utorak, 20. veljače 2018.

Arch Daily

Arch Daily


Submit Your Project for the 2018 World Architecture Festival Awards

Posted: 19 Feb 2018 07:05 PM PST

It's time to get your applications ready! Now in its 11th year, the World Architecture Festival will take place in Amsterdam from  November 28 to 30. Organizers expect nearly 500 architectural practices to compete for prizes in over 30 categories. The event moves to the historic Dutch city following two years in Berlin.

The Festival is the world's largest live architecture awards event--all shortlisted architecture projects are presented in person by the architects to an esteemed panel of judges. And this year, nearly half of the 120 judges are expected to be women. 

This year's Completed Buildings final super-jury will be chaired by MVRDV's Nathalie de Vries, and will also include Sir David Adjadye, Li Xiadong and Harvard GSD dean, Mohsen Mostafavi.

The WAF also presents a series of prizes for small projects, best use of color, best use of timber, photography, drawing, and student work. The WAFX awards will also be given to future projects that address specific issues likely to affect architects over the next few years. This year also marks the first presentation of the WAF Research Prize for an initiative addressing issues related to water and the built environment. The £10,000 prize is supported by Grohe, WAF's founder sponsor.

Applicants who submit before April 20, 2018 can take advantage of an early bird rate. And stay tuned for updates on the 2018 World Architecture Festival!

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Borgo Assistito / Giacomo Penco + Matteo Rossetti

Posted: 19 Feb 2018 07:00 PM PST

© Carola Merello © Carola Merello
  • Architects: Giacomo Penco + Matteo Rossetti
  • Location: Via Giovanni Battista Rasario, 20153 Figino MI, Italy
  • Architect In Charge: Giacomo Penco, Matteo Rossetti
  • Design Team: Francesca Grassi, Marco Grazioli, Roberta Pirovano, Giovanni Singarelli
  • Area: 3900.0 m2
  • Project Year: 2016
  • Photographs: Carola Merello
  • Construction Supervision: Raffaele Penco
  • Responsible For Safety At Work: Paolo Rossetti
  • Client: Investire SGR S.p.A.
© Carola Merello © Carola Merello

Text description provided by the architects. As part of an new housing intervention in the Figino district in Milan, an innovative modern multipurpose building (healthcare and elderly housing) becomes the central element which connects the built environment of the residential complex with the natural environment of the fields.

Ground Floor Plan Ground Floor Plan

The ground floor accommodates healthcare functions, such as centre for the treatment of Alzheimer's disease and an assistance centre for disabled people. The first and second floors will host residential units for the elderly. The project is constructed of simple volumes composing a "U" shape open to the south. The volumes weave relationships with surrounding residential buildings, sharing composition rules and materials.

© Carola Merello © Carola Merello

The building displays its social and public character through the entrance's wide glazed-surfaces facing a public square. Panels with a timber finish give rhythm to the facades. They are used for all of the vertical and horizontal surfaces not situated on the same plan as the facade itself: the purpose being to create a contrast between the abstract outside appearance (gray and white tones) and the natural and cozy interior provided for the elderly occupants.

© Carola Merello © Carola Merello

The warm wooden tones also create a harmonious relationship with the surrounding farmland, reflecting the golden tones of the wheat fields which the building reaches into. A South-facing garden, gives the guests the opportunity to relax in a natural environment as well as to enjoy activities such as walking and gardening.

© Carola Merello © Carola Merello

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House NI / 1-1 Architect

Posted: 19 Feb 2018 06:00 PM PST

Courtesy of 1-1 Architect Courtesy of 1-1 Architect
  • Architects: 1-1 Architect
  • Location: Chiryu, Japan
  • Team: Yuki Kamiya, Shoichi Ishikawa
  • Area: 454.0 m2
  • Project Year: 2017
  • Structure Company: Tatsumi Terado Structural Studio
  • Construction Company: Hirata Construction Co., Ltd.
Courtesy of 1-1 Architect Courtesy of 1-1 Architect

Text description provided by the architects. The site is a residential area located in the urbanization control area near Nagoya city, development by developers is rapidly progressing around. The clients are a married couple just before the retirement age and his mother who lived there for many years, and the 50 - year - old wooden house where the owner lives at the time was built on the site. The requirements from them were each private rooms and a large floor area beyond the current situation.

Courtesy of 1-1 Architect Courtesy of 1-1 Architect

Initially it was a request for rebuilding, but we felt a sense of incompatibility when investigating existing houses. When we looked into the ceiling of existing house, there was a dark and large space spreading there, and there was a quiet existence of fine beams structure that we can not be seen recently in modern Japan. Compared to the living space on the first floor, the closed space with dark and large volumes above our head were unbalanced and strange. There are commercial and rapid development occurring around the site and the value of what has been there for many years. It is not a bad thing to change the landscape of the town, but we present one solution that resists the scrap and build of the town, not just leaving or updating with the maximization of esprit that was there for a long time.

Section Section

Specifically, we regard the ceiling surface separating the first floor from the ceiling space as 'boundary', take over the structure consisting of the first floor, the ceiling space and the boundary as the framework of this house and we think about creating a new relationship between the three for changing the way of making each. First, we make new surface to insert new beams between the existing pillars for new boundary after partial disassembly leaving only the wooden frame of existing flat house. Structurally, we can shorten the length of the buckling length of the existing column and the wind pressure by creating a horizontal surface with this new boundary, and at the same time it's the function of earthquake resistance reinforcement.

Courtesy of 1-1 Architect Courtesy of 1-1 Architect

Boundary (floor) in the ceiling space
Ceiling space is created by the relationship between the boundary (floor) and the existing roof / beam structure. The roof and the beam structure remain the existing height, but due to the setting of a new boundary (floor), it becomes a reachable hand, and it is felt like a partition and furniture. Existing structural materials extend the meaning beyond mere roofs and beams. There were no walls in the ceiling space, and we planned a space group by the beam. There is no specific room there, it is possible to change flexibly to satisfy the requested floor area, expansion of living which can not fit on the first floor such as hobbies, invitations of friends and relatives, storage to extend the life that can not fit on the first floor. In addition, by making the walls all open with the height of the roof next house, delivering light and wind from the outside to the first floor while maintaining privacy. On the other hand, from the inside, by opening to the town with the height of the ceiling, the space that was closed in the past creates a moderate distance with the town.

Courtesy of 1-1 Architect Courtesy of 1-1 Architect

Boundary (ceiling) at the first floor
On the first floor, there are private rooms with privacy kept as requested by the client. Each room set up walls to cover the existing pillars and satisfied the requested function. Due to careful observation about connection of inside and outside, privacy, ventilation, daylight, openings of different sizes are planed on the boundary (ceiling) of each room, and the living environment of the first floor is compensated by them.

Courtesy of 1-1 Architect Courtesy of 1-1 Architect

In this project we named 'boundary' which existed there as well as originally, but which was only recognized as the surface of the ceiling. By doing so, we try to give the new meaning to the ceiling space hidden behind in the past. With the newly set boundary, the ceiling space and the rooms on the first floor are mutually compensated. Also, the ceiling space that appears in the town not only changes the interior of the house, but also changes the relationship which is not rapid to the streets.

