utorak, 28. studenoga 2017.

Arch Daily

ArchDaily

Arch Daily


Elderly Care Skärvet / Kjellander + Sjöberg Architects

Posted: 27 Nov 2017 09:00 PM PST

© Max Plunger © Max Plunger
  • Team: Sanna Taune, Andreas Nordström, Charlotte Fredriksson, Saki Azodi, Iselin Marie Johansen, Martin Kraft
  • Client: Skanska
© Max Plunger © Max Plunger

Text description provided by the architects. The elderly care is a part of the city block Skärvet, which is the starting point of Bäckaslöv, a new urban district in Växjö being developed along the railway connecting the city centre to the lake Norra Bergundasjön. The L- shaped building is the first phase and the cornerstone of the city block, offering mixed forms of tenure around a spacious, shared courtyard. 

Model Model

Common areas with good light conditions
The layout organisation is based on arranging all common and neutral areas into a central hub with individual departments located in each respective wing. The core of each department is its dining and living room, an open space reaching from façade to façade. Its large windows and tall ceiling heights provide great daylight conditions.

© Max Plunger © Max Plunger
Floor Plan Floor Plan
© Max Plunger © Max Plunger

Spaces for social interaction
The common functions comprise an assembly hall, a conservatory, physiotherapy facility and a greenhouse on the rooftop with a view over the shared courtyard and the green recreation space.

© Max Plunger © Max Plunger

Lively façades
The design and configuration are strongly linked to the construction process. The variation in the façade is rationally achieved by using more joints than façade elements and by combining four sections of different types of tile patterns. The overall design thus resembles a textile pattern or a crocheted table cloth. Entrances, windows and roofs are accentuated by copper-coloured metal sheets, adding warmer tones. The building is designed to achieve LEED Platinum certificate and Skanska's top level environmental classification.

© Max Plunger © Max Plunger
© Max Plunger © Max Plunger

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Congress Center of The Haute Saintonge / TETRARC

Posted: 27 Nov 2017 07:00 PM PST

© Charly Broyez © Charly Broyez
  • Architects: TETRARC
  • Location: 17500 Jonzac, France
  • Lead Architects: Michel Bertreux, Remi Tymen, Daniel Caud, Matthieu Blanche
  • Area: 4900.0 m2
  • Project Year: 2017
  • Photographs: Charly Broyez, Véronique Sabadel
  • Other Participants: CMB economist, Structure BETREC, Fludis AREA, Acoustic (ROUCH) HQE ( AREA CANOPPE) VRD (SODEREF) Scenography (Architecture&Technique)
© Charly Broyez © Charly Broyez

Text description provided by the architects. First, the location was selected. A hole was excavated in the limestone, a cellar open to the sky, then a cave was created, a fissured limestone karst landscape, soft steps with worn treads, then the blinding light, and a return to the caves to marvel at the organ pipe stalactites...

© Charly Broyez © Charly Broyez
Site Scheme Site Scheme
© Charly Broyez © Charly Broyez

Context
Combining business, cultural and leisure activities on a single site, the Haute Saintonge Congress Centre complements the range of existing facilities and represents a unique catalyst for dynamic development, both for the municipality and for all of Haute Saintonge. Created as a follow-up project to the "Les Antilles" aquatic complex which opened in 2002, a creation of Dutch architects Roelof and Nannie Hendricks, the Centre has to fulfil a number of requirements • express the dynamic nature of the region, • underline the exceptional character of a major public facility, • make use of its architectural style to represent the type of facility that is used (and will be used for decades to come) by managers of companies and organisations who choose to meet there, and • acquire a distinctive personality of its own without rivalling the iconic image of Les Antilles

© Charly Broyez © Charly Broyez

While the Haute Saintonge Congress Centre has to fit into this perspective with visible long-term architectural quality, it is also important to root it firmly in its regional setting so that this spirit is conveyed to those who visit. Taking into account the sensitive features of the Val de Seugne landscape, we chose to design a building in the form of a monolith half-embedded in the valley landscape. To the south, the building's emerging frontage is revealed as a light-filled circulation gallery, culminating around the theatre, the centrepiece of the composition.

© Véronique Sabadel © Véronique Sabadel

Grand circulation gallery
Access is at a single point, on the south wall of the building complex, in order to create a sense that you are gently converging on the building. This general entrance controls access for all users. Performers enter at the rear of the building, where deliveries are also made. This flexible reception area is bathed in natural light. Here, you find the general reception desk, ticket office and bar. The circulation gallery puts the building's visitors on show: at different times, it can be a comfortable area for seminar participants to converse, a space where conference discussions continue, a rendezvous for participants in festivities or events, or a foyer wherein the interval, people discuss their first impressions of a concert or a play performed by renowned actors. All the facilities are directly connected to it.

© Charly Broyez © Charly Broyez

Seminar space
The seminar space has its rooms on two levels in the west sector of the building. The seminar rooms benefit from pleasant light from the west and from the exterior décor of the slope covered in lush vegetation.

© Charly Broyez © Charly Broyez
Ground Floor Plan Ground Floor Plan
© Charly Broyez © Charly Broyez

Large multifunction hall
In "Event" or "Show" configuration, the large multifunction hall, the "Agora", welcomes participants to a company convention, conference or congress, with comfortable folding tiered seating for 416. A stalls area for 160 people can be arranged facing a generous stage area. In "Reception" configuration, the mobile tiered seating is stored in the compartment provided for the purpose. The completely open floor of the hall offers the chance to host anything ranging from trade shows and organised events to event celebrations, dating forums or debates, as well as major commemorative or family ceremonies. Large curtains contribute to acoustic comfort while allowing users to conceal if required, the opening to the excavated limestone steps that form a small open-air theatre.

© Charly Broyez © Charly Broyez

Technical areas
The multifunction hall is separated from the theatre auditorium by an acoustic buffer, formed on the ground floor by the catering and technical rooms, and on the higher level by the dressing rooms. This in-between space is also used on the ground floor for direct access to the two stages and the catering area via a loading dock making it easy to handle equipment and facilitating various tasks.

Sections Sections

Theatre auditorium
The theatre auditorium, accommodating 500, offers elegant décor for top-quality shows. Waves of wood, cladding the walls and ceilings, form an exceptional design. This arrangement hides the catwalks and their lighting and ensures that the acoustics can be finely adjusted, while still offering a décor that is at one with the opulence and comfort of the seating area. The care is taken in welcoming the public extends to the fluidity of access to each level, and the large-scale sculptural quality of the circulation gallery which brings people there. While still allowing billboards showing forthcoming events, a large opening to the south frames the landscape and floods the foyer with natural light.

