srijeda, 25. listopada 2017.

Arch Daily

Arch Daily


MK5 House / ORTRAUM

Posted: 24 Oct 2017 10:00 PM PDT

© Marc Goodwin © Marc Goodwin
  • Architects: ORTRAUM
  • Location: Helsinki, Finland
  • Architect In Charge: Martin Lukasczyk
  • Area: 230.0 m2
  • Project Year: 2017
  • Photographs: Marc Goodwin
  • Structure Design: Asko Keronen
  • Hvac Design: Harri Ripatti, Leino Kuuluvainen
© Marc Goodwin © Marc Goodwin

From the architect. MK5 is the latest project of ORTRAUM Architects, built for one of the partners of the office and his family of five. The house is placed on a south-west sloping 500m2 site, located on the Jollas Peninsula east of the Helsinki city centre. The architecture features a central kink inplan, which (according to the Finnish tradition) avoids a direct view towards the neighbours, andleads the main spaces to face the ocean towards the west.  The building's relationship to the natural surroundings inspired the diverse placement of the windows, framing the changing views and daylight qualities in each direction.  The open-plan living room is accessed from the north and located on the ground floor, sauna functions and building services are placed in the basement. The four bedrooms are located upstairs. The geometric layout of the plan accumulates on the mezzanine level, where the three children's rooms and the master bedroom connect in the centre point of the building, allowing for multiple consultation options before bedtime.

© Marc Goodwin © Marc Goodwin
Section Section
© Marc Goodwin © Marc Goodwin

The structure of MK5 consist of highly customized CLT elements.  In addition to the building's electrical system, the ventilation system and lighting fixtures are fully integrated into the CLT elements.  Siberian Larch timber is used for the façade, the flooring, and the furniture.  Custom fabricated copper parts frame the windows.  The façade materials are chosen to allow the building to patinate naturally and age gracefully with time. On the south side of the building vertical wires are stretched from the building eaves to the terrace deck below, designed for hops climbers to grow to create a "green screen", providing an extra curtain of privacy from the road.

© Marc Goodwin © Marc Goodwin

ORTRAUM Architects focus in their practice on working thoroughly with the client and the context, always with the aim of creating a unique solution for each of their customers.  In addition to this personal engagement ORTRAUM also pursues a strong research approach in each project, specializing in the development of new prefabricated element typologies, and stretching the possibilities of element design.

© Marc Goodwin © Marc Goodwin

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House in Alcalar / Vitor Vilhena Arquitectura

Posted: 24 Oct 2017 08:00 PM PDT

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG
  • Collaborators: Veritate, Projectos e Fiscalização Electroeng, Engenharia Electrotécnica Termoflux, Engenharia e Certificação Energética
© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG

From the architect. Located in the south of Portugal, in an area that serves as a transition between the Sea and the land. It is located in the village of Alcalar, a few kilometers from Portimão, where 5000 years ago was settled an important Prehistoric community. Based on the importance of the location of the land and its relationship with history, we decided that the image of the house would have to seek the organic relations that refer to the Monument that appears in the history of the area.

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG

The image of the house is constituted by several curves that consist in the separations provoked by the surroundings. The topography is gently sloping, and the surrounding is characterized by a traditional style single-family dwellings from the 80's. The land confines with a municipal street, which defines the entrance of the house. The project develops on a single floor (above the street level) with the intention of minimizing the visual impact of the viewer from the street and its implementation takes into account the better use of the solar orientation of the interior compartments and the best views that the site provides.

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG
Ground Floor Plan Ground Floor Plan
© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG

The natural topography of the terrain promotes the creation of a lower floor facing South. Following this orientation was created an outdoor seating are a thatre latest o the terrain and the landscape. This space is covered in order to protect and control the solar orientation of the facade. The southern elevation benefits from a strong relationship between the interior and exterior, inviting permeability situations, namely its relation with the terrain, vegetation and views.

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG

The villa consists of 2 floors, the groundfloor which is at the level of the entrance, and which comprises 4 bedrooms, living and dining area, kitchen and service areas, complemented by a car parking. The lower floor develops in the result of the natural slope of the terrain and integrates a living area, directly related to the pool. This lower floor benefits from an out o or covered area where the pool is located, creating very interesting relations between the interior and exterior.

© Fernando Guerra | FG+SG © Fernando Guerra | FG+SG

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Sala delle Capriate at Palazzo della Ragione / CN10 architetti

Posted: 24 Oct 2017 07:00 PM PDT

© Gianluca Gelmini © Gianluca Gelmini
  • Architects: CN10 architetti
  • Location: Città Alta, Bergamo, Province of Bergamo, Italy
  • Lead Architect: Gianluca Gelmini
  • Area: 500.0 m2
  • Project Year: 2017
  • Photographs: Gianluca Gelmini
© Gianluca Gelmini © Gianluca Gelmini

From the architect. The project provides for a new set-up of the "Sala delle Capriate" in the "Palazzo della Ragione" of Upper Bergamo. The building dates back to the XII century and represents the physical and functional center of the historic city. It is the core of a system of open public spaces and it directly relates to them on different sides. Once the building stopped to host the municipality, the upper room changed a series of different functions. Today its walls are covered with a significant review of art pieces collected over time from different buildings of the city.

