ponedjeljak, 20. studenoga 2017.

Arch Daily

ArchDaily

Arch Daily


The Escape Pod / Podmakers

Posted: 19 Nov 2017 09:00 PM PST

© Tim Brotherton © Tim Brotherton
  • Architects: Podmakers Ltd
  • Location: Gloucestershire, United Kingdom
  • Lead Architects: Jeremy Fitter, Dominic Ash
  • Area: 7.0 m2
  • Project Year: 2017
  • Photographs: Tim Brotherton, India Ash
© Tim Brotherton © Tim Brotherton

Text description provided by the architects. The Escape Pod is an elliptical, organic, rotating pod. An engineered, unique outdoor space which can be used as a garden office, studio, snug or retreat. Designed and crafted in the Gloucestershire countryside, the Escape Pod was born out of a desire to create a beautiful, striking outdoor structure. One that nestles into its environment, is made to a high-quality finish and is contemporary in style. A unique space to escape to, the Escape Pod offers a place to work, meditate, socialize or sleep.

Section Section
© Tim Brotherton © Tim Brotherton

To achieve its curved form, the pod's design exploits innovative CNC milling and making techniques. This enables it to be fabricated with precision in the workshop, entirely from wood. Birch plywood, chosen for its strength and aesthetic qualities, forms the structure. It is exposed internally; from the pod's framework to the bespoke laminated door hinge. Externally, the pod is clad with cedar shingles and the stairs and window sills are clad in European Oak, which has natural weather resilient properties. Over time the Cedar and Oak develop a silver hue, allowing the pod to blend harmoniously into its surroundings.

© India Ash © India Ash

The organic nature of the Escape Pod's materials contrasts with the engineering employed in its design. Amongst its most impressive features is an aircraft-style plug door with a unique wooden hinge mechanism. The pod sits on a raised platform half a meter from the ground which allows it to be rotated - by lifting the steps, it is spun to face the desired direction. Each pod can be tailored to suit the clients' needs, from the window placement and internal finish to the integrated fittings and furnishings. Heating (wood burner or underfloor), electrics and insulation options can also be incorporated. The price of the Escape Pod starts at £19,800 but will vary slightly, depending on style specifications.

© India Ash © India Ash

Dominic Ash and Jeremy Fitter have collaborated to create the Escape Pod, a union of high-quality furniture design and a desire to engineer small spaces. Podmakers benefits greatly from working closely with Dominic Ash Ltd and the 30 years of design experience Dominic brings to the team. After a Master's in civil engineering, specializing in treehouse design, Jeremy's ideas were planted on more solid ground after working for Dominic Ash Ltd. Combining his engineering background with a passion for creating imaginative spaces has propelled Jeremy to create the escape pod.

© India Ash © India Ash

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Can Clariana Cultural Civic Center / BCQ arquitectura

Posted: 19 Nov 2017 07:00 PM PST

© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)
  • Structure: BAC Engineering
  • Installations: JG Ingenieros
  • Builder: MCM Projectes i Serveis SA
  • Client: Ayuntamiento de Barcelona / Barcelona d'Infraestructures Municipals BIMSA
© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)

Text description provided by the architects. The new civic center, formerly known as Espai Felip II, was a medium sized old theater within the Association of neighbors of the Congrés-Indians neighborhood, which has become obsolete due to the deterioration in time.

© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)
Scheme Scheme
© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)

It is an austere and rational construction, while simple in its materials.
The rehabilitation of this cultural community space represents a remarkable opportunity to act from the perspectives such as economy and energy efficiency, flexibility and durability.

© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)
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© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)

These actions make sense from the moment when they are aimed at providing the theater maximum functionality and comfort.
The theater is designed as a simple unitary volume located between buildings, leaving one side overlooking the square. From the point of view of the image of the building it is conceived as a large vertical facade of two stories which orders and regularizes the irregular openings inside, while the sidelong dividing walls are understood as cover uniform elements.