© Charly Broyez © Charly Broyez

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Selenium Atakoy / DILEKCI Architects

Posted: 27 Nov 2017 06:00 PM PST

© Thomas Mayer © Thomas Mayer
  • Architects: DILEKCI Architects
  • Location: Ataköy 7-8-9-10 Mahallesi,, 34158 Bakırköy/İstanbul, Turkey
  • Architects In Charge: Durmuş Dilekci, Emir Uras
  • Team: Handan Akbudak, Kayıhan Akipek, Fikret Sungay, Evren alpay, Ayber Gülfer
  • Area: 60000.0 m2
  • Project Year: 2017
  • Photographs: Thomas Mayer
  • Developer: Aşçıoğlu İnşaat
  • Structural Design: Boztepe Engineering
  • Electrical Design: Aykar Engineering
  • Mechanical Design: Tanrıöver Consulting
© Thomas Mayer © Thomas Mayer

Text description provided by the architects. During the design process, we especially started the process thinking about the connection with the surrounding environment.   In order to maintain an equivalent connection in every direction with the project site being surrounded by crossroads, the E-5 motorway and connective roads have led us to work on a fluid geometry. By removing the corners fluid form enables a transitive connection both with the other structures and surrounding roads. Based on fluidity and transitive principles, elliptical geometry brings significant added value to high-density development schemes. It softens the relations in-between masses and the living units gain variable and different dynamic perspectives. In this project, we aimed for a new planning strategy in order to re-interpret the accustomed planning layout, especially in development projects.

Site Plan Site Plan

Instead of creating a circular form, with every angle analyzed one by one an ideal elliptical geometry is formed. The shifts between floors enable the architecture to create a fluid silhouette within its environment. Selenium Atakoy is a high-density residence complex project. What we aimed for here is creating a living space formed out of a different language, unlike the usual common housing and residential projects. The project includes sports and spa areas, playgrounds for children, meeting and commercial areas which brings this concept of a living space brand new perspectives. High rise blocks in the project are formed of units with different areas. The high amount of small units architecturally requires a geometry which extends the facade. Because of this, we used the elliptical form in order to create a construct which includes different angles of vista.

© Thomas Mayer © Thomas Mayer

The elliptical form creates larger facades unintentionally because of the way of its form works. This way the smaller units gain approximately 9.00-10.00 meters square wide facades which turns back as more light, wider vistas and a sense of a larger space. Also, the elliptical plan helps to gather the wet spaces such as bathrooms and kitchens which don't need as much light at the back and near the core. Furthermore in Selenium Atakoy emptying the cores of the blocks allow for closed corridors to disappear and for the single facade units benefit from climatization by the central atrium void. The air-flow enters from the ground floor and moves along the atrium through all floors until it reaches the roof.

© Thomas Mayer © Thomas Mayer
First Floor Plan First Floor Plan
© Thomas Mayer © Thomas Mayer

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HUB Board Game Bar / Wuhan Pures Design

Posted: 27 Nov 2017 04:00 PM PST

© Xiaokai Zhang © Xiaokai Zhang
  • Architects: Wuhan pures design
  • Location: Wuhan, Hubei, China
  • Architects In Charge: Tianyu Xiong, Xiaokai Zhang
  • Area: 430.0 m2
  • Project Year: 2017
  • Photographs: Xiaokai Zhang
© Xiaokai Zhang © Xiaokai Zhang

Text description provided by the architects. This project locates at the Jianghan Road, Wuhan, China. It is a BG (Board Game) bar, and also provides light meal and coffee. HUB is the name of this bar, and it is also its brand culture, aiming at offering a communicative and free space for consumers.

© Xiaokai Zhang © Xiaokai Zhang

By analyzing different kinds of Board Game, such as chess games, strategy games, thematic games, etc, we consider the whole place as a game arena and each consumer will play a role in it. Our design enables each consumer to find his own unique position in the bar.

© Xiaokai Zhang © Xiaokai Zhang
Floor Plans Floor Plans
© Xiaokai Zhang © Xiaokai Zhang

Each unique position is connected which forms a huge net. Everyone in this net can observe, communicate and take part in others' activities. Briefly speaking, consumers are playing games, and they themselves are in the game, too. This is the aim of HUB.

© Xiaokai Zhang © Xiaokai Zhang

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R·torso·C / Atelier Tekuto

Posted: 27 Nov 2017 02:00 PM PST

Courtesy of Atelier Tekuto Courtesy of Atelier Tekuto

Text description provided by the architects. 2 Development of environment friendly SHIRASU concrete
We developed a 100% recyclable concrete which, instead of sand, contains SHIRASU, the deposit of pyroclastic flow of volcanic ash which is found in the Southern parts of Japan in abundance. The advantage of this concrete is its strength and durability that increases to grow over a long period of time because of the pozzolanic reaction of SHIRASU. Also its density, which comes from the fine granularity of SHIRASU, protects the concrete from neutralization. SHIRASU also contains micro closed-cells which gives the concrete humidity control and deodorizing qualities. This development and use of SHIRASU concrete can be a huge asset to those areas where SHIRASU can be excavated.

  • Constructional Design: SATO, Jun + INOUE, Kenichi / Jun Sato Structural Engineers
  • Facility Design: YAMADA, Hiroyuki / yamada machinery office
  • Cooperative University: NOGUCHI, Takafumi / Tokyo University
  • Construction Management: MATSUOKA, Shigeki + NAKADE, Shuichi + KITAOKA, Tsubasa / Home Builder
© Jérémie Souteyrat © Jérémie Souteyrat

1. "NU-KE (noo-kay)"
Using visual and psychological connections between interior and exterior, "NU-KE" "enlarges" space and adds depth by multi-layering of walls and spatial volumes.
I pruned away some corners from the rectangular building to create "NU-KE" towards the sky; the last remaining vast piece of nature in Tokyo.

3 Transition from the planimetric cognition to the cross-sectional cogitation
For architecture on a small site, sectional and volumetric design becomes very important. A high level sound insulated audio visual room in the basement, and a spacious gallery and a Japanese room is placed on the first floor. Functionality was prioritized on the second floor with a living room, dining room, kitchen and bathroom. The living room is a very small space, but a 5m high ceiling and a large oblique triangular window, drawing in an abundance of external light, results in a cognition that is far greater than the reality. The final design of this space was derived through a vast number of three-dimensional models.
Three design methods that achieve physical and psychological richness.

© Toshihiro Sobajima © Toshihiro Sobajima

2. Simultaneous Contemplation of plan/section
I always draw plans and sections simultaneously and make numerous study models to create a multi-layered space with an enhanced spaciousness.
i.e.; the layering of concrete steps from the basement, the living space extending to the bedroom above, the toilet and high window leading to the sky and the bedroom, the bathroom to the exterior via a skylight. These interconnections produce spatial richness that cannot be measured by area alone.

Floor Plans Floor Plans

3. Colour and texture 
Here, I used exposed concrete, charcoal stained and persimmon tanned wooden boards, hammered steel, black stainless steel, oxidized black silver plate etc. The colors of these rich materials are unified by a grey to black colour and all have a matt texture. This attention to colour and texture creates unity, and makes spaces interesting and enriched.