© Gianluca Gelmini © Gianluca Gelmini
Axonometric Axonometric
© Gianluca Gelmini © Gianluca Gelmini

The result is a minimal intervention made of a suspended system of hexagons, intended as gazes over the city: like the circles drawn on the embroidery of the colored windows, the suspended structure puts on display the excellence of the territory. This is exactly as it occurs in the cellars of the beehive, where the repetition of the hexagonal frame becomes the structure where life happens. Similarly, the hexagons of the project can become light, sound, image, space. It is a dynamic system of possible configurations that transform the room according to the given event and program.

Render Render

The hexagonal mesh is dimensioned coherently with the pace of the wooden trusses. The result is a simple and modular composition, made out of the combination of beams and joints. The beams incorporate in their own structure the technological solutions necessary to set in the room different arrangements. They host indeed the technical devices like lightning, both fixed and movable, sound and video systems, motorized projection tarps and hooks to hang panels and other equipment. The fixing system that allows hanging the hexagons to the trusses is located on the joints.

© Gianluca Gelmini © Gianluca Gelmini

The whole structure can be easily lowered thanks to a motorized solution, in order to guarantee fast changes of setting, a simple maintenance and a better management of the space. The new set-up is completed on the ground floor by a system of hexagonal structures with the same dimension of the suspended one, that can be freely arranged in the room. They are made of modular elements that increase the number and the complexity of the different configurations of the room.

© Gianluca Gelmini © Gianluca Gelmini

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Bloomberg's European HQ / Foster + Partners

Posted: 24 Oct 2017 06:00 PM PDT

© Nigel Young © Nigel Young
  • Client : Bloomberg LP
  • Structural Engineer: AKT II
  • Lighting Engineer: Tillotson Design Associates
  • Quantity Surveyor: Aecom
  • Sustainability Rating: BREEAM - Outstanding
© Nigel Young © Nigel Young

From the architect. Bloomberg's new European headquarters is respectful of its location in the heart of the City of London, close to the Bank of England, St. Paul's Cathedral and the church of St. Stephen's Walbrook. In its form, massing and materials, the new building is uniquely of their place and time – a natural extension of the City that will endure and improve the surrounding public realm. It is a true exemplar of sustainable development, with a BREEAM Outstanding rating – the highest design-stage score ever achieved by any major office development.

Sketch © Norman Foster Sketch © Norman Foster

Occupying a full city block, the 3.2-acre site comprises two buildings united by bridges that span over a pedestrian arcade that reinstates Watling Street, an ancient Roman road that ran through the site. Bloomberg Arcade is now a key route for people moving around the City, with restaurants and cafes at ground level, set back behind an undulating façade under a covered colonnade. Three public plazas, located at each end of the arcade and in front of the building's entrance, provide new civic spaces in the heart of the Square Mile.

© Nigel Young © Nigel Young

Its striking façade is defined by a structural sandstone frame, with a series of large-scale bronze fins that shade the floor-to-ceiling glazing. The fins give the building a visual hierarchy and rhythm as they vary in scale, pitch and density across each façade according to orientation and solar exposure, while being an integral part of the building's natural ventilation system.

© Nigel Young © Nigel Young

Art plays a central role in the project, with major site-specific commissions in and around the building. Cristina Iglesias' water sculpture in three parts, 'Forgotten Streams' – a homage to the ancient Walbrook River that once flowed through the site – defines the public spaces at each end of Bloomberg Arcade. The new Bloomberg building also returns the archaeological remains of the Roman Temple of Mithras to the site of their original discovery, with a new interpretation centre and cultural hub designed to give visitors an immersive experience of the temple and bring the history of the site to life.

© Nigel Young © Nigel Young
© Nigel Young © Nigel Young

The main entrance to Bloomberg is defined by a substantial porte-cochère, where the building forms two sides of a new formal city square. Arriving at the main entrance, everyone passes through the reception lobby before being drawn into the Vortex – a dramatic double-height space created by three inclined, curving timber shells. From here, high-speed fully-glazed lifts with a unique concealed mechanism – another innovation developed specifically for the building – carry everyone directly to the sixth floor.

© Nigel Young © Nigel Young

Central to Bloomberg's ethos, the double-height 'pantry' on the sixth floor is the heart of the building, reflecting the importance of sharing and collaboration at the company. Everyone passes through this animated space, increasing the likelihood of chance meetings and informal discussions. 

Cutaway Cutaway

A distinctive hypotrochoid stepped ramp, characterised by its smooth continuous three-dimensional loop, flows through the full height of the building, adding to the drama of the space. Clad in bronze, the ramp is designed and proportioned as a place of meeting and connection, allowing people to hold brief impromptu conversations with colleagues, whilst not impeding the flow of people. 

