Arch Daily |
- The Competition-Winning Architecture of 2019
- Sanmen Dafu Kindergarden / Think Logic Design
- Cam Hai House / Idee architects
- Wu Yueshi Art Museum / PROJECT
- Heytea at Longfor Paradise Walk / Super Normal Design
- Foshan New City Village Walkway Bridge / ADARC Associates
- Eaves House / mA-style architects
- Hemingway Martini Apartment / Ciclostile Architettura + Edoardo Morelli
- Why the Fire at Notre Dame Elicited Few Tears in Africa
- Lawford Road Townhouse / OEB
- That ’70s Thing: Why Young Architects Today Are Enthralled by Vintage Technologies
| The Competition-Winning Architecture of 2019 Posted: 11 Jan 2020 08:00 PM PST  Dorte Mandrup's Cultural Building in Norway. Image © MIR While 2019 saw the completion of great works of architecture, it has also been a busy year for unbuilt designs. Whether this consists of imaginary visions intended to broaden horizons and innovations, or practical projects intended for construction, ArchDaily has published a wealth of unbuilt projects throughout the year that have been recognized and celebrated by juries, peers, and institutions. As the year draws to a close, we look back at the top competition-winning architecture of 2019. From built competition-winning entries from the world's leading firms, to student and young architect entries which imagine the architecture of the future, the list offers an insight into what the architecture world has in store for the next year, decade, or even century.  This posting includes an audio/video/photo media file: Download Now |
| Sanmen Dafu Kindergarden / Think Logic Design Posted: 11 Jan 2020 06:00 PM PST  © Qingshan Wu
 This posting includes an audio/video/photo media file: Download Now |
| Cam Hai House / Idee architects Posted: 11 Jan 2020 03:00 PM PST  © Trieu Chien
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| Wu Yueshi Art Museum / PROJECT Posted: 11 Jan 2020 01:00 PM PST  Garden as Before. Image © Haiting Sun
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| Heytea at Longfor Paradise Walk / Super Normal Design Posted: 11 Jan 2020 11:00 AM PST  © Yangsha Ye
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| Foshan New City Village Walkway Bridge / ADARC Associates Posted: 11 Jan 2020 09:00 AM PST  © Yuansheng Studio
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| Eaves House / mA-style architects Posted: 11 Jan 2020 07:00 AM PST  © Kai Nakamura
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| Hemingway Martini Apartment / Ciclostile Architettura + Edoardo Morelli Posted: 11 Jan 2020 05:00 AM PST  © Fabio Mantovani
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| Why the Fire at Notre Dame Elicited Few Tears in Africa Posted: 11 Jan 2020 02:00 AM PST  Notre Dame fire. Image © Fabien Barrau/AFP This article was originally published on Common Edge on Dec 23, 2019.
As 2019 winds down, the media has started its annual ritual of taking stock, compiling lists, looking back. In the architecture world, the year's biggest news story was arguably the Notre-Dame fire. The image of the cathedral's burning roof—a wrenching sight—filled TV and computer screens around the world and occasioned an outpouring of grief, especially in France, where the building holds a central place in the nation's collective consciousness. It was an architectural tragedy as well as a cultural one. No doubt: the April inferno struck at the very heart of France.  This posting includes an audio/video/photo media file: Download Now |
| Posted: 11 Jan 2020 01:00 AM PST  © French + Tye
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| That ’70s Thing: Why Young Architects Today Are Enthralled by Vintage Technologies Posted: 10 Jan 2020 11:00 PM PST  Courtesy flickr/creative commons Designers have fixated on the visual culture that wrought Casio wrist watches and Superstudio. Mario Carpo explores the reasons why.
It began with a watch—actually, two. Last year I was co-tutoring two brilliant master students in a school of architecture in a European country I shall not name. They had started their thesis project with some very idealistic, "accelerationist" views of technology—assuming, in the footsteps of some improbable political theories currently in fashion, that technological change would "accelerate" the final demise of capitalism. Then one day they showed up for their tutorial sporting two identical black Casio digital watches, and I immediately realized that something had gone awry. As if struck by some illumination on their road to Damascus, they explained to me they had concluded that technology should thenceforth be their foe. From that moment, their project turned into a "critical" reinterpretation of some Superstudio projects from the early '70s. For their final presentation, some months later, they set up an installation where everything, right down to some fresh baguettes bought from a baker's next door, was wrapped in carefully executed Superstudio wallpaper—black grid on white background. Most of their friends in attendance were also wearing the same Casio watch, I noticed.  This posting includes an audio/video/photo media file: Download Now |
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