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Qorveh House / ReNa Design

Posted: 19 Feb 2018 04:00 PM PST

© Reza Najafian, M.H. Hamzehlouei © Reza Najafian, M.H. Hamzehlouei
  • Architects: ReNa Design
  • Location: Qorveh, Iran
  • Lead Architects: Reza Najafian
  • Design Team: Maryam Najafian, Maryam Pourmohsen, Mina Nazmjou, Mohamad Hosein Hamzehlouei, Ojan Salimi, Zahra Foroughi
  • Area: 540.0 m2
  • Project Year: 2017
  • Photographs: Reza Najafian, M.H. Hamzehlouei
  • Construction: Mohsen Nikpey
  • Construction Drawings: Maryam Najafian, Ehsan Marvi, Sahar Bayat
  • Structure: Ali Naghavi
  • Mechanical: Arash Fardyar
  • Electrical: Reza Baghernejad
  • Client: Fereshteh Abdolmaleki
© Reza Najafian, M.H. Hamzehlouei © Reza Najafian, M.H. Hamzehlouei

Text description provided by the architects. Qorveh house is located in 90 km from the centre of Kurdistan province in Iran. According to client's demand, this house is designed in two separate units, a duplex residential unit and a multi-purpose independent living and working suite.

© Reza Najafian, M.H. Hamzehlouei © Reza Najafian, M.H. Hamzehlouei

Accordingly, with regional studies and analyzes on the typology and morphology of adjacent neighbourhoods in a new urban area, which led to the production of two-dimensional graphics with no architectural value the efforts have been devoted to exhibiting this project as a sculptural mass made of a permanent and authentic material.

Facade Connection Facade Connection
Mass Process Mass Process

The rhythmic use of brick as a genuine and old material is a delightful melody, which combines with today's aesthetics and forms a masterpiece with advanced technical details.

© Reza Najafian, M.H. Hamzehlouei © Reza Najafian, M.H. Hamzehlouei
Wall Section Detail Wall Section Detail
© Reza Najafian, M.H. Hamzehlouei © Reza Najafian, M.H. Hamzehlouei

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Jiezi Ancient Town Meiyi Square / Beijing Huaqing An-design Architects

Posted: 19 Feb 2018 02:00 PM PST

Meiyi Square Visitor Center West Entrance Corridor. Image © ARCH-EXIST Meiyi Square Visitor Center West Entrance Corridor. Image © ARCH-EXIST
  • Architects: Beijing Huaqing An-design Architects
  • Location: Jiezi Town, Chongzhou City, Chengdu, Sichuan, China
  • Architect In Charge: Jianyu Pu
  • Design Team: Boying Liu, Bing Pu, Shasha Wu
  • Client: Chengdu liuli tourism investment and Development Co., Ltd.
  • Area: 12000.0 m2
  • Project Year: 2015
  • Photographs: ARCH-EXIST, Jianyu Pu
Meiyi Square Visitor Center Side View. Image © ARCH-EXIST Meiyi Square Visitor Center Side View. Image © ARCH-EXIST

Text description provided by the architects. Meiyi Square, center of the extensive natural landscape of Jiezi Ancient Town, near the hills and rivers, faces the main street of the ancient town. It is the planned entrance and tourist center of the ancient town along Weijiang River and Mount Fengqi. From Qingluan Park to Meiyi Square, it is expected to appreciate the scenery through the organization of landscape order, spatial intention and visual impression, which manifests the people and environment, stories and poem thus filling people's minds with a myriad of thoughts.

Ground Floor Plan Ground Floor Plan

The architectural design features the forms of the traditional residence of the ancient town with the neighboring relations of the mountains, water and ancient village as well as urban design of the new urban area as the scale and background. Themed with the natural landscape, the architecture intends to seek modesty with inner space self-control and purity of formal language which is consistent with the meteorology.

Meiyi Square Pano View. Image © ARCH-EXIST Meiyi Square Pano View. Image © ARCH-EXIST

The design combines the features of local architecture contour as the façade, enclosed by carbonized original bamboo and anti-weathering bamboo materials and composed of the metal roof ribs with original bamboo attached, showing the composure of time and climate, standing aloof from worldly success. Bamboo, as everyday landscape and elements of local life and production with rustic quality and texture, is reflected in the theme of the building.

Meiyi Square Roof Bamboo Materiral Texture. Image © ARCH-EXIST Meiyi Square Roof Bamboo Materiral Texture. Image © ARCH-EXIST

The construction volume is blanked and weakened to obtain overall rationality, concision and neutrality of the architectural complex, thus classical mood is conveyed in unity with the environment. The architectural color conforms to the environment harmoniously by means of natural performance of undecorated materials.

Meiyi Square Visitor Center Perspective View. Image © ARCH-EXIST Meiyi Square Visitor Center Perspective View. Image © ARCH-EXIST

The design means to balance the excavation of earthwork and the mounds of the landscape<YuanQiu> according to the relationship of site topography and cross-section of the buildings. And the ring corridor and deep eaves could improve the climate adaptability of the site.

Meiyi Square Visitor Centre Roof Material Texture. Image © ARCH-EXIST Meiyi Square Visitor Centre Roof Material Texture. Image © ARCH-EXIST

Vertical arrangement of original bamboo makes it possible to form the shade on the façade. Structure, mechanical construction and air flow cavity shaped between the surface original bamboo and curtain walls, together with built-in and embedded patio and the skylight above the roof, formed both indoor and outdoor air distribution system in the summer.

Meiyi Square Visitor Center Interior . Image © ARCH-EXIST Meiyi Square Visitor Center Interior . Image © ARCH-EXIST

The landscape design, connecting the north end of Qingluan Park and including water surface, hillock and plums, quiet and introverted, creates a perfect place to enjoy the cool air in summer with water introduced from the drainage circling and reflecting the architecture. Calm and delightful. 

Meiyi Square Corridor. Image © Jianyu Pu Meiyi Square Corridor. Image © Jianyu Pu

Qingluan Park is an important path for the tourists to walk along the river. Emphasizing the natural landscape, the site planning not only takes advantage of aesthetic strategy, but also closely linked to tourism and local economic and cultural activities in the future, bringing health and vitality. As an extended leisure venue and natural habitat of the town, it will become a public green carpet inclusive of sightseeing, gathering, leisure, etc.

Pano Drawings Pano Drawings

Continuing the human temperament of this ancient town, the general plan fits the structure and rhythm of "introduction, elucidation, transition and summing up" of classical poems perfectly, simulating narrative and emotional elaboration, making touring an experience with artistic conception.

Meiyi Square Interior Courtyard. Image © ARCH-EXIST Meiyi Square Interior Courtyard. Image © ARCH-EXIST

The setting of the square, route and nodes are related to sight and scene feelings of the natural landscape when traveling. The traveling routes are various, passing through a series of comparative space, including tall tress, open lawn, calm water, low-lying land and shallow hills. Following the waterside path, fluctuating between the river and the terraces, the tourists will associate the unscrupulous Argusianus argus flying through the water surface.

Meiyi Square Visitor Center Front Facade. Image © ARCH-EXIST Meiyi Square Visitor Center Front Facade. Image © ARCH-EXIST

Among the straw reed, natural beach is developed owing to the deposition of the sand brought by the river, which can be a waterfowl habitat. Climbing the stairs, the tourist will reach Luan stage. Here, an open green theatre is formed by the river through the expansion of the earth-sheltered architecture, so the large-scale public space can be a place for romantic gathering, leisure, games, sports as well as holding cultural activities. The heaven and the earth integrate harmoniously among the landscape.

Meiyi Square Broken Bridge Water Landscape. Image © ARCH-EXIST Meiyi Square Broken Bridge Water Landscape. Image © ARCH-EXIST

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The House with Plants / KamakuraStudio

Posted: 19 Feb 2018 12:00 PM PST

© Nacasa & Partners © Nacasa & Partners
  • Architects: KamakuraStudio
  • Location: Katsushika-ku, Japan
  • Architect In Charge: Keisuke Fukui, KeisukeMorikawa
  • Area: 95.61 m2
  • Project Year: 2017
  • Photographs: Nacasa & Partners
  • Other Participants : Katsuyuki Ando(DAIKO ELECTRIC CO.,LTD.
© Nacasa & Partners © Nacasa & Partners

Text description provided by the architects. The house before rebuilding had stayed in the shadow because the location that had been surrounded by many buildings had been bad.