© Nigel Young © Nigel Young
© Nigel Young © Nigel Young

The notion of teamwork and collaboration flows into the desking systems and layout of each floor. Bespoke height-adjustable, radial desks are laid out in clusters and pods for up to six people, allowing for privacy, personalisation, wellbeing and collaborative working. The ceiling is another unique and innovative element developed for the building, inspired by the pressed metal ceilings of New York. Its distinctive polished aluminium panels of 'petals' perform multiple roles – ceiling finish, light reflectors, cooling elements and acoustic attenuation – combining various elements of a typical office ceiling into an energy-saving integrated system.

© Nigel Young © Nigel Young

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T House / KIENTRUC O

Posted: 24 Oct 2017 05:00 PM PDT

© Hiroyuki Oki © Hiroyuki Oki
  • Architects: KIENTRUC O
  • Location: District 3, Ho Chi Minh, Vietnam
  • Principal Architect: Đàm Vũ
  • Design Team: An-Ni Lê, Tài Nguyễn, Phương Đoàn, Duy Tăng, Nhung Hồ, Giang Lê
  • Area: 161.0 m2
  • Project Year: 2017
  • Photographs: Hiroyuki Oki
© Hiroyuki Oki © Hiroyuki Oki

From the architect. We were commissioned to design and renovate an old house in a small alley that branch off from Pham Ngoc Thach St, historically known as Duy Tan. The 161m2 house was finished in 2017.

Section Section

Our focus when shaping this space is to create an environment that provoke emotional interactions with the architecture. It is expressed in a continuous reel of functional relationship between spaces that are stringed together from inside the house to the alley and back. This is a kind of architectural newness that set us apart from our typical design method.

© Hiroyuki Oki © Hiroyuki Oki

The concept embodied the free and limitless character of space resulting in a humble and provocative sense of spatial purposes hinting toward the center of architecture being the subtle personal connection between the occupants, planters, furniture, and the garden.

© Hiroyuki Oki © Hiroyuki Oki

We believe this shift in our design thinking will provide opportunities to refresh the residents' perception toward their living experience that encompass the overlapping relationship among the interior, the envelope, the garden, the alley, and the neighbors.

© Hiroyuki Oki © Hiroyuki Oki

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Cheongun Residence / Hyundai Kim + Tectonics Lab

Posted: 24 Oct 2017 03:00 PM PDT

© Kyungsub Shin © Kyungsub Shin
  • Architects: Hyundai Kim, Tectonics Lab
  • Location: Cheongun-dong, South Korea
  • Architect In Charge: Hyundai Kim (Ewha Womans University)
  • Design Team: Sukyung Kim, Dasom Kim
  • Area: 313.1 m2
  • Project Year: 2017
  • Photographs: Kyungsub Shin
  • Structural Engineer: Millennium Structure
  • General Contractor: Nature and Environment Inc.
© Kyungsub Shin © Kyungsub Shin

Site
Located in a calm low mountainside overlooking the Bugaksan Mountain, the site reflects both the patina and generic modernity of Gwangwhamun, the historic center in Seoul. The client, a retiring professor, and honorable scholar decided to demolish the deteriorating old house and build a new memorable home for post-retirement years.

First Level Plan First Level Plan

Demolition
It was not an easy decision for the client to demolish the 50-year-old house, built by her own father. The old house accrued character as a peaceful shelter and joyful childhood playground. After years of hesitation, the client decided to tear down the structurally defective house. After three days of demolition, the remains of the wood flooring, window lattice work, and door plates were transferred to the client to preserve those embedded memories.

© Kyungsub Shin © Kyungsub Shin

Beginning
A few plan sketches were provided by the client at the start of the commission. The naïve unprofessional drawings, out of scale with distorted proportions, represented the subtle yet detailed thoughts about a new home filled with the nostalgia of the old house. A house is not a space for an architect's egoistic expression, but a place for commemorating yesterday, living the present, and dreaming of tomorrow. Thus, the architect's role seemed to impose an order on the client's drawings with respect and honor.

Order
The nine-square grid, 3 kahn x 3 kahn in East Asia, has been a fundamental typology in architecture, both traditional and modern. The part of the Cheongun Residence was structured as nine-square grid in its spatial conception with symmetry and centricity. Conceptualized as modest but abstract ideal space, the nine-square grid diagram was developed into a concrete spatial structure with programs and functions. Cheongun Residence is planned to function both as private residence and as research institute. The parlor at the core of the nine-square grid integrates programmatic functionality with spatial spirituality. The void of the parlor continues through the mezzanine of second floor to arrive at the light well of the roof, imbuing warm natural light and tranquil air deep into the center of the residence.