© Toshihiro Sobajima © Toshihiro Sobajima

© Toshihiro Sobajima © Toshihiro Sobajima

© Jérémie Souteyrat © Jérémie Souteyrat

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Yi She Mountain Inn / DL Atelier

Posted: 27 Nov 2017 12:00 PM PST

© Haiting Sun © Haiting Sun
  • Architects: DL Atelier
  • Location: Duijiuyucun, Changping, Beijing, China
  • Design Team: Yang Liu, Xinye Sun, Xuwen Lu, Limei Zheng, Kun Wang
  • Area: 450.0 m2
  • Project Year: 2017
  • Photographs: Haiting Sun
  • Structure: Chunlei Wang
  • Interior: DL Atelier, Warming House
  • Landscape: DL Atelier
  • Heating And Ventilation: Limei Zheng
  • Electric Installations: Yanming Hou
© Haiting Sun © Haiting Sun

Text description provided by the architects. Over these years, I always go camping with family or friends to deep mountains and forests, to desert or snow land. Those were where we enjoy the broad starlit sky together and keep far away from crowded city life. In the city, people race against precious time, yet time flies so slowly by spending in vain here. We were not swayed by considerations of gain and loss, which help us learn more in the process of wasting time.

© Haiting Sun © Haiting Sun

Our Inn lies beside Ming Dynasty Tombs on one hour's drive from Beijing, which is convenient for guests to switch from the bustling city life to quiet seclusion time. Even in the days of haze, you can still see the blue sky here.

Site Site

This is not a farmhouse offered to taste country life, or a vacation hotel with countless entertainment activities. This is only a simple place to relax and let hair down.

Concept Concept

Fresh food and beverage are offered here. We encourage people to cook, to talk, to interact rather than eat from the menu. The environment was designed to inspire humility, tolerance, enthusiasm and other beautiful emotions.

© Haiting Sun © Haiting Sun

On sunny days, this shared kitchen will be activated by sunshine, like an open stage facing the courtyard, the operation table was purposely designed as an island like a hearth, where people can cook together, the chef will be the leading performer facing the audience, who enjoys the cooking itself as well as the praise from viewers.

Concept Concept

The east part are the guest rooms with different themes and design languages, 5 rooms are sprinkled on an enclosed layout, guests will be facing mountains or lakes from different angles, and therefore feel some sense of relaxation and freedom.Families are most welcome, parents could read in the room and at the same time watch over their kids playing around in the courtyard, each family member will feel the connections in this atmosphere. Meanwhile, the spacial void and valid are interwoven together not only to blur the boundaries of segregation, but also to blur the distance between people.

© Haiting Sun © Haiting Sun
Floor Plans Floor Plans
© Haiting Sun © Haiting Sun

There is not grand narrative of architecture or complicated construction method. Only local material as brick and wood are used here, with appropriate adjustment on scale and form. In springs, the brick wall will be covered by climbing plants and wild flowers, the whole courtyard will help people feel the sunlight and the wind. Our Inn, together with the background of mountain and river, offers a gentle atmosphere for guests' aimless leisure life.

© Haiting Sun © Haiting Sun

We hope it is a place to feel the passing time and enjoy the comfort of being close to family and friends.

© Haiting Sun © Haiting Sun

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Residence 913 / Charged Voids

Posted: 27 Nov 2017 11:00 AM PST

© Nakul Jain © Nakul Jain
  • Architects: Charged Voids
  • Location: Karnal, India
  • Architect In Charge: Aman Aggarwal
  • Design Team: Rahul Vig, Nikita Kakkar
  • Area: 370.0 m2
  • Project Year: 2016
  • Photographs: Nakul Jain
  • 3 D Visualizer: Haneet Khanna
  • Client Name: Mr. Abhayjeet Saini
  • Structure Consultant: Pankaj Chopra
  • Water Body: Madhhu irritech; Uttam Singh
  • M S Fabricator: Lohar creations; Anil Dhiman
© Nakul Jain © Nakul Jain

Text description provided by the architects. The brief was to design a house for a father son duo, who had recently lost the lady of the house.

© Nakul Jain © Nakul Jain

CONCEPT

The idea was to design a house that brings its occupants in close contact with elements of nature in order to lend a strong spiritual character. The overall concept was devised as the free plan with interconnecting volumes, that emphasize the sense of nothingness overlooking the courtyard & a blank stone wall painted in light.  Spaces like courtyard & verandah were reinterpreted to suit the urban context

© Nakul Jain © Nakul Jain

PLANNING

The plan was organized around a northern courtyard & water body with the central space i.e., the living room looking into it. The entrance was conceived through a screened verandah overlooking the water body on one side & living room in the front. This allowed for a complete absence of window coverings as no direct sunlight penetrated the central space but there was ample natural light throughout the day. The interconnecting volumes in the section allow the cross axes to be visible as soon as one enters the house.

© Nakul Jain © Nakul Jain

The project houses a total of three rooms, two master bedrooms for the father & son and a guest room. The father was housed on the lower floor while the son's room & the guest room are planned on the upper level. The father's room & son's room are organized in such a way that they open into the central space, diagonally in the section thus creating a strong visual connectivity.

Ground Floor Plan Ground Floor Plan

The domestic help & other services are housed on the third level with a separate access from an external service staircase. The open kitchen with dining area along with a lounge is ideal, since there are only 2 occupants in the house. Although a separate spice kitchen is provided at the back for the domestic help & other services. 

© Nakul Jain © Nakul Jain

MATERIAL PALLETTE

The overall project was conceived in a monochromatic palette to lend a meditative character to the space. The interior surfaces are simply Stone clad or white painted with patterns of shadows created from external screens being the principal focus. The ocean black stone used in different finishes is a local Stone available in Rajasthan. The only other material used is strips of mirror to add to the illusive character of space.

© Nakul Jain © Nakul Jain

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The Eminence / Plus Architecture

Posted: 27 Nov 2017 09:00 AM PST

© Jaime Diaz-Berrio © Jaime Diaz-Berrio
  • Builder: Crema Constructions
  • Client : Lechte Corporation
  • Client 2: Abacus Property Group
© Jaime Diaz-Berrio © Jaime Diaz-Berrio

Text description provided by the architects. Located at 139 Queensberry Street, Carlton, The Eminence is nestled geographically and architecturally between the macro scale of Melbourne's CBD and the fine grain streetscapes of suburban Carlton. The Eminence interprets and is inspired by both, finding a language that mediates between them.

© Jaime Diaz-Berrio © Jaime Diaz-Berrio

The brief from the client was to "design an apartment building that people want to live in." With this simple goal Plus Architecture set out to design spaces to call home at a time when small, investor focused apartments were the prevailing market trend.

© Jaime Diaz-Berrio © Jaime Diaz-Berrio

The overall architectural expression of The Eminence is one of calmness and rhythm, stability and clarity. Where the building meets the ground, there are moments of humour and play that talk to human scale and the archetypal yet renowned Melbourne laneway experience. The theme of 'home' is represented through the perforated house motif girding the lobby entrance, providing a unique internal waiting space. This motif is continued through the alley around the side of the building, with a mix of street art and house structures clad in Corten (serving a double purpose of shielding building services) bringing the alley to life.

© Jaime Diaz-Berrio © Jaime Diaz-Berrio

At street level, The Eminence communicates effortlessly and playfully with the typical two to three storey Carlton streetscapes, while the residential tower structures are overlaid with the form and overall scale of the city.