© Nacasa & Partners © Nacasa & Partners

That's why the room hadn't got much sunlight, and the potted plants that had been outside had been losing their energy in the dimly-lit place.

So we started designing the best places for plants with the owner who loves plants.

© Nacasa & Partners © Nacasa & Partners

First of all, we set up the garden on the second floor of the north side which has been the best place of getting a lot of sun and hasn't backlit. And then we put some plants in it.

Secondly, we tilted the ceiling that we coated the surface of with reflective material.

© Nacasa & Partners © Nacasa & Partners

By doing so, we have projected the shape of  the plants that can not be seen from the first floor as a virtual image on the ceiling.

1st Floor Plan 1st Floor Plan
© Nacasa & Partners © Nacasa & Partners
2nd Floor Plan 2nd Floor Plan

On the second floor, there has been the space that is full of greenery and it's as if  we were absorbed in looking into a kaleidoscope of plants.

© Nacasa & Partners © Nacasa & Partners
Section Section
© Nacasa & Partners © Nacasa & Partners

We expect that the space which the plants and architecture create has people who adapt to diverse changes like day-to-day moment by moment feel pleasure.

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Bangkok International Preparatory & Secondary School II / Plan Architect

Posted: 19 Feb 2018 11:00 AM PST

© PanoramicStudio © PanoramicStudio
  • Architects: Plan Architect
  • Location: Sukhumvit 77, Khwaeng Suan Luang, Khet Suan Luang, Krung Thep Maha Nakhon 10250, Thailand
  • Design Team: Wara Jithpratuck, Jittinun Jithpratuck, Pich Chinmahavong, Nathida Sornchumni
  • Area: 19200.0 m2
  • Project Year: 2017
  • Photographs: PanoramicStudio
  • Landscape Designer: Sanitas Studio
  • Interior Designer: Hybrid Design
  • Client: System Little House Co., Ltd.
  • Cost: 500,000,000 Thai Baht (15,660,000 US dollars)
© PanoramicStudio © PanoramicStudio

Text description provided by the architects. The new campus of Bangkok International Preparatory & Secondary School is located among the residential community in Sukhumvit 77 Road, near Onnut BTS Skytrain station. Working together closely with the school, this campus is designed fully dedicated to secondary students of the school which could hold up to 750 students. The whole campus consist of 3 main building, each has its own unique function.

© PanoramicStudio © PanoramicStudio
Layout Layout
© PanoramicStudio © PanoramicStudio

The first building to be seen when arrived is the administrative building which has a wide opening which creates warm welcoming space for all. In the same building, located above, is a fully equipped sports complex which consists of facilities such as Olympic size swimming pool, 2 full-size basketball courts, gymnastic hall, fitness, dance studio, etc.

© PanoramicStudio © PanoramicStudio

In the middle of the two building is the Creative Art Center, which is the home for art and music lover in the school. It consists of a recording studio, electronic lab, wood workshops, auditorium, etc. The main circular stairs are located in the middle of the building to link each space together from 1st floor to the top.

Sections 1 Sections 1

The third building is a 6-storey educational building. Each floor has its own unique common area which gives students more living space to learn and play. The library is located on the ground floor with the high ceiling design making the library even cosier and relax.

© PanoramicStudio © PanoramicStudio

Every building is directly connected to the football field on the ground level. On this level, the landscape flows continuously from outside into the inside of the buildings and tied each building together. This creates a unique circulation among spaces in the school as students walk pass by.

© PanoramicStudio © PanoramicStudio

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Ramos House / JJRR/Arquitectura

Posted: 19 Feb 2018 09:00 AM PST

© Fernando Marroquin © Fernando Marroquin
© Fernando Marroquin © Fernando Marroquin

Text description provided by the architects. The RAMOS House refers to the Case Study Houses (CSH) program in the mid-40's. It is projected on a very particular site with a practically triangular shape.

Lower Floor Plan Lower Floor Plan

One of the sides of the triangle was taken to move the house parallel to that axis; this decision was reached to take advantage of the south orientation and the green views, turning their back on the adjoining areas.

© Fernando Marroquin © Fernando Marroquin

The house is developed on three levels.
The basement level leads to parking and services taking advantage of the unevenness between one side of the triangular site and the other, leaving these under the house and garden.

© Fernando Marroquin © Fernando Marroquin

In the first level are the social areas; living room, kitchen room, kitchen, at the same level as the garden, being able to appreciate practically all the spaces the garden.

© Fernando Marroquin © Fernando Marroquin

The second level is where the bedrooms are. the level is a volume resting on its ends, giving an apparent lightness to the front façade. All this level has views to the garden and to the outside of the site, appreciating a very wooded area, as well as having a large terrace.

Upper Floor Plan Upper Floor Plan

By using materials such as steel, concrete and  stone, a luxury residential house with a not very high budget was achieved.

© Fernando Marroquin © Fernando Marroquin

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HNI Corporate Headquarters / Neumann Monson Architects

Posted: 19 Feb 2018 07:00 AM PST

© Subtle Light Photography © Subtle Light Photography
  • Contractor: Calacci Construction Company, Inc.
  • Interior Designer: IA Interior Architects
  • Structural Engineer: Raker Rhodes
  • Mechanical: Hornbuckle Heating & Air Conditioning
  • Plumbing: Hometown Plumbing & Heating
  • Civil Engineer: Martin & Whitacre
© Subtle Light Photography © Subtle Light Photography

Text description provided by the architects. This intervention for a furniture company instils existing facilities with a campus identity celebrating the company's transparent relationship with its hometown. Founded in 1944, the company moulded itself on a mission to provide a great place to work and treat everyone—employees, customers, suppliers, shareholders, and the community—with respect. However, the company's facilities, which straddle downtown's main entry, had congested into opaque warehouses stitched with service bridges. The buildings presented the town's main thoroughfare with an oppressive canyon of windowless walls, ventilation louvres, and corrugated steel.

© Subtle Light Photography © Subtle Light Photography
Floor Plans Floor Plans
© Subtle Light Photography © Subtle Light Photography

Amidst the clutter, the company saw an opportunity to re-align with its ideals and provide downtown a fitting urban gateway. Razing two warehouses opens a plaza on axis with the company's historical headquarters. Glazing the incision on the remaining warehouses communicates the company's belief in transparency by providing a window into the corporation's heart. The brick structures initially renovated to showcase R&D, have been adopted as the new HQ. Original materials re-appear throughout, from wall finishes to furniture to stair treads.

© Subtle Light Photography © Subtle Light Photography

Glazed conveyor bridges amplify the architecture into urban design. Their prominence underscores the value of the continuous conveyor snaking through the complex to the distribution centre. As the manufacturer's lifeblood, it would have been financially disastrous for the belt to disconnect during construction. Rigorous sequencing rerouted its course, balancing experience with productivity. With a few surgical modifications, what was once an outwardly inert mechanism now expressively knits the campus, kinetically activating it—and the entry to downtown—with the company's operational flow.