© Kyungsub Shin © Kyungsub Shin
© Kyungsub Shin © Kyungsub Shin

Centralized Organization
The nine-square grid was applied horizontally in plan and vertically in section as regulating geometry. The void space at the core centers an axis that compresses the public realm into the center while disseminating private space to the periphery. The spatial density is maintained in equilibrium by this centralized organization, both centripetal and centrifugal. The parlor between the kitchen area and the guest room on the ground floor maintains the balance between servant and served space. The circulation from the foyer to the rooftop tearoom occurs through the central void space, to generate rhythmic sequences compressing and releasing spatial tensions. The void on the second floor mediates between personal life and scholarly life via the symmetrical order between the master bedroom and library. The light well on the third floor is situated at the concentric center of tearoom, the centroid of the third floor plan. This tea room has a concentric square geometry in plan and section that becomes the spatial, iconographic centricity of the house. The compression of the space by the solid light well tube harmonizes with the spatial release through the horizontal windows.

Section 2 Section 2

Material and Form
For a scholar dedicated to education and research, centralized organization of the house represents the essentiality and directionality of life. Concrete, calm, and enduring patina materials were selected for the central structure. Brick becomes the counterpart for the exterior cladding, balancing the tranquility with warm vitality and subtle rhythms. Recycled bricks were used as wall cladding for the exterior walls, conservatory area, and veranda to mediate the transition between exterior and interior.

© Kyungsub Shin © Kyungsub Shin

To deal with the spiritual aspect of materiality, the arch was chosen as the conceptual and structural technique. An arch in a form of a vault guides visitors through the foyer to the parlor. At the central void of parlor and living room, two consecutive arches add a series of filters to maintain a temperate and calm atmosphere. Arches of the living room, conservatory, and veranda frame the garden landscape and protect the central space from the harsh weather. The Cheongun Residence is located in the most historic district of Seoul, which involves the paradoxical coexistence of traditional, colonial, and contemporary architectural scenes. An arch may be the metaphoric interpretation of coexistence, preserving collective memories of the neighborhood's patinated materiality

© Kyungsub Shin © Kyungsub Shin

The frontality of the Cheongun Residence arises from the centralized organization, symmetric order, and contextual relationships of the house. The north wall of the house, perceived as podium, includes the rhythmic and symmetrical placement of a canopied porch and two vehicle entrances. The symmetricity becomes obvious at the receded north elevation, with a central axis between the main entrance and the arch window of the staircase on top. The south elevation facing the main garden has a semi-symmetrical order with a series of arch windows. The frontality and symmetricity of the house is a clear manifestation of the centralized organization and proportioned programs, ultimately resulting in a state of tranquil equilibrium harmonizing the complexities and contradictions inherent in life.

© Kyungsub Shin © Kyungsub Shin

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FPT University Administrative Building / VTN Architects

Posted: 24 Oct 2017 01:00 PM PDT

© Hiroyuki Oki © Hiroyuki Oki
  • Architects: VTN Architects
  • Location: Thạch Thất, Thach That Hà Nội, Vietnam
  • Principal Architect: Vo Trong Nghia
  • Area: 11065.0 m2
  • Project Year: 2017
  • Photographs: Hiroyuki Oki, Hoang Le
  • Associate Architect : Vu Hai
  • Architecture Team: Ngo Thuy Duong, Tran Mai Phuong
  • Interior Design: group 8 asia
  • Client: FPT University
© Hoang Le © Hoang Le

From the architect. The FPT Technology building is part of the first stage of a larger master plan to convert the university to a globally competitive environmentally conscious university. The building acts as a gateway to the campus and the green façade clearly dictates the future direction of the campus. Since FPT University offers Information Technology (IT)-related courses, the campus is designed to maintain a healthy balance between physical and virtual environment, as well as to improve our relationship with nature. As the building is the first stage of the expanding university it has been designed to be adaptable in it program to accommodate the varying programmatic requirements of the future.

© Hiroyuki Oki © Hiroyuki Oki
Concept Concept
© Hiroyuki Oki © Hiroyuki Oki

This University is situated in an area of Vietnam that experiences frequent energy shortages. Passive design is employed to reduce the buildings dependence on active systems so that during blackouts the building is able to function on minimal generated backup power. A shallow plan allows copious natural light into the building reducing the need for artificial lighting.

Ground Floor Plan Ground Floor Plan

The trees within each window opening operating as a green skin to reduce direct heat transfer through the windows. The building is orientated to the prevailing breezes and employs cross ventilation for cooling. The green skin of trees and adjacent lake help to reduce the air temperature.

© Hiroyuki Oki © Hiroyuki Oki
Section Section
© Hoang Le © Hoang Le

The façade has been designed as simple modules that express the simplicity of the sustainable design. The structure is built out of affordable concrete construction, the standardized modules allow higher quality finish to be achieved together with economical time.

© Hoang Le © Hoang Le
Elevation Elevation
© Hiroyuki Oki © Hiroyuki Oki

The increased urbanization and densification of Vietnamese cities are having a large impact on urban vegetation and what was once the urban population's strong connection with the environment. Due to current situation, the building design ensures that the students are exposed to greenery and maintain the connection with nature even when they are away from home. The trees in each room and outdoor gardens allow a constant connection with nature. And there are also trees beside open spaces with void, students use these space freely. Landscape is also integrated at the top of the building to form a public stepped garden for the students and staff members. This connection helps raise awareness of the environment through the constant reference and experience of the benefits of a sustainable passively designed building.

