subota, 19. listopada 2019.

Arch Daily

Arch Daily


Office Building Luxembourg-Kirchberg / Paul Bretz Architectes

Posted: 19 Oct 2019 02:00 AM PDT

© Lukas Roth © Lukas Roth

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Carla Swickerath of Studio Libeskind on World Trade Center and the Impact of Technology

Posted: 19 Oct 2019 12:45 AM PDT

National Holocaust Monument / Studio Libeskind © doublespace photography National Holocaust Monument / Studio Libeskind © doublespace photography

Design:ED Podcast is an inside look into the field of architecture told from the perspective of individuals that are leading the industry. This motivational series grants unique insight into the making of a successful design career, from humble beginnings to worldwide recognition. Every week, featured guests share their personal highs and lows on their journey to success, that is sure to inspire audiences at all levels of the industry. Listening to their stories will provide a rare blueprint for anyone seeking to advance their career, and elevate their work to the next level.

In this episode, host Aaron Prinz speaks with Carla Swickerath, Partner at Studio Daniel Libeskind, about how she helped lead the development of the World Trade Center site, the impact of technology on the future of the profession, and what sets Studio Libeskind apart from other firms.

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Why Incorporate Moss Walls into Architecture

Posted: 18 Oct 2019 11:00 PM PDT

© AEC Daily © AEC Daily

The Environmental Protection Agency estimates that Americans spend 90 percent of their time indoors. Spending that much time inside makes us feel disconnected from the outside world, affecting everything from our productivity to mental health. Not to mention physical health concerns ranging from poor circulation to airborne contaminants. 

One method of rebuilding our connection to nature is by using living elements. Live moss wellness walls utilize one of our oldest plant species to improve the visual appearance of any interior environment and boost your overall well-being.  

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Country House / Arista Cero

Posted: 18 Oct 2019 10:00 PM PDT

© Cesar Béjar © Cesar Béjar

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Designing Freedom / Luigi Prestinenza Puglisi for the Shenzhen Biennale (UABB) 2019

Posted: 18 Oct 2019 09:00 PM PDT

A woman interacts with a surveillance camera © MARCUS BASTEL A woman interacts with a surveillance camera © MARCUS BASTEL

What happens when the sensor-imbued city acquires the ability to see – almost as if it had eyes? Ahead of the 2019 Shenzhen Biennale of Urbanism\Architecture (UABB), titled "Urban Interactions," Archdaily is working with the curators of the "Eyes of the City" section at the Biennial to stimulate a discussion on how new technologies – and Artificial Intelligence in particular – might impact architecture and urban life. Here you can read the "Eyes of the City" curatorial statement by Carlo Ratti, the Politecnico di Torino and SCUT.

When the city has eyes to see, it will become the stuff of nightmares. The panopticon prophecy will come to life. Democracy will die.

The pretexts through which a thousand mechanisms that spy on us have been introduced into cities are three:

  • security from thieves, criminals and terrorists;
  • energy savings and performance optimization;
  • the possibility of having structures that spontaneously understand our needs, without any requests on our part.

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Gumex Slovakia Headquarters / Paulini Hovorka Architekti

Posted: 18 Oct 2019 07:00 PM PDT

© Branislav Hovorka © Branislav Hovorka

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Jiyang Xinyuan School / BPD Architects

Posted: 18 Oct 2019 04:00 PM PDT

complex building noon. Image © Xufeng Cui complex building noon. Image © Xufeng Cui

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Red Note House on the Horizon / LI WENXI Architects

Posted: 18 Oct 2019 02:00 PM PDT

sunken space. Image © Project-ion sunken space. Image © Project-ion

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Musee De La Roche Corail / Jerry KO Studio

Posted: 18 Oct 2019 01:00 PM PDT

© Dak Dzin © Dak Dzin

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Myhal Center for Engineering, Innovation and Entrepreneurship / Montgomery Sisam Architects + Feilden Clegg Bradley Studios

Posted: 18 Oct 2019 12:00 PM PDT

© Adrian Ozimek © Adrian Ozimek

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Dual Modern House / KUBE architecture

Posted: 18 Oct 2019 10:00 AM PDT

© Anice Hoachlander © Anice Hoachlander

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J.G. House / Atelier Lopes da Costa

Posted: 18 Oct 2019 09:00 AM PDT

© João Margalha © João Margalha

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Summer Kitchen / Atamanenko, Architecture & Interiors

Posted: 18 Oct 2019 07:00 AM PDT

© Sergey Ananiev © Sergey Ananiev

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Rural Housing Prototype in Apan / DVCH De Villar CHacon Architecture

Posted: 18 Oct 2019 05:00 AM PDT

© Jaime Navarro Soto © Jaime Navarro Soto

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New Hanfbach School Möglingen / mvm+starke architekten

Posted: 18 Oct 2019 03:00 AM PDT

© Roland Halbe © Roland Halbe

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WERK12 / MVRDV

Posted: 18 Oct 2019 02:20 AM PDT

© Ossip van Duivenbode © Ossip van Duivenbode

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Layered Architecture: What is Additive Manufacturing?

Posted: 18 Oct 2019 12:45 AM PDT

via Shutterstock via Shutterstock

Additive Manufacturing (AM) is a term used to identify the manufacturing processes performed by 3D printing through layer-by-layer construction. In addition to avoiding the generation of waste through the use of precise geometries and exact quantities of material, these controlled processes can be much faster than traditional ones, since they don't require tools or other instruments.

Additive Manufacturing is done based on a digital model. The process begins with a CAD design or three-dimensional scan and then translates that shape into an object divided into sections, allowing it to be printed. Its use has extended from industrial design to the replica of archaeological objects to the manufacture of artificial human organs and tissues, among many others.

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