© Subtle Light Photography © Subtle Light Photography

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OMA's Colorful Base, Tower and Ring Scheme Wins Competition for New Courthouse in Lille, France

Posted: 19 Feb 2018 06:00 AM PST

Concept model showing the 3 principle volumes. Image Courtesy of OMA Concept model showing the 3 principle volumes. Image Courtesy of OMA

OMA has been selected as the winner of an international competition for the design of the new Palais de justice (courthouse) in Lille, France. Located on the outskirts of the city near the historic Vauban fortifications, the new courthouse will house the high court and district court of Lille within a colorful, expressive volume.

Led by Ellen van Loon and Rem Koolhaas, OMA's design team has developed a "multifaceted building that is able to address a wide range of different elements from the city's past and present." Public services and the major courtrooms will be located at the building base, while minor courtrooms and supporting spaces will be contained within a central, triangularly-shaped tower. A ring of offices floating over the base will surrounding the tower, offset to allow natural light to pass through the building.

Each of the three core volumes will be uniquely represented in material and detail, while interiors spaces will stress the importance of comfort and transparency in the judicial process.

"The interiors of each of the building's components are conceived to make all the procedures of justice accessible, even inviting, free of the intimidation that has traditionally been the main characteristic of the architecture of justice," explain the architects. 

OMA has an extensive relationship with the city of Lille, having designing the masterplan for the new Euralille district in 1989 and the Congrexpo conference and exhibition center in 1994

The Palais de justice project is being developed in collaboration with Saison Menu, WSP, BMF and Quadrim, with an expected completion slated for 2023.

News via OMA

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Plaine des Sports / OLGGA Architects + Atelier CAMBIUM

Posted: 19 Feb 2018 05:00 AM PST

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS
  • Other Participants: ITH / Calixte Tinard / A+R Salles / Sedes / Bilto Ortega
  • Landscape: 88 845 m²
© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

Text description provided by the architects. The site is located north of the town in a location known as "Les Pins de Gouaillard et la Liberté" alongside the 824 Departmental road.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS
Axonometric Axonometric

The main access is from Avenue des Lacs via the Chemin du Golf. A country road, that crosses the site, gives access to pedestrians and cyclists, notably from Lac de Christus.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS
Existing Fauna Existing Fauna
© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

The sports complex includes 4 rugby and football fields, a 500-seat stand, changing rooms, a clubhouse, a children's playground, a multi-activity area with an athletics track, and a freely accessible sports/nature area.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS
© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

The Plaine des Sports project is just as much about architecture as it is about landscape. We sought to propose an orthogonal composition, a clean rectangle that encloses the sports facilities, framed by the playing fields service roads.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

Encumbered by many ecological constraints throughout the entire site (the presence of protected species such as the false ringlet butterfly coenonympha oedippus and the European Nightjar caprimulgus europaeus and the proximity of wetlands and the Gouaillard stream) that influenced our design to produce Plaine des Sports, a dense and efficient area.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

The stand acts as an architectural signal, a line in the landscape visible in both directions from the 824 Departmental Road. Perpendicular to the road, its location makes it visible in a "green tracking", a careful balance between planting and the presence of technical equipment (lighting masts, ball nets).

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

The stand emerges subtly from the ground, embedded into the site topography. The two levels of facilities absorb the natural slope of the site. This layout meets the functional requirements with facilities open to the public on the ground floor and spaces dedicated to sportsmen in continuity with the main playing field.

Section Section

The entrance sequence, from the forecourt through the filter barriers in timber stakes on towards the stand ambulatories, gives spectators a panoramic view over the Plaine des Sports.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

Consistent with our design intent, planned as "sports terraces", the playing fields are linked in successive degressive steps along a west-east axis. The site slopes down 7m from its north-west highpoint.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

Outbuildings dedicated to plant and changing rooms create a second architectural focus in the landscape. Wedged between playing fields #2 and #3, this simple building is covered with timber sheets that project beyond its gables. These facades act as a reference point within site.

© Stephane Aboudaram | WE ARE CONTENTS © Stephane Aboudaram | WE ARE CONTENTS

In addition to a Plaine des Sports, our proposal provides a park for open air activities, inhabited by regional species due to the attention given to the surrounding environment.

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Calatrava and Gehry Rumored to Be Designing Skyscrapers for New York’s Hudson Yards Megaproject

Posted: 19 Feb 2018 04:00 AM PST

A photograph of Hudson Yards from October 2017. Image Courtesy of Related-Oxford A photograph of Hudson Yards from October 2017. Image Courtesy of Related-Oxford

New York City's most buzzy megaproject, Hudson Yards, may have just added two more huge names to their list of notable architects, if a new report from the Wall Street Journal is to be trusted.

According to a source the WSJ describes as "a person familiar with the matter," Santiago Calatrava and Frank Gehry will both design new residential towers for the second phase of the 28-acre complex, located at the north end of the High Line in west Manhattan.

Hudson Yards. Image Courtesy of Related-Oxford Hudson Yards. Image Courtesy of Related-Oxford

Being developed by the joint team of Related Cos. and Oxford Properties Group, Hudson Yards already has projects underway by top architects including Foster + Partners (50 Hudson Yards); Skidmore, Owings & Merrill (35 Hudson Yards); KPF (several buildings including 10 and 30 Hudson Yards); Heatherwick Studio (the interactive sculpture, Vessel); and Diller Scofidio + Renfro in collaboration with Rockwell Group (the Shed and 15 Hudson Yards).

The second phase, due to begin in 2018, will see the western half of the old trainyard covered, and will be comprised of mainly residential buildings.

Two of architecture's most recognized names, Calatrava and Gehry have completed only a small number of projects in New York City – though their few contributions, including Calatrava's $4 billion World Trade Center Transportation Hub and Gehry's shimmery residential tower at 8 Spruce Street, have been among the most talked-about projects of the century thus far.

News via Wall Street Journal, H/T Curbed.

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L’Angolo Estate / LEVER Architecture

Posted: 19 Feb 2018 03:00 AM PST

© Jeremy Bittermann © Jeremy Bittermann
  • Architects: LEVER Architecture
  • Location: Newberg, OR 97132, United States
  • Lead Architects: Thomas Robinson, Michael Gross, Scott Miller
  • Area: 2200.0 ft2
  • Project Year: 2016
  • Photographs: Jeremy Bittermann
  • Owner: L'Angolo Estate
© Jeremy Bittermann © Jeremy Bittermann

Text description provided by the architects. This new family-owned winery is located on 23 acres outside of Newberg, Oregon in Yamhill County. The goal was to create a tasting room experience that reflects the family's approach to winemaking—a direct expression of the Oregon soils and climate without embellishment.

© Jeremy Bittermann © Jeremy Bittermann
Ground Floor Plan Ground Floor Plan
© Jeremy Bittermann © Jeremy Bittermann

Our intent was to reflect this winemaking philosophy with a design that connects to the vineyard experience while also responding to the views, climate, and Oregon's emerging identity as a producer of great wine. Inspired by the broad canopied native Oregon oak trees that populate the valley, two cantilevered roof structures interlock at the point of arrival to the tasting room.

Sunlight and Air Flow Diagram Sunlight and Air Flow Diagram

The public space opens to the vineyard and valley to the north, south, and east with a structural wood glazing system. Two large sliding doors centred on the tasting room bar bring the vineyard into the space but also serve as a passive cooling system in the summer when used with the upper clerestory windows.

© Jeremy Bittermann © Jeremy Bittermann

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MCHAP Reveals Nominees for Mies Crown Hall Americas Prize 2016/2017

Posted: 19 Feb 2018 01:40 AM PST

© Dean Kaufman. ImageGrace Farms de SANAA, la obra ganadora del Mies Crown Hall Americas Prize 2014/2015 © Dean Kaufman. ImageGrace Farms de SANAA, la obra ganadora del Mies Crown Hall Americas Prize 2014/2015

The Mies Crown Hall Americas Prize has revealed the list of nominees for this year's awards, which seeks to recognize the most distinguished architectural works built on the continents of North and South America. Awarded on a biennial basis, this year's award will consider projects built between 2016 and 2017.