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Terrace House yul-dam / modo architect office

Posted: 24 Oct 2017 12:00 PM PDT

© Jae-Kyeong Kim © Jae-Kyeong Kim
  • Architects: modo architect office
  • Location: Sindang-dong, Jung-gu, Seoul, South Korea
  • Architects In Charge: Kim Kyung-Hee, Lee Eung-Rak
  • Area: 345.0 m2
  • Project Year: 2017
  • Photographs: Jae-Kyeong Kim
© Jae-Kyeong Kim © Jae-Kyeong Kim

From the architect. The site located at the heart of Seoul. In the Japanese colonial era, the area was organised as a detached housing district with evenly divided lots. Thus, it was filled up with low-rise detached houses for a long time but is now occupied by multi-family housings and neighbourhood living facilities. The project started based on the detailed requests of the client couple who wanted to build a beautiful house giving life to alleys which still display a strong image as a residential district but are sparsely dotted with office.

© Jae-Kyeong Kim © Jae-Kyeong Kim

It was late fall of 2015 when I visited the original detached house for the first time. The house's large southern courtyard was covered with the dense leaves of a decades-old persimmon tree, and its terrace on the 2nd floor was draped with a bamboo blind for privacy reasons. While designing a new house after demolishing this house of the 1970's, I thought the new house using the 4th and 5th floors should contain the languages of a detached house. This new house will be able to enjoy a southwestern view over Namsan Mountain in the distance.

© Jae-Kyeong Kim © Jae-Kyeong Kim

Adjoining a 5m-wide road on the north, the narrow rectangular site belongs to a class 2 general residential area allowing for a building coverage ratio of 60% and a floor area ratio of 200%. The proposed building is planned to have neighbourhood living facilities on its 1st and 2nd floors and 4 multi-family housing units on its 3rd to 5th floors.

Section 03 Section 03

One neighbourhood living facility positioned on the front side of the 1st floor is designed as a duplex connected with internal stairs. The other facility on the rear side is a small space of 5 pyeong, yet its large windows linked with an outdoor deck and a courtyard relieve its sense of confinement. A terrace is added to a neighbourhood living facility on the 2nd floor, and it enables natural lighting and ventilation while minimising interference to neighbouring houses. Wood louvers on the front and right facades on the 2nd and 3rd floors protect privacy and give warmth to the blue old brick exterior, 2 units with 1.5 rooms on the 3rd floor and 1 studio on the 4th floor are fully furnished with sinks, built-in wardrobes, fridges and washing machines to provide a practical living space.

© Jae-Kyeong Kim © Jae-Kyeong Kim

A duplex unit occupying the 4th and 5th floors has a main entrance on the 5th floor and provides a living room, dining, kitchen, children's room and study with high ceiling along with an attic. The 4th floor is arranged as a private space with a master bedroom, bathroom and laundry. The 5th floor has a terrace which becomes a green lounge connected with the dining room, providing a view over Namsan and the sky. The living room works as a playroom for twin sisters who were born during construction, and it is linked with their room, it is designed as an open space so that the whole space can be seen even from the kitchen on the other side.

Section 02 Section 02

What is required most when designing 1 studio, 2 units with 1.5 rooms, 1 residence for the client and 3 neighbourhood living facilities for the site of about 50 pyeong was giving each one of them a separate access to out-door spaces like courtyard or terrace. The courtyard and terrace which are carefully positioned on each floor turn into as a wide-open lounge and scenic observatory.

© Jae-Kyeong Kim © Jae-Kyeong Kim

The outdoor terrace connected with the comfortable interior space becomes another room where users can enjoy a relaxing time in downtown. Also, while greeting each other with neighborhoods on the terrace, they will be able to feel a bond with the community.

© Jae-Kyeong Kim © Jae-Kyeong Kim

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Babylon Garden Condotel / ALPES GDB

Posted: 24 Oct 2017 10:00 AM PDT

© Hiroyuki Oki © Hiroyuki Oki
  • Architects: ALPES GDB
  • Location: 2 Hà Bổng, Phước Mỹ, Sơn Trà, Đà Nẵng, Vietnam
  • Principal Architects: Ho Khue
  • Team Design: Phi Thi My Dung, Vo Thi Trang, Mai Le Hoang, Kevin Baratt
  • Area: 1000.0 m2
  • Project Year: 2017
  • Photographs: Hiroyuki Oki
© Hiroyuki Oki © Hiroyuki Oki

From the architect. Babylon Garden is located in a crowded coastal hotel zone near the most popular beach in Danang. Set 25 meters down a small street; it is alluring due to its modern green appearance as an oasis while everything nearby is big and mundane. It offers a serene natural experience while only a few steps from the hustle and bustle and every service travelers require. The challenge of the design for Ho Khue Architects (ALPES Green Design & Build) was to build something special, close to, but off the "main drag" that was highly visible and beautiful.