© Jordi Sánchez (BCQ arquitectura barcelona) © Jordi Sánchez (BCQ arquitectura barcelona)

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Triumfalnaya Square / Buromoscow

Posted: 19 Nov 2017 06:00 PM PST

© Vlad Feoktistov © Vlad Feoktistov
  • Architects: Buromoscow
  • Location: Moscow, Russia
  • Lead Architects: Julia Burdova, Olga Aleksakova, Alyona Guk, Olga Vlasenko, Natalya Remizova, Serafima Telkanova
  • Area: 13740.0 m2
  • Project Year: 2015
  • Photographs: Vlad Feoktistov
  • Landscape: Anna Andreeva, Arteza
  • Lighting: Q-PRO
  • General Designer: OOO PK Trio
  • Contractor: Baltstroy
© Vlad Feoktistov © Vlad Feoktistov

Text description provided by the architects. Triumfalnaya square is located at the crossing of Moscow's main street Tverskaya with the Garden Ring. Buromoscow design has been chosen as a result of a first open competition for a public square in Moscow in 2013. The competition aimed at bringing back to life city square by Soviet architect Chechulin built in 1958, that in the last years became a transit space, half occupied by parking. Buromoscow proposed 5 steps for improvement:

Steps Diagram Steps Diagram
© Vlad Feoktistov © Vlad Feoktistov

1. Divide a square and a garden
Competition plot was divided into two zones – a rectangular open square and a lilac garden, enclosed by walls, that helps shape the street crossing.

2. Flatten the square
The square surface had a strong inclination, which made the use of it rather difficult. By flattening the surface and raising the edge, the square became detached from a busy street.

© Vlad Feoktistov © Vlad Feoktistov

3. Make it more classical.
The square is framed by classical Soviet facades. New central axis and linden trees at the perimeter are added to reinforce classical composition.

4. Add romance
Triumfalnaya square is historically a place for rendezvous, a romantic place in the city. Instead of benches, there is a long row of 2 persons swings.

5. Add more romance

Diagram Diagram

Lilac garden gives the place a true Moscow inner courtyard feel.
Triumfalnaya square has been delivered in 2015. From a space of transit, it turned into a space of stay, being always full of people - meeting up, having coffee, concert goers, skateboarders, vapers, musicians. It immediately became very popular with Moscovites queueing any time of the day, in summer or winter to use the swings.

© Vlad Feoktistov © Vlad Feoktistov

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Aluminium House / Ayutt and Associates Design

Posted: 19 Nov 2017 04:00 PM PST

Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design
  • Architects: Ayutt and Associates Design
  • Location: Khwaeng Sala Thammasop, Thailand
  • Architect In Charge: Ayutt and Associates Design
  • Area: 1500.0 m2
  • Project Year: 2017
  • Interior Designer: Ayutt and Associates Design
  • Landscape Designer: Ayutt and Associates Design
  • Lighting Designer: Ayutt and Associates Design
  • Client: Pisedsak Somboonvetchakarn
Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design

Text description provided by the architects. This Aluminium House tackles head on the brief of combining sculptural modern architecture with the everyday requirements of a good ventilation, heat protection, liveable and home. The house is located on a single land plot in suburb of Bangkok, Phutthamonthon Sai3 road, Thailand. The house was designed by Ayutt and Associates design (AAd) for 3 families of the 3 generations : grand parent, Daughters and grand son. The house comprises of 1,500 sq.m. of useable space. There are 5 bedrooms with their own private bathroom, main living space, Asian and Western kitchen, Multi-function space and Support function. The main living space, corridors, swimming pool, terrace and garden were designed as the open plan layout for the visual-linkage for all of the said area. This house revolts the contrasts requirements of any ordinary- house requirements with the demand for an engaging sculptural form architecture.

Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design

The house concept was begun with simple idea as stacked boxes. The space is composed of three elements as the solid box, the glass box, and the aluminium box that encloses the central courtyard and swimming pool.  The house becomes a right angle "H" shape to embrace and open the house to landscape. The simplicity of each courtyard distills the experience of nature, garden and water. Every interior space is connected to these exterior and landscape space. The layering of spaces from exterior to interior to courtyard collapses the boundaries between them.

Exploded Axonometry Exploded Axonometry
Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design

Above the parent's room downstair, here the volume got a shift towards in and out side with a large window. This way, the room gives a nice dynamic to the front elevation and make the bedroom upstair to cantilever out for sun shading and float above the swimming pool. The living room maximally enjoys the best part of the panoramic landscape on both side.

Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design

The House reflects the contrasting requirements of a demanding owner brief; one requiring privacy, one requiring openness, but all in an engaging the sculptural form. Then the aluminium facade was suggested for the design feature. The aluminium facades provide amazing linear texture to buildings and have unlocked an entire new world of exterior aesthetics. AAd created the architectural signatures, but still provide the idea of heat protection. To have the privacy, the Aluminium facade facing the street is almost a blind wall. The rear facade of the house is a solid facade, while the other side to the internal court opens freely towards a large, sunny garden and swimming pool. The windows are large and can be fully opened, like gigantic canvases that frame the landscape. They contribute to the purity of shape. And nothing could disturb it.

Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design
Courtesy of Ayutt and Associates Design Courtesy of Ayutt and Associates Design

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Issana Beach House / Chinthaka Wickramage Associates

Posted: 19 Nov 2017 12:00 PM PST

© Thilina Wijesiri © Thilina Wijesiri
  • Engineer: Keerthi Rathnayake
  • Client: Richard J Burrows
Ground Floor Ground Floor
© Thilina Wijesiri © Thilina Wijesiri

Text description provided by the architects. Located between Matara and Thangalle on Sri Lanka's lush South – Coast, "Issana Beach house" is ideally situated for visitors who wish to base themselves on a beach and explore the Southern region. At 200 kilometers from Colombo, it is close enough to reach in a few hours but further enough to remain quiet and unspoilt, away from heavy development and crowds at Bentota, Hikkaduwa & Unawatuna. Mahawela Beach, a 3 Kilometer crescent of light yellow sand, lapped by a turquoise sea, is rightly regarded as one of the finest on the South – Coast. Rocky Promontories at either end ensure that the current and waves  remain placid, making it an ideal Beach for families and older travelers.

© Thilina Wijesiri © Thilina Wijesiri

The design of this Beach Housel drew inspiration from the Vernacular Buildings of the nearby small towns and villages as well as the local culture.  Main Public Areas of the Beach house is located centrally, while Bed rooms were orientated in order to give the best possible 'view' of the Garden, the Beach and the Sea beyond while giving increasing Privacy to Guests.

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© Thilina Wijesiri © Thilina Wijesiri

Simple Low Rise Buildings of this Beach House were designed to merge with the surrounding landscape with heavy reliance on locally available materials. Significant architectural features of the buildings include a mixture of plastered brick masonry walls and worm yellow colour random rubble walls, timber columned Verandahs and half round clay tiled steep roofs.

© Thilina Wijesiri © Thilina Wijesiri

Upper floors of the Beach house is made of light weight timber  / decks to give it a light and airy feeling and Japanese  touch. Visitor is first taken to a large Forecourt area before approaching the Reception. After checking-in the Visitor is "Squeezed "through a tall narrow Cathedral like triple height access Corridor to the relevant Bed rooms. The tall narrow corridor terminates in a triple height lounge area giving silhouetted Views of the Garden, the Beach and the Indian Ocean beyond. The garden  landscaped with tropical lush green vegetation is accessed through a cobble stone paved Pier complete with plunge pool etc. On one side of the Lobby is located the formal Dining area over-looking a Trapezium shaped courtyard with large tropical tree.

© Thilina Wijesiri © Thilina Wijesiri

Kitchen, Pantry and the Laundry areas are tucked to the rear of the site. Overall the buildings express a contemporary Vernacular Sri Lankan architectural idiom.
The public areas and Guest Bed rooms are Orientated towards the Garden, the beach and the Sea beyond.
Main Lounge and the Upper floor Suite Bed room are rotated by 45o to facilitate maximum possible views of the "sunset" over the far away Bay. Different functions of the Beach House are Layed Out in order to optimize the views generated within the site towards the Garden, the Beach and the Sea. The Lounge and the Suite Bed Room wing are twisted by 45o degrees in order to maximize the views of the Sunset over the Indian Ocean and the nearby Bay.

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Take in The Views With This Prefabricated Curved Glass Sliding Doors

Posted: 19 Nov 2017 08:00 AM PST

Courtesy of LUMISHELL Courtesy of LUMISHELL

Born from a system of sliding, curved glass doors, and inspired by its potential presence in nature, this house takes new technology and uses it in a beautiful way.

