diseño
- Surveying Professionals College in Santa Fe / Estudio Irigoyen, Navarro Arquitectos
- 8.5 House / DOG
- SNOW 5319 Office and House / UTAA
- Shenzhen Yunhai School / AUBE CONCEPTION
- Sunawachi / Hidenori Tsuboi Architects
- Guilherme Torres Office / Studio Guilherme Torres
- NUBO Kindergarten / PAL Design
- Redfox Commons Renovation / LEVER Architecture
- VOX POD / WMB Studio
- E Pluribus Unum, The Chapel of Many / Sebastian Hicks
- Demolitions: Through the Eyes of an Artist
- Spotlight: Gert Wingårdh
- Fabricating Personal Protective Equipment: Architecture in a Post-Virus World
- Almendro 22 House / Arqueodigma Estudio
- Spotlight: Peter Zumthor
| Coordinate Across Software Lines with Open BIM Posted: 26 Apr 2020 09:30 PM PDT  © Flansburgh Architects In today's world of digital architecture, one term appears more than all others: BIM. Building Information Modeling (BIM) concerns the appending and otherwise referencing of data in a digital model. Architects use BIM for a variety of reasons, but the common denominator of BIM use is having a single model which serves as a touchpoint for coordination between internal and external teams. Flansburgh Architects, a Boston-based firm that specializes in educational architecture, implemented a Big BIM workflow for the design of a new school for the town of Holbrook, Massachusetts. Kent Kovacs, AIA, Vice President and principal-in-charge and Brian Hores, AIA, BIM Manager shared how this process benefited the project. This posting includes an audio/video/photo media file: Download Now |
| Van De Velde Funeral Center / HULPIA architecten Posted: 26 Apr 2020 08:00 PM PDT |
| Iker & Maria House / Tangram Arquitectura + Diseño Posted: 26 Apr 2020 07:00 PM PDT  © Iñaki Bergera
This posting includes an audio/video/photo media file: Download Now |
| Surveying Professionals College in Santa Fe / Estudio Irigoyen, Navarro Arquitectos Posted: 26 Apr 2020 06:00 PM PDT .jpg?1587698004 "© Ramiro Sosa") © Ramiro Sosa
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| Posted: 26 Apr 2020 05:00 PM PDT  © Satoshi Takae + Shinkenchiku
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| SNOW 5319 Office and House / UTAA Posted: 26 Apr 2020 04:00 PM PDT  © Hyosook Chin
This posting includes an audio/video/photo media file: Download Now |
| Shenzhen Yunhai School / AUBE CONCEPTION Posted: 26 Apr 2020 02:00 PM PDT  Teaching building and lab building. Image © Mingjun Hu
This posting includes an audio/video/photo media file: Download Now |
| Sunawachi / Hidenori Tsuboi Architects Posted: 26 Apr 2020 12:00 PM PDT  © Daisuke Shima
This posting includes an audio/video/photo media file: Download Now |
| Guilherme Torres Office / Studio Guilherme Torres Posted: 26 Apr 2020 10:00 AM PDT  © Denilson Machado – MCA Estúdio
This posting includes an audio/video/photo media file: Download Now |
| NUBO Kindergarten / PAL Design Posted: 26 Apr 2020 08:00 AM PDT .jpg?1496249247 "© Michelle Young, Amy Piddington") © Michelle Young, Amy Piddington
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| Redfox Commons Renovation / LEVER Architecture Posted: 26 Apr 2020 06:00 AM PDT  © Lara Swimmer
This posting includes an audio/video/photo media file: Download Now |
| Posted: 26 Apr 2020 04:00 AM PDT  © Ed Butler
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| E Pluribus Unum, The Chapel of Many / Sebastian Hicks Posted: 26 Apr 2020 02:00 AM PDT  Courtesy of Niall O'Connor/ Oana Ciurescu / Sebastian Hicks
This posting includes an audio/video/photo media file: Download Now |
| Demolitions: Through the Eyes of an Artist Posted: 26 Apr 2020 12:35 AM PDT 10.jpg?1587641554 "© Ismail Noor") © Ismail Noor I recently viewed a public art commission at Dubai's foremost cultural district - Alserkal Avenue: it was an installation by an artist collective - METASITU, who had transformed a warehouse on the Avenue previously known as Nadi Al Quoz, into a 21st-century ruin. The work titled: 'we were building sand castles_but the wind blew them away', was inspired by the perennial demolitions that have become an integral part of contemporary placemaking around the world. Through this piece of work, METASITU reflects on the extractive city-building processes, while contextualising them within different human and ecological timelines. The long-term vision of the artists was to deconstruct the building and return its constituent materials to their 'original state'. Later this year, they plan to further deconstruct the installation into a public landscaped environment. This posting includes an audio/video/photo media file: Download Now |
| Posted: 25 Apr 2020 11:30 PM PDT  Aula Medica. Image © Tord-Rikard Söderström One of Sweden's most esteemed living architects, Gert Wingårdh (born 26 April 1951) brought Swedish architecture out of the tradition of the International Style and into contemporary times with his playful design spirit and love of eye-catching materials. With his use of bright colors and geometric motifs, his recent buildings have been described as "Maximalist" or "Modern Baroque." This posting includes an audio/video/photo media file: Download Now |
| Fabricating Personal Protective Equipment: Architecture in a Post-Virus World Posted: 25 Apr 2020 11:00 PM PDT  This week David and Marina are joined by Jenny Sabin, Alvin Huang, and Mitch McEwen to discuss Project PPE, Architects 3d printing and fabricating masks and other protective headgear for healthcare workers, architects helping during COVID-19 and times of crisis, methods of working, and what the pandemic means for the future profession of architecture.  This posting includes an audio/video/photo media file: Download Now |
| Almendro 22 House / Arqueodigma Estudio Posted: 25 Apr 2020 10:00 PM PDT  © Horacio Virissimo
This posting includes an audio/video/photo media file: Download Now |
| Posted: 25 Apr 2020 09:30 PM PDT  The Therme Vals. Image © Fernando Guerra | FG+SG Known for his sensuous materiality and attention to place, 2009 Pritzker Laureate Peter Zumthor (born April 26, 1943) is one the most revered architects of the 21st century. Shooting to fame on the back of The Therme Vals and Kunsthaus Bregenz, completed just a year apart in 1996 and 1997, his work privileges the experiential qualities of individual buildings over the technological, cultural and theoretical focus often favored by his contemporaries. This posting includes an audio/video/photo media file: Download Now |
.jpg?1587710675 "© Alejandro Rodriguez")
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