Green Terraces Axonometric Green Terraces Axonometric

Babylon Garden's location in the alley off Ha Bong was at first not favorable because the land is surrounded on 3 sides with old residential low-rise buildings. The solution by Ho Khue Architects (ALPES Green Design & Build) was to build high, include a combination of reflective glass, balconies, and plantings. It is natural among concrete. An oasis of allowing guests to experience the fresh sea air, green plants, and feel comfortable coming back to this natural hotel during the hot summer. The 6-storey hotel features 13 exquisitely appointed guest rooms that are efficient and the highest quality in every detail. There is a restaurant, a Koi Fish Lake Café surrounded by walls of plants, billiards, and a gym. Although more rooms were possible, we designed each room to be in a corner offering two views and great natural sea air ventilation for each room.

© Hiroyuki Oki © Hiroyuki Oki

The 1st floor and mezzanine has floor up plantings and vining plants hanging from the restaurant planters on the second floor. Specialized vertical planting cases are used to accomplish this beautiful effect. The frontal area is cramped by the alley, yet the view and feeling inside are expanded by the vertical plantings, Koi Lake, natural ventilation on the back wall, and very high ceiling. Everyone recognizes an unusual or soothing architectural landscape. We feel them unconsciously. Ho Khue Architects (ALPES) requires that our projects satisfy light and ventilation requirements in addition to creating landmark high-rise buildings in urban spaces that elicit feelings.

© Hiroyuki Oki © Hiroyuki Oki

Each bedroom is attached to a relaxing balcony that houses a large variety of trees and a balustrade, which changes its position with each floor. The "dancing" of the balconies around the building offers an unusual beauty we feel as motion. Ho Khue Architects (ALPES) wants to build great and strong buildings that also focus on the emotions of users. Incorporating trees and plants with natural stone and decorative concrete contribute to elicit a positive perception of the buildings as a natural environment. Babylon Garden is a modern hanging garden that connects people with nature, just steps from the hustle and bustle of the tourist area.

© Hiroyuki Oki © Hiroyuki Oki
Section A Section A

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Snøhetta and Clark Nexsen Selected to Design New Charlotte Mecklenburg Library

Posted: 24 Oct 2017 09:15 AM PDT

Charlotte Mecklenburg Library. Image Courtesy of Charlotte Mecklenburg Library, Photo by Robert Christopher Charlotte Mecklenburg Library. Image Courtesy of Charlotte Mecklenburg Library, Photo by Robert Christopher

The team of Snøhetta (design architect), Clark Nexsen (architect-of-record) and brightspot strategy (community engagement and space programming) has been selected to design the new Main Building for the Charlotte Mecklenburg Library in downtown Charlotte, North Carolina.

The team will work to incorporate the creative vision created by the library and its community through a multi-year planning process. Envisioned as a "public commons," the building will aimed at becoming a catalyst for urban revitalization, becoming a new hub of culture, education and community connection for the city.

Charlotte Mecklenburg Library. Image Courtesy of Charlotte Mecklenburg Library, Photo by Robert Christopher Charlotte Mecklenburg Library. Image Courtesy of Charlotte Mecklenburg Library, Photo by Robert Christopher

"The Clark Nexsen/Snøhetta/brightspot team brings strength in design, execution and community input and engagement, along with their prior experience working together," said Library CEO Lee Keesler. "We believe they are a great fit for our unique design opportunity."

The team will continue to work with the community through a series of Town Hall meetings, surveys and workshops. Funding for the project will be split between public and private sources.

Ryerson University Student Learning Centre. Image © Younes Bounhar & Amanda Large | DoubleSpace Photography Ryerson University Student Learning Centre. Image © Younes Bounhar & Amanda Large | DoubleSpace Photography
James B. Hunt Library at NCSU. Image © Jeff Goldberg / Esto James B. Hunt Library at NCSU. Image © Jeff Goldberg / Esto

Snøhetta has a strong history of designing libraries, such as Hunt Library at NC State University; the Ryerson University Student Learning Centre in Toronto; and Bibliotheca Alexandrina, one of the firm's most important early projects. The firm also has several library projects currently in progress, including the Calgary Central Library and a new library at Temple University in Philadelphia.

"Libraries are more popular today than they have ever been, serving a wider range of needs than access to books only," commented Craig Dykers, founding partner of Snøhetta. "The architecture of libraries is also changing and Charlotte's new library will lead the way in showing how a city and its core of knowledge can be open, welcoming and intriguing for decades to come."

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La Casita / Tres Más Dos Arquitectos

Posted: 24 Oct 2017 08:00 AM PDT

© Galleta Studio / Erick Alán Abrego Ambía © Galleta Studio / Erick Alán Abrego Ambía
  • Collaborators: José Pacheco / Pacheco Ingenieros y Asociados
© Galleta Studio / Erick Alán Abrego Ambía © Galleta Studio / Erick Alán Abrego Ambía

From the architect. The concept of design for a project can start from different bases, specifically in this residential project, the conceptual axis emerged as a response to various conditions that the location of the project represented, the first is the size of the property and the second the context.