© Jaime Diaz-Berrio © Jaime Diaz-Berrio

The design includes three story feature precast columns and halo beams reminiscent of the classic Victorian architecture that features so prominently in the Carlton landscape. Installation of the facade proved challenging for the construction team who describe how the intricacy of the design, including the protrusion and staggering of columns, required considerable deliberation to achieve the architects' vision of seamless three storey columns.

© Jaime Diaz-Berrio © Jaime Diaz-Berrio

With a focus on creating homes for a truly mixed community, The Eminence features a mix of one, two and three-bedroom dwellings, catering to students, first home buyers and owner-occupiers. This inclusive community is drawn together by a spacious, welcoming rooftop space with stunning views.

Typical floor plan Typical floor plan

Complete with a welcoming entry lobby with lounge and fireplace, this development comprises 193 apartments and two retail spaces over 15 storeys, designed as three towers along a corridor axis. By designing a three-tower structure, the architects created light-filled corridor spaces and open yet private apartments for all occupants, welcoming and positioning between the busy CBD and Melbourne's vibrant inner-north.

© Jaime Diaz-Berrio © Jaime Diaz-Berrio

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Herzog & de Meuron Wins Competition for Swiss Bank Headquarters Overlooking Lake Geneva

Posted: 27 Nov 2017 08:00 AM PST

Courtesy of Herzog & de Meuron Courtesy of Herzog & de Meuron

Herzog & de Meuron, with local firm Favre & Guth, has been selected as the winners of an international competition for the design of a new global headquarters for private banking company Lombard Odier to be located in Bellevue, Switzerland on Lake Geneva.

Responding to the competition theme of 'One Roof,' the design consists of a single building in which all sides are given equal prominence, with no obvious front or back. Herzog & de Meuron's winning proposal achieves this through its glassy facade and sweeping flooplates supported by slender columns.

Courtesy of Herzog & de Meuron Courtesy of Herzog & de Meuron

 "A stone-clad bunker would no longer be in keeping with the image of a contemporary bank," said founding partner Pierre de Meuron. "We have designed a transparent, elegant and measured building; as such, its architecture reflects the vision and values of Lombard Odier. The form and appearance of our project are not due to aesthetic preference. Our intention is to enable all occupants of the new head office to fully appreciate the surrounding natural environment."

Perched on a 27,400-square-meter (295,000-square-foot) site overlooking Lake Geneva, the building will accommodate 2,600 employees, providing them with flexible, high-tech workstations that will allow Lombard Odier to better serve and collaborate with clients.

"We were immediately struck by the project's timelessness, personality and integration in its natural environment. The building will be airy and will look amazing from the ground, lake and sky," commented Patrick Odier, Senior Managing Partner of Lombard Odier. "Everything has been designed to inspire creativity and team work in a dynamic and motivating working environment. Our clients will benefit from an exceptional venue which is easy to access and will provide all of our services and expertise under one roof." 

"At the heart of our values has always been the concept of sustainable development, combining environmental, social and economic considerations," Odier continued. "This building integrates this concern perfectly. In particular, it will meet the highest standards of sustainable development and employ the most efficient technology available, particularly in terms of energy-saving. The quality of working conditions will be an integral part of this ecosystem." 

The project is expected to be completed by 2021.

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Hood Canal Boat House / Hoedemaker Pfeiffer

Posted: 27 Nov 2017 07:00 AM PST

© Alex Hayden © Alex Hayden
  • Architects: Hoedemaker Pfeiffer
  • Location: United States
  • Interior Design: Garrett Cord Werner
  • Landscape: Leuner Landscape Designs
  • Project Year: 2017
  • Photographs: Alex Hayden
  • Contractor: Fairbank Construction
© Alex Hayden © Alex Hayden

Text description provided by the architects. This building is the reimagination of an existing boathouse that had no windows, one door, and no charm. It is conceived as a building that can turn itself inside out, offering a protective layer of concrete and steel to the outside with the warmth of marine plywood on the inside. The oversized sliding doors extend well beyond the building to create sheltered spaces facing both sunrise and sunset. The retractable ladder allows the building to be used as winter boat storage and summer loft sleeping.

© Alex Hayden © Alex Hayden
Section 02 Section 02
© Alex Hayden © Alex Hayden

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Snøhetta Unveils Carved Residential Tower and Synagogue for New York City's Upper West Side

Posted: 27 Nov 2017 05:15 AM PST

View southeast. Image © Binyan Studios View southeast. Image © Binyan Studios

Snøhetta has unveiled the design of a new residential skyscraper to be built in Manhattan's Upper West Side that will feature a unique, multi-level amenity terrace carved from the tower's form. Located at 50 West 66th Street just steps from iconic New York City landmarks including Lincoln Center and Central Park, the tower aims to sensitively respond to the historic architecture of its context through its intricate form and refined material palette.

View northeast of shared amenity terrace. Image © Binyan Studios View northeast of shared amenity terrace. Image © Binyan Studios

Clad in textured limestone, bronze and glass, the building will occupy the full lot between 65th and 66th streets, stepping back midway up the tower on its south facade. The podium will contain the residential entrance on 65th Street, as well as a synagogue that will be entranced on 66th. 

View of 65th street synagogue entrance. Image © Binyan Studios View of 65th street synagogue entrance. Image © Binyan Studios
Concept Diagram. Image © Snøhetta Concept Diagram. Image © Snøhetta

As the building rises, its volumes are chamfered and carved away, splitting the massing into two and creating space for the shared amenity terrace on the 16th floor. Intended as a 'social heart' for the building, the stepped outdoor terrace will be planted with lush vegetation and will offer views of the Hudson River, Central Park and the city.

"The design is achieved through a series of sculptural excavations, evocative of the chiseled stone of Manhattan's geologic legacy," explain Snøhetta.

Model, view northeast. Image © Snøhetta Model, view northeast. Image © Snøhetta
View west. Image © Binyan Studios View west. Image © Binyan Studios

Above the terrace level, the tower is again carved away, this time at its corners to create private balconies for the residential units.

"This zipper of loggias runs the full length of the upper volume, visually connecting the body to its lustrous, sculpted crown," describe the architects.  "Angled facets evoke this chiseled vocabulary, revealing the same gleaming bronze found at the building's base."

The skyscraper will reach a top height of 775 feet (236 metres) and will contain 127 units. Construction is expected to begin in Spring 2018.

View of 66th Street residential entrance. Image © Binyan Studios View of 66th Street residential entrance. Image © Binyan Studios
Façade detail of limestone and bronze mullions. Image © Snøhetta Façade detail of limestone and bronze mullions. Image © Snøhetta

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Tijucopava House / AMZ Arquitetos

Posted: 27 Nov 2017 05:00 AM PST

© Maira Acayaba © Maira Acayaba
  • Architects: AMZ Arquitetos
  • Location: Guarujá, Brazil
  • Architect In Charge: Pablo Alvarenga
  • Design Team: Paula Saito, Vanessa Mendes
  • Area: 450.0 m2
  • Project Year: 2013
  • Photographs: Maira Acayaba
  • Structural Engineering Company: Ita Construtora
  • Construction Company: TECSA/ Pablo Gacio
© Maira Acayaba © Maira Acayaba

Text description provided by the architects. Located in an Atlantic Forest  reserve in the coast of the state of São Paulo, the Tijucopava house faces the sea view and the surrounding exuberant landscape.