Courtesy of MCHAP Courtesy of MCHAP

In March, the award jury of architects, curators, writers, editors and other creative minds will convene to select the projects that for the prize shortlist. This list will be announced in April, with the announcement of finalists to come in June. Hosted by the Illinois Institute of Technology (IIT), the winner will be honored in a grand prize ceremony at Mies van der Rohe's iconic Crown Hall in October. Last year, top honors went to SANAA's Grace Farms in New Canaan, Connecticut, USA.

During the month of April, the organization will also announce the results of the MCHAP.emerge award, a prize that honors a project completed within the last two years in the Americas by an emerging practice.

This year's Mies Crown Hall Americas Prize nominees include:

Una Arquitetos
239 House
São Paulo, Brazil

Sebastian Irarrázaval
2Y House
Colico Lake, Chile

FXCollaborative
35XV
New York, United States

Preston Scott Cohen & Carl Dworkin
A. Alfred Taubman Wing of the Art and Architecture Building
Ann Arbor, United States

Enrique Santillana, Jorge Draxl, Cynthia Seinfeld, Juan Carlos Burga and Jonathan Warthon
Academic Building Complex PUCP
Lima, Peru

BLT arquitectos
Acaece mall and public plaza
Córdoba, Argentina

Guillermo Hevia G. + Guillermo Hevia
Aceros Chile Service Buildings
Santiago, Chile

Laura Sánchez Penichet, Carlos Rodríguez Bernal / SPRB arquitectos
Acolhuas House
Guadalajara, Mexico

Torres+Harada+Reutter+Straub Architects
After Dome _ YAP
Santiago, Chile

Leonmarcial Arquitectos
Alcanfores Building
Lima, Peru

Lawrence Scarpa
Angle Lake Station
Seatac/Seattle Airport, United States

Mirene Elton and Mauricio Léniz
Arauco Cultural Center
Arauco, Chile

Matheus Seco - BLOCO Arquitetos
Aresta House
Brasília, Brazil

Emilio Garateguy + Ignacio Trecca
Arquitectura Rifa House G2010
Ciudad de la Costa, Uruguay

Fernando Ituarte
Art Collection Warehouse and Gallery
Mexico City, Mexico

John and Patricia Patkau
Audain Art Museum
Whistler, Canada

Alejandro Valdés / Cristóbal Amunátegui
Avenida Italia Shop
Santiago, Chile

Cristóbal Tirado + Silvia Barbera y Jorge Batesteza
Aysén State Museum
Coyhaique, Chile

Siamak Hariri
Bahá'í Temple of South America
Santiago, Chile

LegoRogers (LEGORRETA and Rogers Stirk Harbour + Partners)
BBVA Bancomer Tower
Mexico City, Mexico

Matsys
BHP Pavilion at Confluence Park
San Antonio, United States

FBM Architecture and Interior Design
Bible Hill Consolidated Elementary School
Truro, Canada

Smiljan Radic - Eduardo Castillo - Gabriela Medrano
Bio Bio Regional Theatre
Concepcion, Chile

MARIANA LEGUIA
Bridge House
Port Sydney, Canada

Aniket Shahane
Brooklyn Row House 1
Brooklyn, United States

Arch. Pablo Gagliardo
Building Pueyrredón 1101
Rosario, Argentina

Adamo-Faiden
Catalinas Plaza
Buenos Aires, Argentina

Entre Nos Atelier
Cave of Light (SIFAIS)
La Carpio, Costa Rica

Aleph Zero + Rosenbaum
Children Village
Formoso do Araguaia, Brazil

UNDURRAGA DEVES ARQUITECTOS
Chilean Pavilion Expo Milan
Temuco, Chile

Arquitetos Associados
Claudia Andujar Gallery
Brumadinho, Brazil

Rozana Montiel Saucedo
Common Unity
Mexico City, Mexico

Rozana Montiel Saucedo
Court
Lagos de Puente Moreno, Mexico

Michael Maltzan, FAIA
Crest Apartments
Van Nuys, United States

Coordinadora de la Ciudad (en Construcción) - CITIO (Ciudad Transdisciplinar)
Cultural Center - Comunal Kitchen "San Martín del Once"
Lima, Peru

SurrealEstudio Arquitectura
Cypress houses
Cuenca, Ecuador

NADAAA
Daniels Building
Toronto, Canada

Alberto Campo Baeza
DOMUS AUREA
Monterrey, Mexico

Batay-Csorba Architects
Double Duplex
Toronto, Canada

Höweler + Yoon Architecture
Downtown Crossing Amphitheater and Plaza
Boston, United States

Bernardo Hernández [AM30] + Emilia Sartoris [AM30] + Stephane Arriola
EC House
Atemajac de Brizuela, Mexico

David Benjamin
Embodied Computation Lab
Princeton, United States

Brian MacKay-Lyons
Enough House
Upper Kingsburg, Canada

Natura Futura Arquitectura
Entre Bloques House
Babahoyo, Ecuador

Héctor Barroso
Entrepinos
Valle de Bravo, Mexico

Edgar Mazo
Entrerrios Educational Park
Entrerrios, Colombia

MORINI ARQUITECTOS
EXPERIMENTA 21
Córdoba, Argentina

Fernando Pérez Oyarzún
FACULTY OF ARTS ACADEMIC BUILDING, PONTIFICIA UNIVERSIDAD CATOLICA DE CHILE, SANTIAGO, CHILE.
Santiago de Chile, Chile

Juan Ignacio Ramos & Ignacio Ramos
Figueras Polo Stables
General Rodríguez, Argentina

Michel Rojkind
Foro Boca Concert Hall
Boca del Rio, Mexico

Giancarlo Mazzanti Sierra
Fundación Santa Fé de Bogotá Hospital Expansion
Bogotá, Colombia

C3 Arquitectos
Galapagos House
Poncitlan, Mexico

Juan Alfonso Garduño Jardon,
GG House
Queretaro, Mexico

Max Nuñez
Ghat House
Cachagua, Chile

Federico Marinaro
Graphic supplies logistics center
Rosario, Argentina

Elizabeth Whittaker
Grow Box
Lexington, United States

BVO/ARQ
Grupo Santander Corporate Offices
Parque Batlle Heritage District, Montevideo, Uruguay

NMD NOMADAS
Guaparo House
Valencia, Venezuela

Alejandro Haiek Coll
Gyroscopic House
Barquisimeto, Venezuela

Marcelo Gualano
Hampton by Hilton Montevideo Carrasco
Montevideo, Uruguay

Marlon Blackwell
Harvey Pediatric Clinic
Rogers, United States

Estudio Borrachia
Holmberg house
C.A.B.A, Argentina

Patrick Dillon
House for a Violinist
Playa Destiladeros, Pedasi, Panama

O ROMAN
HOUSE GB
Lima, Peru

Cristián Izquierdo L.
House in Morrillos
Lagunillas, Morrillos beach, Chile

FBM Architecture and Interior Design
House in Scotch Cove
East Chester, Canada

Betsy Williamson and Shane Williamson
House on Ancaster Creek
Ancaster, Canada

MCM+A taller de arquitectura
Housing Complex Ex Hotel Colonial
Quito, Ecuador

Una Arquitetos
Huma Klabin Residential Building
São Paulo, Brazil

Marc Fornes
HYPARBOLE
Providence, United States

Agustín Landa Ruiloba y Rolando Martínez
Il Mercato Gentiloni
Saltillo, Mexico

PLUG architecture/Román Cordero and Izbeth Mendoza
INFILTRATED PATIO
Mérida, Mexico