LUMISHELL is a collaboration between a young engineer and architect, Christophe Benichou, and LUMICENE, a company developing curved and reversible glass windows.  The result is a small, pre-fabricated accommodation unit that capitalizes on the nature of the curved windows to generate living and bedroom spaces. 

The house rolls in on itself, creating privacy between the three areas and allowing the full rotation of the windows, which can spin to open up each wing to the outside.

Courtesy of LUMISHELL Courtesy of LUMISHELL

The effect is a kind of cocoon-like curved pavilion. Private and open, compact and airy, mirrors are strategically placed to bring the panoramic views inside and speak to the aluminum-clad skin of the exterior.

Courtesy of LUMISHELL Courtesy of LUMISHELL
Courtesy of LUMISHELL Courtesy of LUMISHELL

The images of the project intentionally locate the house within surreal and beautiful landscapes, giving it an other-worldly feel. The simplicity of the design extends to the installation process - there is no need to lay foundations and the house will be manufactured off-site, transported by truck or container and assembled in four to five days. A flat surface capable of taking the weight of the structure is the only requirement.

Courtesy of LUMISHELL Courtesy of LUMISHELL

Worldwide delivery starts in 2018, and as LUMISHELL say: "only the view matters."

News via: lumi-shell.com

This Building Saves Energy with a Pioneering Triple-Layer Glass Facade

Italian firm Giovanni Vaccarini Architetti has designed the new Headquarters of the Swiss Société Privée de Gérance (SPG), built on Route de Chêne, at the gates of the historical center of Geneva. The work involved the conversion and extension of the existing building, starting with a glass façade that meets the need for solar shading in the interiors while achieving maximum visual permeability.

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New Public Transit Map Series Launches with London Underground

Posted: 19 Nov 2017 06:00 AM PST

Tottenham Court Road mural by Eduardo Paolozzi. Image © Will Scott for Blue Crow Media Tottenham Court Road mural by Eduardo Paolozzi. Image © Will Scott for Blue Crow Media

Your obsession with transit-oriented design has been answered with the newest map series by Blue Crow Media. The first in this series, London Underground Architecture and Design Map curates original content by transport design historian, Mark Ovenden paired with photography by Will Scott to depict the London Underground. Mark Ovenden is a specialist in graphic design, cartography, and architecture in public transport with an emphasis on underground rapid transit, making him the natural fit for the design of this map.

© Will Scott for Blue Crow Media © Will Scott for Blue Crow Media

London Underground Architecture and Design Map highlights destinations across London's underground network, from unusual signage, clocks, and murals, to the iconic Johnston font and the architecture of entire stations. Each mapped feature is then highlighted on the reverse side with photographs, facts and details, making for the perfect pocket guide while impressing (or exhausting; refer to numbers 11-12 in this list of 20 Things your Non-Architect Friends Think About You) your travel companions.

Clapham Common by Charles Holden. Image © Will Scott for Blue Crow Media Clapham Common by Charles Holden. Image © Will Scott for Blue Crow Media
Park Royal by Felix James Lander. Image © Will Scott for Blue Crow Media Park Royal by Felix James Lander. Image © Will Scott for Blue Crow Media

The map features stations designed by Norman Foster, Sir Richard MacCormac, and Michael Hopkins & Partners alongside Charles Holden, Leslie Green and Stanley Heaps. Not only the architecture and graphic design are noteworthy in the underground, murals such as those by Eduardo Paolozzi are also a sight not to miss.

Canary Wharf by Norman Foster. Image © Will Scott for Blue Crow Media Canary Wharf by Norman Foster. Image © Will Scott for Blue Crow Media
© Will Scott for Blue Crow Media © Will Scott for Blue Crow Media

Available for $12 USD, €10, and £9 here, the guide is perfect for exploring or to take along for your daily commute on the Underground. This is Blue Crow Media's twelfth map dedicated to London, but be sure to read about their maps on cities including New York, Tokyo, and Berlin here.