© Maira Acayaba © Maira Acayaba

Installed on a steep slope, its structure can be defined in two parts: a monolithic concrete base supporting the garage and the pool and, on top of it, a modular wooden structure, profiled by a glass frame. Each module in the structure houses one of the bedrooms, the private bathrooms of which are pervaded by natural light and ventilation from the continuous rooflights that run across the roof.

Ground Floor Plan Ground Floor Plan
© Maira Acayaba © Maira Acayaba
Upper Floor Plan Upper Floor Plan

The ground floor has no walls, and is identified by a stone pavement that extends down to the external area and the pool. As the glass doors are slid open, the area is reconfigured into a vast veranda, bringing together the interior and exterior areas, along with the pool and the landscape.

© Maira Acayaba © Maira Acayaba

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Georgia's Kutaisi Airport Taps UNStudio for Terracing Expansion Just 4 Years After its Opening

Posted: 27 Nov 2017 04:00 AM PST

Less than five years after the opening of Georgia's Kutaisi 'King David the Builder' International Airport, rapidly increasing usage (from 12,915 passengers a year in 2012 to more than 300,000 in 2016) has prompted the airport to begin plans for an expansion that could serve as many as 1,000,000 passengers by 2020.

To achieve these goals, the airport has returned to the architects who designed the original structure, UNStudio (with local architects Artstudio Project), to develop a unique airport concept featuring terraced waiting areas and a rooftop viewing garden.

© VA-render © VA-render

The terminal extension will continue the linear design language of the existing building, while introducing a new topological element that references the lines of the Caucasus Mountains that can be seen on the horizon. 

In order to preserve visual connection and circulatory flow throughout the airport, UNStudio and airport consultant IATA located key programmatic functions within five clear 'functional islands': the Departure hall, Security area, Central passenger hall, Back of house offices and Arrival hall.  

"By enhancing the transparency and openness of the Departure, Central and Arrival halls it became possible to provide a pleasant and comfortable travel experience," explains UNStudio. "Using the correct human scale, flow, spatial language and materialisation for these areas forms the basis of providing comfort for every visitor."

Interior Concept Diagram. Image Courtesy of UNStudio Interior Concept Diagram. Image Courtesy of UNStudio
© VA-render © VA-render

Balancing the architectural "umbrella" in the existing wing, the new elevated plaza will become a green recreational hub and waiting area where passengers can prepare for their flights or greet their families. The plaza will stretch all the way to the roof, allowing visitors to view the activity of the airport from an overhead vantage point.

"The elevated plaza runs up to the roof level and, by splitting the length of the terminal, creates another moment of orientation," describe the architects.

"From here it is possible to facilitate the use of the outdoor environment where family and friends can easily observe the arrival of their loved ones, or where passengers can enjoy a little break out time before a long journey."

© VA-render © VA-render
Photo of the existing Kutaisi 'King David the Builder' International Airport / UNStudio. Image © Nakani Mamasakhlisi Photo of the existing Kutaisi 'King David the Builder' International Airport / UNStudio. Image © Nakani Mamasakhlisi

The project will be carried out over several phases that will allow the airport to continually operate throughout construction. Showing the massive capacity growth of the project, the entire existing building will be transformed into the Departure hall, while Arrivals, customs and the underground luggage handling will all be located in the new extension. 

Extension Concept Diagram. Image Courtesy of UNStudio Extension Concept Diagram. Image Courtesy of UNStudio
Phasing Plan. Image Courtesy of UNStudio Phasing Plan. Image Courtesy of UNStudio
Interior Impressions. Image Courtesy of UNStudio Interior Impressions. Image Courtesy of UNStudio

To further improve connections between the airport and Georgia's major areas of population, the airport will be connected to a new railway linking the capital, Tbilisi, and the Black Sea coast. 

"Visitors are entering this fascinating and hospitable country from all directions," added UNStudio. "United Airports of Georgia wants to make sure that they are serviced in the most efficient way - but also with a local touch."

  • Architects: UNStudio, Artstudio Project
  • Location: David the Builder Kutaisi International Airport, Georgia
  • Un Studio Team: Ben van Berkel with Frans van Vuure, Roman Kristesiashvili and Alexander Kalachev, Melinda Matuz, Christoph Zechmeister, Pietro Scarpa, Derrick Diporedjo and Sabrina Li
  • Local Architect: Artstudio Project Ltd, Tbilisi
  • Client: United Airports of Georgia LLC
  • Airport Consultant: IATA, Montreal, Canada
  • Building Surface: 4,500 m2 + 13,000 m2
  • Building Volume: 115,200 m3
  • Building Site: 16,000m2
  • Area: 17500.0 m2

Kutaisi 'King David the Builder' International Airport / UNStudio

Architects Ben van Berkel, Caroline Bos, Gerard Loozekoot with Frans van Vuure and Filippo Lodi, Roman Kristesiashvili, Tina Kortmann, Wendy van der Knijff, Kristoph Nowak, Machiel Wafelbakker, Gustav Fagerström, Thomas Harms, Deepak Jawahar, Nils Saprovskis, Patrik Noome Project Year Photographs + 16 Text description provided by the architects.

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Sorenson Center For The Arts / Brooks + Scarpa Architects

Posted: 27 Nov 2017 03:00 AM PST

© Tim Hursley © Tim Hursley
  • Project Team : Lawrence Scarpa, FAIA – Lead Designer, Angela Brooks, FAIA, Emily Hodgdon - Project Architect, Mark Buckland, Chinh Nguyen, Diane Thepkhounphithack, Cesar Delgado, Mario Cipresso, AIA, Brooklyn Short, Royce Scortino, Ryan Bostic (Brooks + Scarpa)
  • Project Design Team : Kevin Blalock, Rob Beishline, Dugan Frehner, Sean Baron, Charles Gaddis (Blaslock Partner)
  • Landscape: Brooks + Scarpa, Coen + Coen Partners, G. Brown Design
  • Structural Engineering: Reaveley Associates
  • Electrical And Lighting: BNA Consulting Group
  • Mechanical: Van Boerum & Frank Associates
  • Lighting: Luminescense
  • Civil Engineering: Insite Engineering
  • Acoustics: Fisher Dachs Associates
  • Specifications: Blalock Partners
© Alan Blakely © Alan Blakely

Text description provided by the architects. The Beverley Taylor Sorenson Center for the Arts is the home of the Tony Award winning Utah Shakespeare Festival, which draws more than 250,000 visitors annually to it's theatres and festival gardens.  The 5.5-acre complex sits on the eastern edge of the Southern Utah University campus linking the university with downtown Cedar City, UT. It is a comprehensive center for visual and performing arts, live theatre, and arts education that offers a variety of activities such as literary and production seminars, classes, workshops, and backstage tours and art exhibitions.