Taller | Mauricio Rocha+Gabriela Carrillo|
Iturbide Studio
Mexico City, Mexico

SO – IL
Jan Shrem and Maria Manetti Shrem Museum of Art
Davis, United States

KPMB Architects
Julis Romo Rabinowitz Building & Louis A. Simpson International Building, Princeton University
Princeton, United States

KPMB Architects
Kellogg School of Management, Northwestern University
Evanston, United States

WEISS/MANFREDI Architecture/Landscape/Urbanism
Kent State Center for Architecture and Environmental Design
Kent, Ohio, United States

WORKac
Kew Gardens Hills Library
Queens, United States

Irene Gardpoit, Eiri Ota
Lake Cottage
Bolsover, Canada

Sandra Barclay - Jean Pierre Crousse
Learning Landscape - Piura University
Piura, Peru

Steven Holl
Lewis Arts Complex, Princeton University
Princeton, United States

Gonzalo Mardones V.
Lo Barnechea Municipality
Lo Barnechea, Santiago, Chile, Chile

Arturo Lyon Gottlieb
MAJADAS DE PIRQUE HOTEL
Pirque, Chile

Arzubialde Arquitectos. Santiago Baulíes, Martín Cabezudo, Franco Piccini
Mandel 3 Residential Building
Santa Fe de la Vera Cruz, Argentina

Una Arquitetos
Mantiqueira house
São Bento do Sapucaí, Brazil

OMA New York
Manus x Machina: Fashion in an Age of Technology
New York, United States

M42K Lab_Sandra Iturriaga
MAPOCHO 42K
Santiago, Chile

Una Arquitetos
Maria Antonia's University Center
São Paulo, Brazil

Lorcan O'Herlihy
Mariposa1038
Los Angeles, United States

EPArquitectos + Estudio Macías Peredo
María Montessori School Mazatlan
Mazatlán, Mexico

Santiago Arango and Camilo Arango
Matorral
Medellin, Colombia

Marcela González Veloz
15th
Monterrey, Mexico

Sebastián Monsalve Gómez
Medellín River Parks Phase 1A
Medellín, Colombia

Desai Chia Architecture with Environment Architects
Michigan Lake House
Northport, United States

Ana Belvet Echevarria de Gracia
Midwife House
Kokil (Tenejapa), Mexico

Michael Maltzan, FAIA
Moody Center for the Arts at Rice University
Houston, United States

Carreño Sartori arquitectos
Municipal Gym of Salamanca
Salamanca, Chile

Rodrigo Carazo Ortiz
Murray Music House
Barva, Costa Rica

Toyo Ito & Associates, Architects
Museo Internacional del Barroco
Puebla, Mexico

Dal Pian Arquitetos
NASP HEADQUARTERS
São Paulo, Brazil

Allied Works
National Music Centre of Canada
Calgary, Canada

Atelier Big City
NDG Cultural Centre
Montréal, Canada

Pezo von Ellrichshausen
Nida house
Navidad, Chile

Francisco Gonzalez Pulido
Orchid Educational Pavilion
Oaxaca City, Mexico

Ajay Manthripragada
Page House
Berkeley, United States

Moneo Brock
Parish Church in Pueblo Serena
Monterrey, Mexico

Marcio Kogan
Pasqua house
Porto Feliz, Brazil

ese colectivo arquitectos
Patch House
Quito, Guayllabamba, Ecuador

OMA New York
Pierre Lassonde Pavilion Musée national des beaux-arts du Québec
Quebec City, Canada

Andrea Panizzo
Place Tapis Rouge
Port-au-Prince, Haiti

Manteola, Sánchez Gómez, Santos, Solsona, Sallaberry, Vinsón arquitectos
PRO.CRE.AR Buenos Aires Station Sector 10
Barracas, Argentina

Estudio Macías Peredo
Punta Caliza Holbox Hotel
Lázaro Cárdenaz, Mexico

Actuemos Ecuador
Renacer de Chamanga Community House
Chamanga, Ecuador

el taller de (S)
Residential Passages
Bogota, Colombia

Pezo von Ellrichshausen
Rode house
Chiloe Island, Chile

Federico Javier Ochoa
Saint Father Brochero Chapel
Villa Cura Brochero, Argentina

Carla Juaçaba
Santa Teresa House
Rio de Janeiro, Brazil

Taller Aragonés / Miguel angel Aragonés
Sea Inside
San Jose Del Cabo, Mexico

Paulo Mendes da Rocha
SESC 24 de Maio
São Paulo, Brazil

Sandra Barclay - Jean Pierre Crousse
Site Museum of Paracas Culture
Paracas, Peru

Ivan Terry, Alex Terry
Skyline House
Oakland, United States

Traditional huave´s knowledge in colaboration with Cooperación Comunitaria
Social reconstruction of habitat in the Isthmus of Tehuantepec: Reinforced traditional kitchen
San Francisco del Mar, Mexico

David Leven and Stella Betts, LEVENBETTS
Square House
Stone Ridge, United States

Antón García-Abril & Débora Mesa: Ensamble Studio
Structures of Landscape @Tippet Rise Art Center
Fishtail, United States

Coarchitecture
Tanguay store in Trois-Rivieres
Trois-Rivières, Canada

Ferrando - Goyos - Martirena - Olascoaga - Souto
TE+A - "Torre Ejecutiva" Annex Building
Montevideo, Uruguay

metro arquitetos
Technological Institute of Aeronautics (ITA)
são jose dos campos, Brazil

Gregory Henriquez
TELUS Garden Office
Vancouver, Canada

PRODUCTORA + Isaac Broid
Tepanzolco Cultural Center
Cuernavaca, Mexico

Brasil Arquitetura Studio
The Backland's Quay Museum
Recife, Brazil

Marion Weiss, Michael A. Manfredi
The Bridge at Cornell Tech
New York, NY, United States

Pierre Thibault
The bridge house
Shawinigan, Canada

Sebastián Calero Larrea
THE CABIN
Quito, Ecuador

Oyler Wu Collaborative
The Exchange
Columbus, United States

Kai-Uwe Bergmann
The Grove in Grand Bay
Miami, United States

Marlon Blackwell Architects
The Lamplighter School Innovation Lab
Dallas, United States

de Leon & Primmer Architecture Workshop
The Owsley Brown II History Center, The Filson Historical Society
Louisville, United States

Lawrence Scarpa
The SIX Affordable Veterans Housing
Los Angeles, United States

Maxi Spina & Jia Gu / Spinagu
Thick
Los Angeles, United States

MOBIL Arquitectos
Tierra Chiloé Hotel
Castro, Chile

María Victoria Besonías, Guillermo de Almeida
Torcuato House Pavilion
Malvinas Argentinas, Argentina

EC3
True North
Detroit, United States

Barkow Leibinger
TRUMPF Smart Factory
Hoffman Estates, Chicago, United States

51-1 Arquitectos
Tudor House
Lima, Peru

Andrés Remy
Two Boxes House
Nordelta, Argentina

Julia Capomaggi and Laura Geraci
Two houses
Carcaraña, Argentina

Veronica Arcos
Two Skins House
Pichicuy, Chile

JBMC arquitetura e urbanismo
Typical Metro Stations - Line 2 Bahia
Salvador, Brazil

Gonzalo Claro
UC Architecture School Building
Santiago de Chile, Chile

Natura Futura Arquitectura
Urban Restaurant, La Pesca
Babahoyo, Ecuador

Federico Marinaro
Urquiza Building
Rosario, Argentina

Fábrica de Paisaje
Viña Edén Winery
Pueblo Edén, Uruguay

Steven Holl
Visual Arts Building, University of Iowa
Iowa City, United States

Andres Soliz Paz & Lazbent Pavel Escobedo Amaral
Weaving the Courtyard
Long Island City, United States

Garoa
Wish School
São Paulo, Brazil

Shim-Sutcliffe Architects
Wong Dai Sin Temple
Markham, Canada

Estudio Borrachia
Wood House
Exaltación de la Cruz, Barrio El Remanso, Pilar, Argentina

Santiago Calatrava
World Trade Center Transportation Hub
New York, United States

Studio Gang
Writers Theatre
Glencoe, United States

Guillermo Hevia García + Nicolás Urzúa
Your Reflection, YAP_CONSTRUCTO 6
Santiago, Chile

Find images of all the nominees at the MCHAP website, here.