© Galleta Studio / Erick Alán Abrego Ambía © Galleta Studio / Erick Alán Abrego Ambía

The property is located in one of the neighborhoods with the largest history within San Pedro Garza Garcia, it could be said that the Colonia del Valle is one of the colonies with which the municipality began to develop, this first factor results in an architectural form in a context of classic style housing. The second factor is the size of the property. Having 4.61 meters in front by 22.77 of length, results in a narrow space, as a consequence, the adjoining constructions hindered the entrance of natural light and ventilation, in addition to lacking attractive views.

Ground Floor Ground Floor
Top Floor Top Floor

In response to the conditions mentioned above, we decided to create a space that would represent the center of the house; a nucleus that became the main axis and where the rest of the areas of the house would turn from this to enjoy it visually and take advantage the virtues that this offers. This nucleus is represented by an inner courtyard that naturally ventilates and illuminates the different areas of the house and at the same time aesthetically becomes a main focal point having a sculptural element that nature gives us as it is the Papelillo tree, that turns the patio into a space not only of transition, but habitable, of contemplation, and rest.

© Galleta Studio / Erick Alán Abrego Ambía © Galleta Studio / Erick Alán Abrego Ambía

On the facade, a large-scale steel latticework with a regular pattern was designed to create full and empty visual effect and create a pattern of light and shadows. The lattice is accompanied by a concrete wall in natural touch in order to accentuate the beginning and principle of this work.

© Galleta Studio / Erick Alán Abrego Ambía © Galleta Studio / Erick Alán Abrego Ambía

Since the beginning of this project, we were convinced we wanted to make a home visually connected between all the spaces through transparencies, with the commitment that the user would enjoy the total control of the space and enjoy a spatial sensation of greater scale. Because of this, the interaction was more effective and direct among the users that inhabit the space. It is a house that tells the truth, without losing its functionality.

Section Section

The materials that were used had to tell the truth by the nature of their properties, beautiful by creation, so that the natural texture of the material was used as a final touch.

© Galleta Studio / Erick Alán Abrego Ambía © Galleta Studio / Erick Alán Abrego Ambía

In order to foster an intimate relationship with the urban context, we implemented vegetation and some natural materials from the region.

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Saudi Arabia Plans $500-Billion Futuristic City Billed as "A Startup the Size of a Country"

Posted: 24 Oct 2017 07:45 AM PDT

The Kingdom of Saudi Arabia has announced ambitious plans to build a $500 billion technological megacity "the size of a country" that will be run entirely of renewable energy sources. Known as NEOM, the innovation hub will cover a 10,232-square-mile (26,500-square-kilometer) area in the northwest of the country along the Red Sea and Gulf of Aqaba. The city is planned to extend into neighboring Egypt and Jordan, making it the first private zone to span three countries.

NEOM's site boundaries. Image via NEOM NEOM's site boundaries. Image via NEOM

Envisioned as a center for technology and business, NEOM will focus on nine economic sectors for innovation: Energy and Water; Mobility; Biotech; Food; Advanced Manufacturing; Media; Entertainment; Technological and Digital Sciences; and 'Living as NEOM's Foundation.'

Building the city will require the ground-up construction of all new infrastructure system, which will be geared toward maximum efficiency and sustainability. One of the city's core pillars, mobility, will encompass the construction of a 100% green transportation system and the King Salman Bridge linking Egypt and Saudi Arabia. Located in an optimal area for harvesting solar and wind resources, the city is to be powered entirely by green energy sources.

Not simply a tech park, NEOM is being billed as a luxury lifestyle community, with top-of-the-line restaurants and entertainment options. The website even mentions plans for "glittering marinas," "record-breaking themeparks," "endless parkland," and "the world's largest garden."

via NEOM via NEOM

In addition to meeting goals outlined by Saudi Arabia's Vision 2030 plan, NEOM will also focus on developing six main 'Futuristic Concepts':

  • HUMAN BEINGS AS A TOP PRIORITY: NEOM provides its residents with comfortable living conditions set within an idyllic society that promotes inclusion and encourages personal growth and lives by world-class social norms
  • THE NEXT GENERATION OF HEALTHY LIVING AND TRANSPORT: NEOM will allow its residents to reach many locations via walking or biking and also have an unprecedented transportation infrastructure, built on future transportation technologies
  • AUTOMATED SERVICES/ E-GOVERNMENT: NEOM government services will be fully automated and most easily accessible to its residents
  • DIGITIZATION: NEOM will provide its residents "digital air", free highest-speed internet and free online continuous education at their fingertips
  • SUSTAINABILITY: NEOM will be solely powered by renewable energy and buildings will have a net zero carbon footprint
  • INNOVATION IN CONSTRUCTION: Serving as a laboratory for innovative construction techniques and materials operating with complete flexibility to meet future requirements

The project will be funded by the Kingdom of Saudi Arabia, the Saudi Arabian Public Investment Fund, and a range of private and international investors. While specific designs and plans for implementation are still vague, according to an infographic on NEOM's website, construction on the project is already underway, with completion of the first stage slated for the end of 2025.

