Arch Daily |
- Jesuit Chapel / Solo Eduardo
- Spotlight: Rafael Moneo
- Architecture's Vernacular In A Post-COVID-19 World
- Spotlight: Gordon Bunshaft
- Grey-Green Event Space / MT.A
- House in Tarumi / Yo Irie Architects
- Guangzhou Vanke Cloud / HCD-iDEA
- 35 Spring Street Residential Tower / Bates Smart
- A+M Residence / archimania
- Spring City 66 / Kohn Pedersen Fox
- Sloth's House / Nautilo Arquitetura & Gerenciamento
- Shed House / Marcos Franchini + Nattalia Bom Conselho
- Alice Milliat Gymnasium / Marjan Hessamfar & Joe Vérons architectes associés
- From Utopia To Reality: Brasília's 60th Anniversary
- Il Frantoio Building in the Middle of the Olive Grove / Perathoner Architects
- Sinan Books Poetry Store / Wutopia Lab
- Open! The Russian Pavilion at the Venice Biennale 2020 Goes Completely Digital
| Posted: 08 May 2020 10:00 PM PDT  © Bruno Meneghitti
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| Posted: 08 May 2020 09:30 PM PDT  National Museum of Roman Art. Image © <a href='https://www.flickr.com/photos/pictfactory/2842858053'>Flickr user pictfactory</a> licensed under <a href='https://creativecommons.org/licenses/by/2.0/'>CC BY 2.0</a> As the first ever Spanish architect to receive the Pritzker Prize, Rafael Moneo (born 9 May 1937) is known for his highly contextual buildings which nonetheless remain committed to modernist stylings. His designs are regularly credited as achieving the elusive quality of "timelessness"; as critic Robert Campbell wrote in his essay about Moneo for the Pritzker Prize, "a Moneo building creates an awareness of time by remembering its antecedents. It then layers this memory against its mission in the contemporary world." This posting includes an audio/video/photo media file: Download Now |
| Architecture's Vernacular In A Post-COVID-19 World Posted: 08 May 2020 09:00 PM PDT  Connecticut © Mick Hales Photography As the Great Philosopher, Mike Tyson said, "Everybody has a plan until they get punched in the mouth". The COVID-19 Plague will deeply impact the world of aesthetics. For the first time since League of Nations was founded, a future of universal aesthetics may cease to be the academically sanctioned Architectural Canon. As Markus Breitschmid defines it, in his article "In Defense of the Validity of the 'Canon' in Architecture," the Canon in Architecture is a way to divorce architecture from the rest of the world: "The 'Canon in Architecture' buttresses the autonomy of architecture in two ways. For one thing, it structures our thinking about architecture per se. Secondly, it enables us to contemplate architecture autonomously ('architecture through architecture')". This "Canon in Architecture" is increasingly tone-deaf as each of us are forced, right now in sequestration, to see our world from our own individual places, rather than "the autonomy of architecture". Each of us has always had our own vernacular, our own aesthetic language, now our culture may be rediscovering that in our isolation. This realization counters a century of "Canon". This posting includes an audio/video/photo media file: Download Now |
| Posted: 08 May 2020 08:30 PM PDT  AD Classics: Beinecke Rare Book & Manuscript Library. Image © <a href='https://en.wikipedia.org/wiki/Beinecke_Rare_Book_%26_Manuscript_Library#/media/File:Beinecke-Rare-Book-Manuscript-Library-Yale-University-Hewitt-Quadrangle-New-Haven-Connecticut-Apr-2014-a.jpg'>Wikimedia Commons user Gunnar Klack</a> licensed under <a href='https://creativecommons.org/licenses/by-sa/4.0/'>CC BY-SA 4.0</a> As lead designer of the Lever House and many of America's most historically prominent buildings, Pritzker Prize-winning architect Gordon Bunshaft (9 May 1909 – 6 August 1990) is credited with ushering in a new era of Modernist skyscraper design and corporate architecture. A stern figure and a loyal advocate of the International Style, Bunshaft spent the majority of his career as partner and lead designer for SOM, who have referred to him as "a titan of industry, a decisive army general, an architectural John Wayne." This posting includes an audio/video/photo media file: Download Now |
| Posted: 08 May 2020 07:00 PM PDT  © Zheltikova Anastasia
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| House in Tarumi / Yo Irie Architects Posted: 08 May 2020 04:00 PM PDT  © Takahiro Arai
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| Guangzhou Vanke Cloud / HCD-iDEA Posted: 08 May 2020 02:00 PM PDT  perspective. Image © Guangzhou Vanke Cloud City
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| 35 Spring Street Residential Tower / Bates Smart Posted: 08 May 2020 01:00 PM PDT  © Peter Clarke
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| Posted: 08 May 2020 12:00 PM PDT  Courtesy of archimania
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| Spring City 66 / Kohn Pedersen Fox Posted: 08 May 2020 10:00 AM PDT Ai_Qing_Courtesy_of_KPF.jpg?1588736712 "© Ai Qing") © Ai Qing
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| Sloth's House / Nautilo Arquitetura & Gerenciamento Posted: 08 May 2020 09:00 AM PDT  © Alessandro Guimarães
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| Shed House / Marcos Franchini + Nattalia Bom Conselho Posted: 08 May 2020 07:00 AM PDT  © Jomar Bragança
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| Alice Milliat Gymnasium / Marjan Hessamfar & Joe Vérons architectes associés Posted: 08 May 2020 05:00 AM PDT  © Arthur Pequin
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| From Utopia To Reality: Brasília's 60th Anniversary Posted: 08 May 2020 04:00 AM PDT  © Joana França 50 years ago Clarice Lispector already pointed out how difficult it was to unveil Brasilia: "the two architects did not think of building beautiful, it would be easy; they raised their amazement, and left the amazement unexplained". This year the capital turned 60, and still remains intriguing for scholars, students, and anyone who allows themselves to explore it better. In order to understand the daily life that exists there, we invited six professionals- in the field of architecture and urbanism - who live in the city, to share their visions with us and bring a few more layers that help to build an interpretation of utopia and reality that Brasília currently represents. This posting includes an audio/video/photo media file: Download Now |
| Il Frantoio Building in the Middle of the Olive Grove / Perathoner Architects Posted: 08 May 2020 03:00 AM PDT  © Aldo Amoretti
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| Sinan Books Poetry Store / Wutopia Lab Posted: 08 May 2020 02:00 AM PDT _(15).jpg?1583790867 "© CreatAR Images") © CreatAR Images
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| Open! The Russian Pavilion at the Venice Biennale 2020 Goes Completely Digital Posted: 08 May 2020 01:00 AM PDT The Russian Federation Pavilion announced that its exhibition Open! will "move to an entirely online presence". Coping with the recent outbreak of COVID-19 that led to the postponement of the Venice Biennale 2020, the pavilion will transform into a digital platform, to ensure the continuation of the projects. This posting includes an audio/video/photo media file: Download Now |
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