© Dino Misetic © Dino Misetic
Axonometric Diagram Axonometric Diagram
© Alan Blakely © Alan Blakely

The center includes the new 86,000 square foot Utah Shakespeare Festival (USF) building which, houses the new open-air, 900-seat Engelstad Shakespeare Theatre, replacing the current Adams Theatre. Other significant program spaces are the Rehearsal Halls, Anes Studio Theatre, a flexible 200-seat black box theatre, actor support spaces, administrative offices, and a large costume production area.

The complex also features gardens, parks and exterior spaces for live performance and public use. The park-like setting incorporates native planting and is designed as outdoor rooms to accommodate uses ranging from intimate activities such as relaxing on a bench to gatherings of up to 300 people for impromptu live performances.

© Tim Hursley © Tim Hursley
Longitudinal Section Longitudinal Section
© Alan Blakely © Alan Blakely

Anchoring the southwest corner is also the 28,000 square foot Southern Utah Museum of Art (SUMA). SUMA is a state-of-the-art museum hosting exhibitions from around the world and home to a special collection of the work by Utah artist, Jim Jones. SUMA also regularly exhibit work of Southern Utah University's Art and Design students and faculty, and provide a venue for displaying regional artists and juried shows—making it a true cultural destination for theatre and the arts in Utah.

Courtesy of Brooks + Scarpa Architects Courtesy of Brooks + Scarpa Architects

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17 Stressful Situations Only Architects Can Relate To

Posted: 27 Nov 2017 01:30 AM PST

© Andrea Vasquez © Andrea Vasquez

From the moment we attend our very first lecture to the peak of our careers, architects are plagued with stressful events that are unlike any other profession. Meeting deadlines, dealing with planning and fabricating the dreams of our clients, our job can be intense and extremely demanding.

Often when we complain about it to our non-architect friends, however much they try, they don't quite understand. They are not used to the impact that moving a staircase or rotating a plan might have on our workload, nor can they relate to losing a favorite pen. But among ourselves, we can wallow in our pain together as we go through just what makes our job so stressful (and rewarding)!

1. The Printing Coming Out Wrong

You've waited 5 hours and possibly had to pay a small fortune, so the last thing you need is the green to come out yellow or the edges of your building to be cut off. However many times you have sent things to be printed, there always seems to be yet another thing to forget.

2. Snapping the Lead on Your Mechanical Pencil

Or equally not being able to use the last few centimeters without it popping back into the pen itself. The value of lead to an architect is something that cannot be calculated.

3. CAD Having a Mind of its Own

We have all been there, trying to draw a line and it just won't stick—befriending the nearest corner or midpoint instead. In the grand scheme of things, it is only a minor issue, but at the wrong time it can seem like the end of the world.

4. Running Out of Black in Your Wardrobe

© Andrea Vasquez © Andrea Vasquez

If it is even possible for an architect to run out of black clothing, we are put in the unfamiliar and slightly scary situation of having to style an outfit using color.

5. Modeling Software Lagging and Slowing Down

If the model has over a million edges then you may as well give up (unless you have some kind of supercomputer), rather than pulling your hair out over simply rotating the scene.

6. The Client's Unrealistic Expectations

Sometimes it seems that clients are unable to grasp how much work it takes to design a building—of course we can't change an entire plan in a day. We are not wizards that can create time (even if we like to think we are) but human beings that want to be able to go home and rest at the end of the day.

7. Forgetting Your Headphones

© Andrea Vasquez © Andrea Vasquez

Striking right before the model-making marathon, this is possibly an architect's worst nightmare. An even worse scenario than forgetting headphones: they break.

8. Being Liable for Buildings Years After They are Built

When the heavens open and the rain starts pouring down, a part of you prays you won't get a phone call from a previous client asking why their home is leaking. It's easy to point the finger at the architect, but maybe we can leave this one with the engineers.

9. Software Crashes

Our love-hate relationship with technology continues. We are all too familiar with the panic that rushes through our body when the error pops up in AutoCAD—questioning the last time you saved and the possibility of losing all of your work. 

10. Not Having a Pen When an Idea Hits

Wherever you are that isn't your desk can present the risky situation of being unequipped. We need to make sure we always have our trusty Moleskine and favourite pen on hand to avoid such catastrophes.

11. Opposing Advice from Colleagues or Tutors

There is no such thing as universal taste. architecture is a subjective profession where conflicting opinions from people are all too common. At the end of the day, whichever decision you make you need to be able to back up yourself.

12. The Faces in SketchUp not Autofilling

Probably one of the most stressful points on this list; hours can be spent messing about to simply fill in the area. Once there are too many edges, you are tempting fate as the likelihood of SketchUp cooperating decreases rapidly.

13. Misplacing Your Scale Ruler

© Andrea Vasquez © Andrea Vasquez

Which colleague stole it this time? Or is it just hidden under the piles of plans sat on your desk?

14. Meeting with the Residents

Going on community consultations can seem like walking into a battlefield—after all, it's their neighborhood you are planning to build in. It is impossible to predict all the rather peculiar issues the community might have, not to mention the vocal resident at the back disputing your scheme.

15. Using Slow Computers

There is nothing worse than a computer which can't keep up. Time is priceless for architects and we can't afford to be sat there mindlessly waiting for it to do its thing before the entire system just gives up.

16. The Printer Running Out of Paper or Ink

© Andrea Vasquez © Andrea Vasquez

This always seems to happen right before a big deadline when you are running around like an idiot, desperately searching for any sign of paper or ink.

17. Last Minute Changes

Two hours before the presentation to the client and the creative director comes up to you and suggests moving an entire wall or curving it. The idea may be valid but the timescale is certainly not.

Images for this article were kindly provided by Andrea Vasquez.

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Guests Pavilion / Fran Silvestre Arquitectos

Posted: 27 Nov 2017 01:00 AM PST

© Fernando Guerra |  FG + SG © Fernando Guerra | FG + SG
  • Collaborating Architects: Maria Masià, Estefanía Soriano, Fran Ayala, Pablo Camarasa, Sandra Insa, Santi Dueña, Ricardo Candela, David Sastre, Sevak Asatrián, Álvaro Olivares, Eduardo Sancho, Esther Sanchís, Vicente Picó, Ruben March, Jose Manuel Arnao, Gemma Aparici, Aida Pons, Sergio Llobregat, Rosa Juanes
  • Structure: David Gallardo; Estructuras Singulares. Universitat Politècnica de Valencia
  • Project Director: Estudio 2
  • Technical Architect: Carlos García
  • Exterior Furniture: Fran Silvestre
  • Interior Furniture: Grassoler

Text description provided by the architects. The project with a surface area of around 70 square meters is a guest pavilion that functions as an autonomous architecture conceived as an extension of a project that we had developed in the studio. The human scale of the pavilion makes it a comfortable space where to experience living in a garden. The pavilion consists of two rooms: one bedroom and a living room with a kitchen. There are also two bathrooms, one serving the pavilion and the other one as a support for the pool.