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#6 / Studio Wills + Architects

Posted: 19 Nov 2017 05:00 AM PST

© Beton Brut © Beton Brut
© Beton Brut © Beton Brut
Lower / Upper 1st Storey Plan Lower / Upper 1st Storey Plan

#6 is an A&A (Additions and Alterations) to an existing pair of semi-detached houses in the eastern part of Singapore. This pair of houses, 'mirrored' along a shared party-wall, became stark contrast in scale when one of the pair was rebuilt, dwarfing its other half. This spurred the owner of the other half to rebuild their house.

© Beton Brut © Beton Brut
Diagram Diagram

Planning Guidelines allow houses of 2 storeys and an attic with a permissible aggregate height of 13.1 m (4.5+3.6+5). As the guidelines are imposed on all houses within the neighborhood, every house will be of the same height if they are built to what is permissible. The design objective to make the house appear taller than what is permissible thus became the starting point of #6.

© Beton Brut © Beton Brut

The permissible building volume is sliced by large canopies, with floor lines masked behind 'bands' of ventilation blocks formed by the amalgamation of clerestory windows and parapet walls in this building material, resulting in a house with multiple stacked volumes. The placement of ventilation blocks of diminishing sizes from the largest modules within the lowest 'band' to the smallest modules in the topmost 'band', accentuates the building height through false perspectives.

© Beton Brut © Beton Brut

Ventilation blocks and deep overhangs, formed by large canopies, are common building material and element in this region evolved from a response to the climatic conditions. Their unique deployment in #6, results in a house which also appears like a sculpture rising amongst the 'Sea of Houses' in the neighborhood.

© Beton Brut © Beton Brut

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Stunning Images of Stone Architecture, Take II: The Best Photos of the Week

Posted: 19 Nov 2017 04:00 AM PST

© César Bejar © César Bejar

The use of stone is gaining popularity more and more in architectural design. Though it is an ancient construction technique, these days the texture that stone offers to spaces is having an undeniable impact on the many architects incorporating the material into their projects. For this reason, this week we present a second installment of stunning images of stone architecture, including 15 amazing images of this construction system by renowned photographers such as Hannes HenzCésar Bejar, and Erieta Attali.

Hannes Henz

Building in Brione / Wespi de Meuron

© Hannes Henz © Hannes Henz

Erieta Attali

Rodia Stone House / Nikos Smyrlis Architect

© Erieta Attali © Erieta Attali

Hannes Henz

House Renovation In Treia / Wespi de Meuron  

© Hannes Henz © Hannes Henz

Brett Boardman

Stone House / CHROFI

© Brett Boardman © Brett Boardman

Relja Ivanic

Villa Monja / Enforma Studio

© Relja Ivanic © Relja Ivanic

David Montero

Villa Slow / Laura Alvarez Architecture

© David Montero © David Montero

Randhir Singh

Max Estates Visitors Pavilion / Vir.Mueller Architects

© Randhir Singh © Randhir Singh

Hannes Henz

Stone House Transformation in Scaiano / Wespi de Meuron

© Hannes Henz © Hannes Henz

Erieta Attali

Rodia Stone House / Nikos Smyrlis Architect

© Erieta Attali © Erieta Attali

César Bejar

Rancho El Descanso / RE+D

© César Bejar © César Bejar

Soraia Oliveira

Eira House / AR Studio Architects

© Soraia Oliveira © Soraia Oliveira

Hannes Henz

House Renovation In Treia / Wespi de Meuron

© Hannes Henz © Hannes Henz

Wespi de Meuron

House in Scaiano / Wespi de Meuron

Cortesía de Wespi de Meuron Cortesía de Wespi de Meuron

Hannes Henz

Building in Brione / Wespi de Meuron

© Hannes Henz © Hannes Henz

César Bejar

Rancho El Descanso / RE+D

© César Bejar © César Bejar

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Hiroshi Sambuichi: "I Take Something that People Already Like, and Make Them Even More Aware of It"

Posted: 19 Nov 2017 01:30 AM PST

In this extended interview from the Louisiana Channel, Japanese architect and experimentalist in sustainable architecture Hiroshi Sambuichi explains how he integrates natural moving materials—sun, water and air—into his architecture. A rare symbiosis of science and nature, each of his buildings are specific to the site and focus on the best orientation and form to harness the power of Earth's energy, particularly wind. Two of his projects displayed in the video, the Inujima Seirensho Art Museum and the Orizuru Tower, force a contraction of air to make it flow faster and circulate with you through the building, while the Naoshima Hall takes a more sensitive approach due to the nature of the building, reducing the wind's velocity as it passes.