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How Slovakia's Soviet Ties Led to a Unique Form of Sci-Fi Architecture

Posted: 19 Feb 2018 01:30 AM PST

Memorial and Museum of the Slovak National Uprising, by architect Dušan Kuzma, 1963-1970. Banská Bystrica, Slovakia. Image © Stefano Perego Memorial and Museum of the Slovak National Uprising, by architect Dušan Kuzma, 1963-1970. Banská Bystrica, Slovakia. Image © Stefano Perego

The history of Slovakia is riddled with political unrest and unwanted occupation, with the Slovak people having repeatedly been denied a voice throughout history. In the years following World War I, Slovakia was forced into the common state of Czechoslovakia; the territory was dismembered by the Nazi regime in 1938 and occupied by the Nazis for most of the Second World War, before being eventually liberated by Soviet and Romanian forces in 1945. Over the next four decades of communist rule—first by communists within Czechoslovakia itself and then later by the Soviet Union—the architecture of Slovakia came to develop into a unique form of sci-fi postmodernism that celebrated the shift in industrial influence at the time.

Photographer Stefano Perego has documented the Slovakian architecture from the 1960s–80s and has shared some of his photos with ArchDaily.

Slovak Radio Building, by architects Štefan Svetko, Štefan Ďurkovič and Barnabáš Kissling, 1967-1983. Bratislava, Slovakia. Image © Stefano Perego Slovak Radio Building, by architects Štefan Svetko, Štefan Ďurkovič and Barnabáš Kissling, 1967-1983. Bratislava, Slovakia. Image © Stefano Perego

Seceding from Chechoslovakia in 1939, the Slovak Republic—which was at least nominally Slovakia's first independent state—saw a very close alliance with Germany as vital for the health of Slovakia's first independent state. At the time, the two main opposition groups in the Republic were a democratic group with ties to the Czechoslovak government-in-exile, and an all-Slovak communist group with close ties to another communist group in Moscow. The two parties launched the Slovak National Uprising in 1944, which was largely quashed by the German forces until Soviet and Romanian forces liberated them in 1945. [1] The Memorial and Museum of the Slovak National Uprising in Banská Bystrica, designed by Dušan Kuzma, houses military equipment and a permanent exhibition about the anti-fascist resistance movement in Europe in the years 1939–1945.

Memorial and Museum of the Slovak National Uprising, by architect Dušan Kuzma, 1963-1970. Banská Bystrica, Slovakia. Image © Stefano Perego Memorial and Museum of the Slovak National Uprising, by architect Dušan Kuzma, 1963-1970. Banská Bystrica, Slovakia. Image © Stefano Perego

In the years after WWII, the Czechoslovak Communist Party was voted into power in 1948 (with their support coming largely from the Czech region of the country), in effect making Czechoslovakia a satellite state of the soviet union. The country was later invaded by the Warsaw Pact forces in 1968, bringing it under full Soviet rule. It was during this time that the influence of Soviet design began to appear most strongly in the architecture of Slovakia. The postwar industrial influence led to the incorporation of prefabricated structures, specifically in the housing and community buildings. In Bratislava, more than 90% of the city's 430,000 residents lived in postwar industrialized housing by the late 1980s. [2]

Residential building, by architects Štefan Svetko and Julián Hauskrecht, 1968-1974. Bratislava, Slovakia. Image © Stefano Perego Residential building, by architects Štefan Svetko and Julián Hauskrecht, 1968-1974. Bratislava, Slovakia. Image © Stefano Perego

There were, however, a small class of architects who turned against the standardization of industrialist design, and turned instead toward postmodernism and "High-Tech." [3] These designs are what would today be associated with sci-fi and outer-space, and are accentuated by the technological advances of the time, and perhaps the Space Race between the Soviet Union and the United States during the 1960s and 70s.

"UFO", by sculptor Juraj Hovorka, 1979. Restored in 2014. Bratislava, Slovakia. Image © Stefano Perego "UFO", by sculptor Juraj Hovorka, 1979. Restored in 2014. Bratislava, Slovakia. Image © Stefano Perego

A great example of the influence of these Soviet tendencies is Slovakia is the "UFO" by Juraj Hovorka. The monument is located in an area called Medzijarky, a small park just east of the center of Bratislava. A complicated and at times neglected country, Slovakia possesses many architectural gems that not only allude to their troubled past but provide a unique contribution to the history of Soviet architecture and postmodernism in Eastern Europe.

University of Agriculture, by architects Vladimír Dedeček and Rudolf Miňovsky, 1960-1966. Nitra, Slovakia. Image © Stefano Perego University of Agriculture, by architects Vladimír Dedeček and Rudolf Miňovsky, 1960-1966. Nitra, Slovakia. Image © Stefano Perego

References:

  1. Kirschbaum, Stanislav J.  "Slovak Nationalism in Socialist Czechoslovakia." Canadian Slavonic Papers / Revue Canadienne Des Slavistes 22, 1980, 2. Web. 14 Feb. 2018
  2. Haddad, Elie G., and Rifkind, David. A Critical History of Contemporary Architecture: 1960-2010. Routledge, 2016. Web. 14 Feb. 2018.
  3. Ibid.

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PV Cabin / Lorena Troncoso-Valencia

Posted: 19 Feb 2018 01:00 AM PST

© Cristóbal Caro © Cristóbal Caro
© Cristóbal Caro © Cristóbal Caro

Text description provided by the architects. Formerly the Neanderthal man lived in caves to take refuge. The choice of these stone dwellings, responded to the best orientation to protect from the winds, should have with air intake, light and enough space to store their food. Times have changed, but certain basic human needs have remained.

Sections Sections

The work consists of a temporary cabin, for a young couple of climbers, lovers of rock sports. The main restriction was the limited surface, but the user's physical ability allowed to increase the surface vertically, expanding the space with a double height. Programmatically, the basic and essential actions for living for short periods were accommodated, considering the minimum space for sleeping, eating, cleaning and allowing extra room for itinerant users.

© Cristóbal Caro © Cristóbal Caro

The refuge is located in Las Trancas, Pinto, in the south central zone of Chile. The town stands out for its mountain range landscape that hosts a high variety of extreme sports.

Floor plans Floor plans

The land is accessed by a winding and wooded road. At the bottom of the lot, in a small clearing the refuge is located. Behind him, a wall of considerable height interrupts the surrounding green. This open space in the middle of the forest will ensure sun, ventilation and natural lighting. The refuge is raised with wooden piles one and a half meters above the natural terrain to avoid contact with the snow in the winter season.