© Fernando Guerra |  FG + SG © Fernando Guerra | FG + SG

Within the premises, the aim is that the built piece minimizes its impact on the garden from the main house. This way, the pavilion is located approaching one of the limits of the land, perpendicular to the swimming pool, showing its slimmer and opaque side towards the existing architectures. In the other direction, the piece is a passageway, relating to the landscaped space and a sort of courtyard between the pavilion and the wall.

© Fernando Guerra |  FG + SG © Fernando Guerra | FG + SG
Ground Floor Plan Ground Floor Plan
© Fernando Guerra |  FG + SG © Fernando Guerra | FG + SG

A centenary olive tree, a liquidambar, and a pomegranate tree, together with the pool platform, serve as a link between the architecture and the garden. The deciduous liquidambar sieves the sunlight depending on the seasons. By means of the darkening system, it is possible to control the operation of the piece, more discreetly when it is opened to the courtyard, or completely open to enjoy the domesticated nature of a consolidated garden from the deposited pavilion.

© Fernando Guerra |  FG + SG © Fernando Guerra | FG + SG
© Fernando Guerra |  FG + SG © Fernando Guerra | FG + SG

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The Architect's Holiday Gift Guide 2017

Posted: 27 Nov 2017 12:00 AM PST

Winter is here, the streets are full of festive lights and store displays are decorated with gift-wrapped goodies which must mean only one thing—the holiday season is upon us!

Architects, ArchDaily has got you covered: our 2017 holiday gift guide features over 40 ideas, with gifts ranging from the slightly wacky to the delicately designed. This year the list includes an assortment of concrete furnishings and accessories, space frame-inspired jewelry and architectural building blocks.

So without further ado, let the shopping begin!

Sea on Concrete Phone Case / Cafelab

via Society6 via Society6

$35.99, Society6

For the brutalist lover within! The artwork on this phone case features a poured concrete print, softened by an aquamarine strip along the bottom—perfect for any Le Corbusier fans out there.

Minimalist Trainers / Common Projects

via Dover Street Market via Dover Street Market

$376-$390, Dover Street Market

The simple design of the Common Projects trainer has made them an icon of modern design, "the Eames Lounger of sleek sneakers." The smooth design is broken only by the unique serial number of the shoe, printed on the heel with gold foil for a minimal and mysterious look.

1:100 Architectural Model Accessories (Seasonal) / Terada Mokei

via Terada Mokei via Terada Mokei

$13.39, Terada Mokei

Add seasonal spirit to 1:100 models with these scale paper cut-outs of families enjoying the snow and trees covered in snowflakes. If you're feeling creative, then they could even decorate your holiday cards this year!

1:100 Architectural Model Accessories (Cherry Blossom) / Terada Mokei

via Terada Mokei via Terada Mokei

$13.39, Terada Mokei

Another set of 1:100 scale paper accessories for architectural models, the gorgeous pre-cut cherry blossoms bring the magic of spring into the scene.

Geometric Jewellery / Tuza

via Tuza via Tuza

Prices around $50 – $300, Tuza

Tuza is offering ArchDaily readers 10% off their products using the code "ArchDaily" at the checkout. Their ribbon bar cuffsundial cuff and Taurus stud earrings are a few of the designs we particularly love for their unique and minimal form.

Aalto Vase / Alvar Aalto

via MoMA via MoMA

$75 – $175, MoMA

Alvar Aalto's vase, originally presented at the World's Fair in 1937, is an iconic piece of design that anyone would be proud to own. 80 years later and it is still a best seller featured in MoMA's collection.

Blockitecture / James Paulius

via Area Ware via Area Ware

Sets from $25, Area Ware

Architectural building blocks, just because we never really grow up. Their designs include "Habitat," "Garden City," and "Brutalism."

Coin Pouches / Building Block

via Building Block via Building Block

$295, Building Block

In smooth black leather, the etcetera sling can hold all the "extras" in geometric, detachable pouches that can be removed and used independently from one another.

Golden Section Finder / Parsons and Charlesworth

via Area Ware via Area Ware

$12, Area Ware

Instantly find proportional beauty in nature and the surroundings with the golden section finder. Only 85 x 54 mm, this laser-etched acrylic is the same size as a credit card, meaning you can carry it with you wherever you go.

Architecturally Inspired Cufflinks / Cffs

via Cffs via Cffs

Prices from $40, Cffs

When an architect starts designing cufflinks, you get accessories inspired by space frames and diagrids. The geometric designs "speak through their form" to provide intricate, modern accessories.

Folding Paper Stool / Weshine

via Amazon via Amazon

$35.99, Amazon

Masterfully designed, this paper stool is folded in a concertina pattern, enabling it to unfurl and hold a grown person's weight. Perfect as either a piece of sculpture or a practical solution to spatial limitations at home.

Copper Concrete Earrings / Mica Rica

via Etsy via Etsy

$13.98, Etsy

These grey and copper earrings are handmade with cement to form hexagons that appear dipped in copper. With time the cement will naturally darken as it comes into contact with the skin, making a piece that changes and is unique to you.

AR(T)CHITECTURE / Desplans

via Desplans via Desplans

Prints from $82.50, Desplans

Desplan's limited edition prints exhibit the unseen work of architects from the early stages of the project. Signed by the architects themselves, they make for a truly personal present, and offer insight into the abstract beginnings of a building.

'Sac à Dos' Adaptable Backpack / The Atelier Yul

via The Atelier via The Atelier

$510, The Atelier Yul

Designed by creators, for creators. The handmade leather backpack comes with adjustable straps to hold architectural plans, tripods or large format drawings, suiting the most stylish of architects.

NYC Skyline Jigsaw / New York Puzzle Company

via Fab via Fab

$8, Fab

A puzzle to ponder over by the fire after a day of rigorous gift-opening. The jigsaw features an illustration of downtown Manhattan's ever-growing skyline in bright and bold colors—with only 100 pieces, to suit the more amateur puzzle-completers amongst us.

Concrete Geometric Planters / Various

via Etsy via Etsy

Starting from $40.32, Etsy

Etsy is host to many gorgeous planter designs, especially made of concrete. These three geometric styles will fit perfectly into any modern home or office, bringing the outside inside. From designers uniiconFactoLab and Keep It Green Art.

Architect's Pencil Case / Choosing Keeping

via Choosing Keeping via Choosing Keeping

$174.45, Choosing Keeping

This stationery set is specifically designed for architects, including a Bauhaus fountain pen, a thin aluminum scale ruler and a 0.7mm drafting mechanical pencil. Not to mention it comes already gift wrapped and ready to go!

Unisex Clothing Designed by an Architect / The Arrivals

via The Arrivals via The Arrivals

Coats from $295, The Arrivals

Designed by an architect, the Arrivals' range of minimalist unisex garments uses the "form follows function" philosophy to create outerwear that endures the elements and takes on the new genderless silhouette. Taking pride in their garments' quality, The Arrivals offers a lifetime warranty on each piece—perfect for a gift that will stand the test of time.