Courtesy of Louisiana Channel Courtesy of Louisiana Channel

It's not as if I reject the splendour of technology. But it creates an architecture where you have to inject energy. But there is always plenty of energy to use.

Courtesy of Louisiana Channel Courtesy of Louisiana Channel

Sambuichi's love of nature stemmed from a childhood spent surrounded by water in the Seto Inland Sea, and this can be seen in his natural integration of architecture. His philosophy is that "Architecture should become a detail of the Earth," thriving much like a plant in the planet's ecosystem, breathing oxygen and using the energy of the sun.

Courtesy of Louisiana Channel Courtesy of Louisiana Channel
Courtesy of Louisiana Channel Courtesy of Louisiana Channel

If new and young architects would think like that, the architecture in about one or two hundred years will grow like forests and become beautiful cities.

Video via Louisiana Channel

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400 Fairview / SkB Architects + Kendall/Heaton Associates

Posted: 19 Nov 2017 01:00 AM PST

© Spencer Lowell, Magda Biernat, Hannah Rankin © Spencer Lowell, Magda Biernat, Hannah Rankin
  • Structural Engineer: Magnusson Klemencic Associates
  • Landscape Architects: Swift Co.
  • Developer: Skanska USA Commercial Development
  • Owners: TIAA-CREF, Skanska
  • General Contractor: Skanska USA
  • Acoustical Consultant: Shen Milsom & Wilke
  • Mechanical, Plumbing: WSP
  • Geotechnical Engineer: PanGeo
© Spencer Lowell, Magda Biernat, Hannah Rankin © Spencer Lowell, Magda Biernat, Hannah Rankin

Text description provided by the architects. The nature of development in the urban realm is changing from buildings that are predominantly single-purpose structures into multi-use destinations and connected communities—and 400 Fairview embodies this change. At thirteen stories and 337,000-square-feet, this mixed-use building was conceived as a catalyst for urban engagement. Designed to knit into its neighborhood and foster a sense of community and connection, the building resets development expectations for commercial design in terms of public/private engagement and functional design.

© Spencer Lowell, Magda Biernat, Hannah Rankin © Spencer Lowell, Magda Biernat, Hannah Rankin
Section Section

Programmatically, the building is divided into two components. The podium is a richly-toned and textured, sinuously-curving three-story element notable for its porous ground plane that merges its prominent market hall with outdoor spaces to create a hub of activity. A contrasting, narrow, ten-story office tower featuring dynamically patterned windows rises above the podium. The tower is hinged slightly at mid-block to enhance views. Both podium and tower are formed with integrally-colored precast concrete panels; a sandblasted pattern of circles at street level, and a smooth texture for the tower. The solution to resetting the typical language of commercial development is achieved through an open, engaging and informal approach to architectural expression that is present throughout the building—from plan to massing, and materiality.

© Spencer Lowell, Magda Biernat, Hannah Rankin © Spencer Lowell, Magda Biernat, Hannah Rankin

Everything about the street-level experience is designed to increase the sense of invitation and engagement with its surroundings: large and frequent entries on all sides of the building, including the alley, improve movement throughout the site; the creation of a market hall that runs the length of the block to merge retail, office workers and passersby; a rich palette of materials that spills into sheltered exterior spaces, including a plaza and large-scale stoops; and the curation of local retail to create a rich and varied experience that brings life to the building from morning until night. Natural light floods into the market hall from three large, fully-glazed monitors, which also open to podium-level offices and afford views across floors. The building's top floor accommodates a rooftop restaurant and deck that is open to the public—a rare opportunity for the community to enjoy views of the city and Lake Union.

