srijeda, 15. lipnja 2022.

Arch Daily

Arch Daily


Punchdrunk Entrance Pavilion / Haworth Tompkins

Posted: 14 Jun 2022 11:00 PM PDT

© Fred Howarth / Haworth Tompkins © Fred Howarth / Haworth Tompkins
  • architects: Haworth Tompkins
  • Location: 1 Cartridge Pl, Royal Arsenal, London SE18 6ZR, United Kingdom
  • Project Year: 2022
  • Photographs: Fred Howarth / Haworth Tompkins

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US and UK Reach Reciprocal Licensing Agreement for Architects

Posted: 14 Jun 2022 10:30 PM PDT

London skyline, the Scalpel by KPF. Image © Hufton Crow London skyline, the Scalpel by KPF. Image © Hufton Crow

Architects' registration boards in UK and US have reached an agreement that will enable architects to benefit from a more straightforward process to get licensed in both countries. The Mutual Recognition Agreement results from a negotiation between the National Council of Architectural Registration Boards (NCARB) in the United States and its United Kingdom counterpart, the Architects Registration Board (ARB).

This agreement is the result of over nearly four years of research and negotiation between NCARB and the ARB. In 2018 NCARB initiated a process of evaluating the requirements for registration in the United Kingdom, comparing it to the licensing process in the US. The analysis found a substantial overlap between the standards in both countries. These similarities form the base of the mutual agreement.

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Sacred Forests: The Dialogue Between Religion and Environmental Preservation in Ethiopian Churches

Posted: 14 Jun 2022 10:00 PM PDT

Photo: © Kieran Dodds, United Kingdom, 3rd Place, Professional, Landscape (Professional competition), 2019 Sony World Photography Awards. Used under fair use terms Photo: © Kieran Dodds, United Kingdom, 3rd Place, Professional, Landscape (Professional competition), 2019 Sony World Photography Awards. Used under fair use terms

“And the Lord God planted a garden in Eden, in the east, where He placed the man He had formed. Out of the ground the Lord God gave growth to every tree that is pleasing to the eye and good for food.”

This is how the Garden of Eden is portrayed in the first book of the bible, Genesis, which describes the origin of the universe and the heavenly place where Adam and Eve were placed. Such a paradise, despite being little characterized in the original words, has been inhabiting the imagination of the faithful and other enthusiasts of the matter for centuries. The scenes of this idyllic place, reinforced by the paintings and sculptures created over time, present a landscape considered ideal, an Edenic nature, expressed many times by the vibrant and contourless color – just like a painting by Monet –, probably emphasizing the representation of the spiritual world, where the image is seen through the contrast of colors, shadows and lights.

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Rozana Montiel Architecture Studio Presents Pavilion for the Biennale of Architecture and Landscape in Versailles

Posted: 14 Jun 2022 09:30 PM PDT

© Sandra Pereznieto © Sandra Pereznieto

Stand Up for the Seas! is an installation designed by Rozana Montiel Architecture Studio for the exhibition Terre! Land in Sight of the Cité de l'architecture et du patrimoine in the framework of the 2nd Edition of the Biennale d'Architecture et du Paysage d'Île-de-France (Bap, 2022) in Versailles. The piece is made of recycled materials (steel, nets and soil) and invites you to walk inside a seine fishing net to experience what it feels like to be trapped. Stand Up for the Seas! is presented as a stand against the conflict of pollution of the seas.

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Invisible Landscapes: When Digital Tools Fail to Document

Posted: 14 Jun 2022 09:00 PM PDT

Aerial view of New Delhi, India - an area only partially mapped by Google Street View. Image © Daily Overview Aerial view of New Delhi, India - an area only partially mapped by Google Street View. Image © Daily Overview

An online search away from any computer are eye-level views of many of the world's cities. This technology is powerful – allowing people to have an in-depth look at the cities they might one day visit, live in, or work in. It's a useful tool for understanding buildings on a more comprehensive level than photographs. This technology is, of course, Google Street View – which recently turned fifteen years old.

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Elisabethlaan Conversion / B-architecten

Posted: 14 Jun 2022 08:00 PM PDT

© Lucid © Lucid
  • architects: B-architecten
  • Location: Berchem, 2600 Antwerp, Belgium
  • Project Year: 2022
  • Photographs: Lucid
  • Area: 5423.0 m2

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Keep House / BKK Architects

Posted: 14 Jun 2022 07:00 PM PDT

© Tom Blachford © Tom Blachford

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Artist’s Residence / A Line Studio

Posted: 14 Jun 2022 06:00 PM PDT

© Sarath Karicheri © Sarath Karicheri

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Kuansan Town Restaurant / MUDA-Architects

Posted: 14 Jun 2022 05:00 PM PDT

central courtyard. Image © Here Space central courtyard. Image © Here Space
  • architects: MUDA-Architects
  • Location: No.20, Second Section of First Ring Road West, Qingyang District, Chengdu, Sichuan Province, China
  • Project Year: 2022
  • Photographs: Here Space
  • Area: 900.0 m2

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School of Biological Science / Kosloff Architecture

Posted: 14 Jun 2022 03:00 PM PDT

© Derek Swalwell © Derek Swalwell

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Lael House / Barefoot Architects

Posted: 14 Jun 2022 01:00 PM PDT

© Justin Sebastian © Justin Sebastian

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Ramen In The Video Game World / 07BEACH

Posted: 14 Jun 2022 11:00 AM PDT

© Yoshiaki Ida © Yoshiaki Ida
  • architects: 07BEACH
  • Location: Ikehara, Okinawa, 904-2141, Japan
  • Project Year: 2022
  • Photographs: Yoshiaki Ida
  • Area: 76.0 m2

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Pavilion House / idsp arquitetos

Posted: 14 Jun 2022 09:00 AM PDT

© Manuel Sá © Manuel Sá

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Unilever Benelux Headquarters / Mecanoo

Posted: 14 Jun 2022 07:00 AM PDT

© Ossip Architectuurfotografie © Ossip Architectuurfotografie
  • architects: Mecanoo
  • Location: Hofplein 19, 3032 AC Rotterdam, The Netherlands
  • Project Year: 2020
  • Photographs: Ossip Architectuurfotografie
  • Area: 8400.0 m2

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Tribut Stadium / OLGGA architectes + SOCKEEL Architectes

Posted: 14 Jun 2022 05:00 AM PDT

© Stephane Aboudaram | WE ARE CONTENT(S) © Stephane Aboudaram | WE ARE CONTENT(S)

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