Laser Cut Skyline Shadow-play / 13gramm

via 13gramm via 13gramm

$6.96, 13gramm

13gramm feature skylines from around Europe and the world in their laser cut designs for tealights, creating scenes of the cities through shadows on the walls.

3D Printing Pen / 3Doodler

via Fab via Fab

$99.99, Fab

Slightly cheaper than the real thing—the 3D printing pen brings drawing into the third dimension for impressive architectural models or simply as a toy for the office.

City Guides / CITIx60

via Viction:ary via Viction:ary

$11.95, Viction:ary

These city guides are the traveling architect's best friends. Jam-packed with information and illustrations, the little books inform you of the best cultural and architectural spots in the city. The range includes guides on Barcelona, Singapore, Milan, Copenhagen, Vancouver and more.

Grid Serving Tray / Daphna Laurens

via Area Ware via Area Ware

$60, Area Ware

A sophisticated gift for any food lover to serve cheese platters and rustic sourdoughs for years to come. The board features a smooth side for cutting the food to be served on the grid side.

Pleated Faux Leather Backpack / Issey Miyake

via Ssense via Ssense

$295, Ssense

Taking the recognized silhouette of the drawstring backpack, the leather pleats gives the bag an edge and tactility.

Flat-pack Christmas Decorations / COS

via COS via COS

$13.22, COS

Even Christmas trees can be an architectural statement with these grey, flatpack baubles. Not to mention, it's a great storage solution for the other 11 months of the year when they need to be hidden away.

'Tsumiki' Stacking Blocks / Kengo Kuma

via Spoon & Tamago via Spoon & Tamago

$210, Spoon & Tamago

The sleek design of these blocks enables a multitude of structures to be created out of the triangles by any inquisitive mind.

Architect's Christmas Jumper / Merry Pets Apparel

via Amazon via Amazon

$29.99, Amazon

Being nice to architects should happen all year round but if everyone needs that little reminder then this jumper should do the trick. After all, if it wasn't for us, everyone else would be sat outside in the cold.

Concrete Eau de Parfum / Comme Des Garçons

via Dover Street Market via Dover Street Market

$151.98, Dover Street Market

What would concrete smell like if it were a perfume? Well according to Comme Des Garcons it has a richness of sandlewood with rose undertones.

Mobius Steel Ring / LACE by JennyWu

via LACE by JennyWu via LACE by JennyWu

$110, LACE by JennyWu

The Mobius ring wraps around the finger in one single line that forms its unique shape. It comes in both grey steel and stainless steel that can be paired together to create a sculptural piece of artwork on the hand.

150 Colored Pencils / Prismacolor

via Amazon via Amazon

$92.79, Amazon

An architect can never have too much stationery, especially high-end colored pencils for those parti diagrams and perspectives.

Gradient Jigsaw / Bryce Wilner

via Area Ware via Area Ware

$20, Area Ware

For the more patient puzzle-goers, this satisfying jigsaw is 500 pieces of color meditation to create a gradient glow of oranges and reds.

Portable Solar Lamp / Olafur Eliasson

via Little Sun via Little Sun

$35.40 Little Sun

The little solar lamp can give 5 hours of bright light out of the faceted lens, making it great for adventures in the outdoors. And by buying this, you are helping out communities without electricity as another little sun is sent to rural Africa with every purchase.

Ceramic Architecture Toys / Federico Babina

via Federica Babina via Federica Babina

$176.80 each, Federico Babina

Who can resist these adorable architecture characters? Carefully handmade by artist Federico Babina, the trio represent the great architects Oscar Niemeyer, Le Corbusier and Frank Lloyd Wright, if you hadn't already guessed from their charming ceramic faces.

3D Game of Thrones Puzzle / 4D Cityscape

via Amazon via Amazon

$23, Amazon

Play pretend with the 3D model of King's Landing and become the architect of the great capital for the day.

'X' Concrete Bookends / Mica Rica

via Etsy via Etsy

$25, Etsy

2017 seems to be the year of concrete with another product using minimally designed béton brut. The elegant objects are made of grey concrete, white concrete and grey concrete with black pigment to add some industrial chic to the home or office.

New York City Skyline Chess / Skyline Chess

via Skyline Chess via Skyline Chess

$105.70, Skyline Chess

The classic motif of pawns, knights, and king has taken an architectural turn, becoming New York skyscrapers cast in injection molded acrylic. Their range also extends to a London skyline edition.

Prism Magnifier XL / Daniel Martinez

via Area Ware via Area Ware

$65, Area Ware

This absurdly large glass prism makes the perfect desk companion for viewing all of the small details on drawings and reading any tiny writing.

Brutalist Architray / the7thFl

via The7thFl via The7thFl

$35, The7thFl

Who can resist another ode to brutalism as this desk organizer takes on this year's most popular style. The full range also features products inspired by Islamic, gothic and Roman architecture—perfect for organizing the endless amounts of stationery that architects (happily) receive at this time of year.

Glasses Case / ZZ Sanity

via Amazon via Amazon

$8.99 for 3, Amazon

These portable zipper glasses cases are a chic alternative to the usual hardshell. Coming in three different colors, the full set lets you choose between grey blue or red.

Guggenheim Mobile / Flensted Mobiles

via Fab via Fab

$64.50, Fab

Whether there is a baby architect in the family or just an avid fan of Alexander Calder, this mobile playfully recreates the New York skyline around Frank Lloyd Wright's iconic Guggenheim.

LEGO USB Flash Drive / PNY

via Amazon via Amazon

$22.99, Amazon

An ideal gift guaranteed to put a smile on their face—who knows an architect who isn't partial to a bit of Lego?

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Collaborative Virtual Reality Allows Design Professionals to Meet Inside The Model

Posted: 26 Nov 2017 10:00 PM PST

Successful communication is fundamental to the success of any project, especially in architecture and construction. The industry has moved from 2D drawings to 3D BIM with programs like SketchUp and Revit. At times, there is still a struggle to communicate in and through these 3D models. From InsiteVR comes a solution.

The newest innovation by InsiteVR is like screen sharing but for 3D. As virtual reality gets more affordable and portable, collaborative VR has the potential to be as common as a screen share meeting. Together or in separate parts of the world, InsiteVR meetings allow architecture and construction professionals to review their models in virtual reality. Features include a designated lead presenter, built in voice, collaborative markups, synchronized cloud models, scale and mute controls.

via InsiteVR via InsiteVR

To keep meetings on task, a lead presenter can control certain features within the VR meeting such as views, scale or sketching. 3D models can be viewed at full (1:1) scale or in "dollhouse" mode which allows seamless transitioning between viewing a scaled version and full scale. The free-form drawing feature allows participants to mark-up and sketch in 3D space.

InsiteVR Meetings are compatible with Revit, Sketchup, FBXs, OBJs and other CAD software. Anyone can set up an InsiteVR meeting by using a GearVR ($129), Oculus Rift ($349), HTC Vive ($599), or even a desktop.

Learn more about InsiteVR meetings, and how it works, here.

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