Elevation Elevation
© Spencer Lowell, Magda Biernat, Hannah Rankin © Spencer Lowell, Magda Biernat, Hannah Rankin

The patterning of the tower fenestration was inspired by the rustic weave found in natural fabrics, such as linen, flax or silk—irregularities that contribute to its relaxed, natural feel. Rather than employ ribbon windows found on so many office buildings, glazing is composed of five distinct modules. A system of  ten-foot-wide window and precast panel modules are offset and rotated horizontally and vertically to create the varied window layout. White or black window frames create an additional layer of visual texture, which is revealed as one approaches the building. An additional benefit of the atypical window module is that it translates into a wide variety of room sizes, providing more flexibility for tenants. Inside, the unique "side-core" design moves the elevator and service functions from the middle of the floor plate to the edge, thereby increasing the efficiency and flexibility of the large floor plates. The building is LEED Platinum certified.

© Spencer Lowell, Magda Biernat, Hannah Rankin © Spencer Lowell, Magda Biernat, Hannah Rankin
Section Section

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Draw Inspiration From These 21st Century Bathroom Designs

Posted: 19 Nov 2017 12:00 AM PST

The bathroom is one of the most static and traditional spaces in any residence. However, in recent times, this space has gained an identity that relates directly to the interior and exterior design of the house. As architects, we strive to create a warm, dynamic and attractive space for users.

Today, bathrooms that include new technologies, clean projects, integrating new materials with an emphatic use of color are highlighted. Next, we compiled a selection of 34 toilets that reflect this trend. 

S. Félix Department / AF Arquitectos

© Francisco Nogueira © Francisco Nogueira

Zinc House / Studio B

© Derek Skalko © Derek Skalko

Bougainvillea Row House / Luigi Rosselli

© Justin Alexander © Justin Alexander

Cut Out, House H / bergmeisterwolf architekten

© Gustav Willeit © Gustav Willeit

House Reconstruction for a Young Family / TSEH Architectural Group

© Sergey Polyushko © Sergey Polyushko

Mosman House / Rolf Ockert Design

© Luke Butterly © Luke Butterly

Tamarama House / Porebski Architects

© Justin Alexander © Justin Alexander

House in Dobra / Anna Thurow

© Bartłomiej Bieliński © Bartłomiej Bieliński

Party Apartment / Nghiêm Phong + Đào Thành

© Quang Tran © Quang Tran

SODA Apartments / Gresley Abas Architects

© Dion Robeson © Dion Robeson

The Mod Apartment in Kyiv / Sergey Makhno Architects

© Andrey Avdeenko © Andrey Avdeenko

North Bondi II Residence / Tobias Partners

© Justin Alexander © Justin Alexander

K.Por House / Sute Architect

© Issira Tonehongsa © Issira Tonehongsa

Two Holiday Houses in Firostefani / Kapsimalis Architects

© Yiorgos Kordakis © Yiorgos Kordakis

Laurelhurst MidCentury / mw|works architecture + design

© Jeremy Bittermann © Jeremy Bittermann

The Portal House / Reasoning Instincts Architecture Studio

© Krunal Mistry © Krunal Mistry

Sursock Apartment / platau

© Wissam Chaaya © Wissam Chaaya

AP House Urbino / GGA gardini gibertini architects

© Ezio Manciucca © Ezio Manciucca

Summer Cave House in Santorini / Kapsimalis Architects

© Vangelis Paterakis © Vangelis Paterakis

Lorimer Street Townhouse / Elizabeth Roberts Architecture and Design

© Dustin Aksland © Dustin Aksland

UP23-UBIKO Dwelling / Viraje arquitectura

© German Cabo © German Cabo

Sussex Street House / Mountford Architects

© Stephen Nicholls © Stephen Nicholls

Box House / Ming Architects

Cortesía de Ming Architects Cortesía de Ming Architects

Taringa Treehouse / Phorm architecture + design

© Christopher Frederick Jones © Christopher Frederick Jones

6 Leadwood Loop / Metropole Architects


© Grant Pitcher © Grant Pitcher

House at Namly Place / Designshop

© Aaron Pocock © Aaron Pocock

Southern Sunshine Home / HAO Design

© Hey!Cheese © Hey!Cheese

The Barrancas House / EZEQUIELFARCA arquitectura y diseño

© Roland Halbe © Roland Halbe

8A House / Dionne Arquitectos

© Pupe Fabre © Pupe Fabre

Tula House / Patkau Architects

© James Dow © James Dow

Travelers Tale / Goodnova-Godiniaux

© Karo Avan Dadaev © Karo Avan Dadaev

A House in the Woods / William Reue Architecture

© Steve Freihon © Steve Freihon

A House Forever / Longhi Architects

© Juan Solano © Juan Solano

Raval Hideaway / Mariana de Delás + Marcos Duffo

© Jose Hevia © Jose Hevia

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Manufacture Design / Saguez & Partners

