utorak, 1. listopada 2019.

Arch Daily

Arch Daily


Rubber Skin Buildings: A Malleable, Seamless Architecture

Posted: 30 Sep 2019 09:00 PM PDT

Atelier of Architects' Saengthai Rubber Headquarters . Image © Anake Senadee Atelier of Architects' Saengthai Rubber Headquarters . Image © Anake Senadee

For the most part, rubber isn't considered a conventional building material – at least not to the same extent that materials like wood, concrete, or glass are. But rubber is commonly used in interiors for flooring of extraordinary color or brightness, and even more unexpectedly for exterior facades with unique aspects or upholstery effects. This functionality is motivated by unique advantages such as smoothness, elasticity, durability, and color consistency.

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75 Myrtle Street Offices / Tonkin Zulaikha Greer

Posted: 30 Sep 2019 08:00 PM PDT

© David Roche © David Roche

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Arcade Gallery / Gijs Van Vaerenbergh

Posted: 30 Sep 2019 07:00 PM PDT

© Matthijs van der Burgt © Matthijs van der Burgt

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The Renovation of Sriwara Office / FATTSTUDIO

Posted: 30 Sep 2019 06:00 PM PDT

© Ketsiree Wongwan © Ketsiree Wongwan

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Lakehouse / CollectiveProject

Posted: 30 Sep 2019 05:00 PM PDT

© Benjamin Hosking © Benjamin Hosking

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Decade Cafe / TOUCH Design

Posted: 30 Sep 2019 04:00 PM PDT

© Yuhua Kou © Yuhua Kou
  • Interiors Designers: TOUCH Design
  • Location: China, China
  • Category: Interior Design
  • Lead Archtiects: Yong Zhang
  • Project Construction: Touch Engineering
  • Area: 60.0 m2
  • Project Year: 2019
  • Photographs: Yuhua Kou

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Jiakeli Apartment Renovation / MOZHAO ARCHITECTS

Posted: 30 Sep 2019 02:00 PM PDT

© Chao Zhang © Chao Zhang
  • Architects: MOZHAO ARCHITECTS
  • Location: Shenzhen, China
  • Category: Residential
  • Lead Architect: Guansheng Zeng
  • Architectural Design: Wenguo Luo, Junyu Tao, Keren Li, Fan Zhang, Yuxiang Huang, Minhao Liu
  • Landscape Design: Wenguo Luo, Junyu Tao, Die Hu/
  • Interior Design: Wenguo Luo, Junyu Tao, Keren Li, Ziyun Mai, Minhao Liu
  • Vi Design Consultant: SURE
  • Clients: Shenzhen Jialingyu Industrial Limited Company
  • Area: 10000.0 m2
  • Project Year: 2018
  • Photographs: Chao Zhang

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F-Coffee / Wangstudio

Posted: 30 Sep 2019 01:00 PM PDT

© Hiroyuki Oki © Hiroyuki Oki

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Modelia Brut Kagurazaka Building / Sasaki Architecture + YTRO DESIGN INSTITUTE

Posted: 30 Sep 2019 12:00 PM PDT

© Bauhaus Neo © Bauhaus Neo

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Le Pine House / SAOTA

Posted: 30 Sep 2019 10:00 AM PDT

© Adam Letch © Adam Letch

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Black House / LSD Architects

Posted: 30 Sep 2019 09:00 AM PDT

© Fernando Alda © Fernando Alda

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Pé no Monte phase II Hotel / Ivan de Sousa

Posted: 30 Sep 2019 07:00 AM PDT

Cortesia de [i]da arquitectos Cortesia de [i]da arquitectos

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Pier Public Space / Diseños y concepto

Posted: 30 Sep 2019 05:00 AM PDT

© Mónica Barreneche © Mónica Barreneche

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Bridge+Boulevard Proposal for Buenos Aires Expo 2023 Wins International Competition

Posted: 30 Sep 2019 04:00 AM PDT

Courtesy of Aisenson + ASN/nOISE Courtesy of Aisenson + ASN/nOISE

Under the theme of "Science, Innovation, Art, and Creativity for Human Development. Creative Industries in Digital Convergence", Buenos Aires will host the Expo 2023. Estudio Aisenson + ASN/nOISE won the first prize in an international competition to create a bridge and a boulevard for the occasion.

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Meadow Dance House / John Curran Architects

Posted: 30 Sep 2019 03:00 AM PDT

© Andrew Campion Photography © Andrew Campion Photography

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ArchDaily Topics - October: Innovation

Posted: 30 Sep 2019 02:30 AM PDT

The digital revolution coupled with the unforeseen environmental, economical and social challenges our world face today, urge architecture to shake much of the traditions and basis upon which it operated for the last decades, if not centuries. 

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Prized Hand-Drawings Return a Building to an Organically Conceived Whole

Posted: 30 Sep 2019 12:45 AM PDT

Denis Andernach, Turmhaus, 2010, Ink on paper, 14 1/8 x 18 7/8 in Denis Andernach, Turmhaus, 2010, Ink on paper, 14 1/8 x 18 7/8 in

A century on, the compelling idea that Modern architecture emerged like some blindingly white, crystalline and disruptive phoenix from the darkness, death and destruction of the First World War is, perhaps, a familiar one. And, yet, the charcoal sketches and chiaroscuro montages Mies van der Rohe made during and after the epochal competition for the Berlin Friedrichstrasse Skyscraper of 1921-22 retain the power to catch the eye, provoke and disturb in our own era of overwhelming imagery much of it produced by and with computer programs.

What is so very remarkable about these century-old visionary drawings is that they portray a future building type - verging on the ethereal and more or less impossible to realize at the time - in the earthiest of drawing materials. It had been a stroke of genius to use charcoal to evoke an architecture of lightness rising from the embers of the trenches that would revolutionize the way we shaped tall buildings and with them our city streets. Such is the power of drawing by hand.

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Snøhetta Creates Peace Bench Sculpture for the UN Headquarters

Posted: 30 Sep 2019 12:30 AM PDT

© NorwayUN/Johannes W. Berg © NorwayUN/Johannes W. Berg

Commissioned by the Nobel Peace Center in Oslo, Norway, and designed by Snøhetta, the installation entitled The Best Weapon, was first unveiled to the public at the United Nations Headquarters' Plaza in New York City. This urban peace bench aims to honor "the past Nobel Peace Prize laureates and their efforts to bring people together to find effective solutions for peace".

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Into the Hedge Temporary Landmark / SO-IL

Posted: 30 Sep 2019 12:00 AM PDT

Courtesy of Hadley Fruits Courtesy of Hadley Fruits

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Grillicious Restaurant / ForX Design Studio

Posted: 29 Sep 2019 11:00 PM PDT

© Tinnaphop Chawatin © Tinnaphop Chawatin

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