© Cristóbal Caro © Cristóbal Caro

The idea of ​​a uniform shell (wall and roof) that involves a retracted pediment, playing with the full of wood and glazed emptiness, is proposed. This full on the main facade, replicates the verticality of the rock wall that is observed at the bottom of the land. The asymmetric break of the roof allows the correct draining of the snow. Internally, it generates greater amplitude for the attic that floats on the only closed volume.

© Cristóbal Caro © Cristóbal Caro

Spatially, an open space is identified, on the ground floor the areas for cooking, eating, heating and working are organized. On the line of the kitchen and the bathroom, united by a small vertical scale if you locate a floating platform that in a certain part stands out to accommodate the sleeping area.

To avoid saturating the small space, the floor, sky and wall are covered with the same material.

Axonometric Axonometric

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Orange Trees Provide the Inspiration Behind the Upcoming $500 Million Performing Arts Campus in Anaheim

Posted: 19 Feb 2018 12:00 AM PST

Courtesy of SPF:a Courtesy of SPF:a

SPF:a has revealed their design for the new Anaheim Performing Arts Center (APAC) to be located adjacent to Angels Stadium in Anaheim's Platinum Triangle District. The $500 million, 500,000-square-foot cultural campus will contain three theaters and a range of culture and entertainment program elements, housed within striking buildings inspired by the orange tree.

Courtesy of SPF:a Courtesy of SPF:a

Replacing the existing City National Grove music venue, APAC will offer up an expanded slate of performance venues, including a 2,000-seat concert hall, a 1,700-seat opera hall and a 600-seat black box theater, as well as an outdoor amphitheater, two restaurants, office space, lecture rooms and a convention hall. At the center of the site, a museum tower capped with an observatory will become a new area landmark, with a design that draws inspiration from Anaheim's agricultural past.

Courtesy of SPF:a Courtesy of SPF:a
Courtesy of SPF:a Courtesy of SPF:a

"The design of APAC takes its cue from Anaheim's unique history with agriculture," explain the architects. "Unknown to most, the city was once covered in vineyards, later devastated by disease in the late 19th century. The obliteration of the wine industry led to an investment in citriculture, which spurred what's been dubbed by historians as California's "second gold rush."

"Anaheim's socioeconomic driver quickly became the orange, so naturally our design for the center was influenced by it," added SPF:a design principal, Zoltan E. Pali, FAIA. "We imagined that if we were to roll up the pavement of the parking lot we would find the old spirits of old citrus trees." 

Courtesy of SPF:a Courtesy of SPF:a
Courtesy of SPF:a Courtesy of SPF:a

APAC's program elements are arranged based on analysis into the trunks, root structures and leaves of the orange tree, as well as the skin of the oranges themselves, all of which revealed circular patterns. As a result, each building uses the circle as a central geometry. These circles also extend into the landscaping plan, where concentric pathways connect buildings with open and public spaces.

"In our minds, the circular shape of the buildings emit rings that dance upon the site," said Pali.

Courtesy of SPF:a Courtesy of SPF:a

The chosen facade system also relates to the citrus tree – the four main structures will be clad in perforated copper-anodized aluminum reminiscent of an orange skin.

Additional landscaping elements including a grand fountain, reflecting pool, and green roof. Underground parking will be located beneath the site. The site's greenery will feature native plants known for their hardiness and ability to cast shade.

"Passing through the civic campus, exterior and interior spaces will morph together," says SPF:a President & CEO, Judit M. Fekete-Pali, LEED AP, "The design strategy helps break down the architectural masses—no more soulless, vast, and uninviting interior public spaces. Each program element operates independently and together."

Courtesy of SPF:a Courtesy of SPF:a
Courtesy of SPF:a Courtesy of SPF:a

SPF:a has an extensive history designing performance arts spaces. Past projects have included the Wallis Annenberg Center for the Performing Arts in Beverly Hills, California; the Academy Museum of Motion Pictures; and The Shakespeare Center of Los Angeles. SPF:a also led renovations to the Pantages and Greek Theatres, and participated in the design of Gehry Partners' Walt Disney Concert Hall.

News via SPF:a

  • Architects: SPF:a
  • Location: Platinum Triangle, Anaheim, CA, United States
  • Spf:A Team: Zoltan E. Pali, FAIA; Judit M. Fekete-Pali, LEED AP; Damon Surfas, RA; Judit M. Fekete-Pali, LEED AP; Zoltan E. Pali, FAIA; Damon Surfas, R.A.; Mostafa Ghaffari; Sebastian Greider; Ryan Hong; Natalie May; Renzo Pali; Abigail Skaggs; Ian Camarillo; Ahmed Shokir; Adam O. Sauer, AIA; David Koch
  • Theater Consultant: Theatre Projects, Schuler Shook, TheatreDNA®
  • Acoustic Consultants: Jaffe Holden
  • Smep Consultant: BuroHappold
  • Traffic Consultant: Gibson Transportation Consulting, Inc.
  • Landscape Consultant: Studio-MLA
  • Theaters: 2,000-seat orchestra hall; 1,700-seat performance hall; and 600-seat black box theater
  • Ancillary Buildings And Amenities: Art museum, restaurant, outdoor amphitheater, convention and education space
  • Area: 500000.0 ft2

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Modular Eco-Housing Pushing Boundaries With Cardboard

Posted: 18 Feb 2018 10:00 PM PST

Wikkelhouse Dordrech. Photo Courtesy of Yvonne Witte Wikkelhouse Dordrech. Photo Courtesy of Yvonne Witte

Designed and developed by Fiction Factory, a company of creative makers from Amsterdam, Wikkelhouse loosely translates to 'wrapped house.' This sustainable modular house is uniquely created with cardboard as its main building material and is customizable in its size and function. 

Diagram of Modular System. Image Courtesy of Fiction Factory Diagram of Modular System. Image Courtesy of Fiction Factory

The Wikkelhouse is built from 24 layers of top-quality cardboard wound around a rotating house-shaped mould. These layers are then bonded with an eco-friendly superglue to create durability and optimal insulation. This is where the name Wikkelhouse comes from, as 'wikkelen' is the Dutch word for 'wrapping.' The house is then finished with waterproof foil and wood-paneling to protect it from the elements.

House Mould Machine. Photo Courtesy of Yvonne Witte House Mould Machine. Photo Courtesy of Yvonne Witte
Layers of Cardboard. Photo Courtesy of Yvonne Witte Layers of Cardboard. Photo Courtesy of Yvonne Witte

The materials used in the Wikkelhouse have a low impact on the environment, being 3 times more environmentally sustainable and eco-friendly than a traditional house. The Wikkelhouse is also 100% recyclable, with each part able to be deconstructed and recycled infinitely. It does not require a foundation as each segment weighs only 500 kilograms.

Wikkelhouse Dordrech. Photo Courtesy of Yvonne Witte Wikkelhouse Dordrech. Photo Courtesy of Yvonne Witte
Wikkelhouse. Photo Courtesy of Yvonne Witte Wikkelhouse. Photo Courtesy of Yvonne Witte

Made from 4.6m long x 1.2m wide x 3.5m high segments, the modular house can be extended and added to as needed. With their smart 'Home'-segments, the Wikkelhouse can also include a kitchen, bathroom, and shower, as well as customizable window placement and finishing.

Living Room. Photo Courtesy of Yvonne Witte Living Room. Photo Courtesy of Yvonne Witte

Built in a workshop in Amsterdam, the Wikkelhouse can be transported and connected on site in a day. At the moment, they are only available for construction in the Netherlands, Belgium, Luxembourg, France, Germany, the U.K., and Denmark.

More information on the Wikkelhouse can be found on their website and in their video below:

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