Posted: 18 Nov 2017 09:00 PM PST

© Éric Laignel © Éric Laignel
  • Architects: Saguez & Partners
  • Location: 6 Avenue de Saint-Ouen, 75018 Paris, France
  • Architect In Charge: CV2A + Reichen et Robert
  • Area: 46000.0 m2
  • Project Year: 2016
  • Photographs: Éric Laignel
  • Interior Design: Saguez & Partners
  • Workspace Design: Saguez Workstyle
  • Saguez & Partners Team: Olivier Saguez, Founder & Designer; Boris Gentine, Creative Director, Partner; Jean-Philippe Cordina, Creative Director, Partner
  • Furnitures Design: Manganèse Éditions
  • Lighting Consultant: iGuzzini
  • Acoustical Consultant: Meta Atelier Acoustique
  • Landscaping Consultant: Euroflor
  • Structural Engineer: T/E/S/S
  • Mep: Balas
  • Stonework : Concreo
© Éric Laignel © Éric Laignel

A new model of design agency in a classified historic industrial hall

Moving into a Grand Paris mixed-use eco-development, the global design agency Saguez & Partners has reinvented its headquarters as an incubator laboratory that aims to live and to work better together with the city, the students, and their clients. To be more open on the outside life, Saguez & Partners set up in its headquarters Design Act! the first school in agency, and Yaya, a Mediterranean food restaurant. The agency's architects and designers built their new Manufacture Design in the only historic industrial hall conserved in the district The Docks, an early twentieth century Alstom locomotives factory. They found the right balance between the powerful and monumental nature of the structure and an open and inspiring "think tank", thanks to the quality of the plan, the light, the volumes, the frame, insulation and acoustics.

© Éric Laignel © Éric Laignel

An exemplary sustainable development and social diversity

Respecting the character of the original structure, the new building adheres entirely to the district's sustainable development. Raw materials are warm and chosen or their environmental performances, their insulating properties, long lifespan and low carbon footprint, like exterior walls in Cross Laminated Timber®, or Moso heat-compressed bamboo whose stability ensures long-term durability. Effective ventilation cools the air naturally and replaces air conditioning.

Section Section

At each hour of the day, natural light enters through the six-meter double-height glass canopy at the reception, the skylights and large bay windows across all three levels, reflecting off the office's pale-colored floors, which involves energy savings.

© Éric Laignel © Éric Laignel

Office & hôtel services

Around the generous Tropical Garden and its bivouac tent inspired by Saguez's projects in Brazil, where palm trees and more than thirty exotic plants flourish, the first floor is fit to welcome the visitors and for employees' well-being: a tea-room, a cloakroom and a exhibition place in the welcome desk, two lounges, six different sizes and furnished meeting rooms, two gym rooms with locker rooms and bathrooms, and a canteen where are served each day fifty home-cooked lunches.

© Éric Laignel © Éric Laignel

Open-space offices and meeting rooms to work differently inside/outside

The Saguez Workstyle® team, specialized in workplace design made their new office its preferred playground. The spaces are modular: a gym room becomes an offbeat brainstorming room with ottoman seating. Specific places are set-aside for moments of hyperconnectivity, meetings, tests, conference calls or concentration, prototyping like in the material library. Workstations are positioned along two large open desks on two floors, which stimulate sharing, fluidity, mobility and creativity. Two big green terraces offer different places to work, meet or breathe. The plans balance out cold and warm zones, opening up the indoors to the outdoors. They allow modular spaces, in a kind of bivouac way. Horizontal and vertical connections make the circulation of people more fluid in order to stimulate exchange and encounters.

© Éric Laignel © Éric Laignel

 Just like a permanent laboratory, open to the city, the new Manufacture Design favors a diversity of collaborative ways of working in a free and open space, to create design practices for tomorrow.

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