See the full website, here.

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This Captivating Parametric Dessert Celebrates the Discovery of a New Type of Chocolate

Posted: 24 Oct 2017 04:15 AM PDT

Image <a href='http://www.dinarakasko.com/algorithmic-modeling-cakes/'>via Dinara Kasko's website</a> Image <a href='http://www.dinarakasko.com/algorithmic-modeling-cakes/'>via Dinara Kasko's website</a>

Ukranian pastry chef Dinara Kasko is creating architecture so small, it fits on your dessert plate. Her newest creation, the Algorithmic Modeling Cake, is a celebration of chocolate and geometry worthy of your best china. 

The edible masterpiece was made in honor of the creation and unveiling of an entirely new type of chocolate—Ruby. After over a decade of development, earlier this year cocoa producer Barry Callebaut successfully produced what is claimed to be the first new natural color for chocolate since white chocolate was created over 80 years ago. Pink in color, it is right on trend, fitting in perfectly with both the popularity of "millennial pink" and with social media's brightly-colored food craze including obsessions such as rainbow bagels and Starbuck's Unicorn Frappucino. 

Algorithmic Modeling Cake is a dynamic, shifting and tasty sculpture. Inspired by the work of Matthew Shlian, Kasko desired to create a set of cakes which come together to form a single composition. To accomplish this, she used Grasshopper, the algorithmic-based Rhino add-on to generate 81 unique cakes. Collectively, they form a bewitching dessert celebrating the arrival of the food world's newest addition.

via Dinara Kasko via Dinara Kasko

Kasko approaches each pastry as an architect approaches design—it is no surprise her imaginative and unique approach to baking began with a pursuit of architecture. She studied and graduated from the Kharkov University Architecture School, and after working in the field for 3 years decided to follow her true passion—pastry making.

via Dinara Kasko via Dinara Kasko

Kasko's architectural background is evident in each one of her creations. By connecting pastry and architecture, she has crafted herself a niche within the food world. The results are beautiful small-scale models with clean lines and captivating geometric forms which are sure to provide both your eyes and your mouth with a treat. 

Image <a href='http://www.dinarakasko.com/algorithmic-modeling-cakes/'>via Dinara Kasko's website</a> Image <a href='http://www.dinarakasko.com/algorithmic-modeling-cakes/'>via Dinara Kasko's website</a>

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Domain of Biar Reception Room / Brengues Le Pavec architectes

Posted: 24 Oct 2017 04:00 AM PDT

© RBrengues Photos © RBrengues Photos
  • Architects: Brengues Le Pavec architectes
  • Location: Route de Lavérune, Montpellier, France
  • Architects In Charge: Julien Brengues, Lionel Le Pavec, Cléo Lévêque, Magali Richard
  • Area: 260.0 m2
  • Project Year: 2017
  • Photographs: RBrengues Photos
  • Collaborators: Richard carrelage, Made in Lavérune, Les Bories MC, Loïc Group, AB Structures, Adrianis peinture, AJ BATISOL, Qualis Consult, Electrosud, Fernandez frères, PL Rénov Plus, MCM, Atelier du métal, multizone, Duplan Serieys, Rage
  • Clients: Domaine de Biar
© RBrengues Photos © RBrengues Photos

From the architect. The imposing grand ballroom of the 18th century Folie de Montpellier, emits a light and contemporary note. Following several years of restoration by the château's owner, the Domaine de Biar is identifiable by its historical and prestigious character. The renovation of the new reception hall is a highlight, offering visitors a dialogue between past and present.

© RBrengues Photos © RBrengues Photos
Floor Plan Floor Plan
© RBrengues Photos © RBrengues Photos

The use of materials and textures such as steel, glass, wood and concrete complement the nobility of the original materials. The absence of a visual link between the new and the old spaces underlines the humility of the project. The wide openings in the great hall, provide a strong connection to the estate's park and its English garden.  

© RBrengues Photos © RBrengues Photos

The brightness of the concrete flooring contrasts with the texture of the stone. At the far end of the hall, an area clad in black, conceals the bar and the kitchen on the ground floor and the bathroom on the floor above. While in the hall, the monumental fireplace imposes its majesty. The golden staircase is used to access the first floor where a glass footbridge leads to an area for the orchestra, offering a view of the entire space. Lightness and humility are the watchwords of this project

© RBrengues Photos © RBrengues Photos

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Call for Entries: Ban Xue Gang High-Tech Zone Core Area Urban Quality Improvement International Design Competition Announcement

Posted: 24 Oct 2017 03:30 AM PDT

In the future Ban Xue Gang High-Tech Zone will use information and communications technology, and technological creative industry as its engine, together with Longhua Center, Qinghu Sub- center, Shenezhenbei Railway Station business center, to develop jointly and become a demonstrative area that unites technological business, industry incubation, and service, merges industrial and urban qualities. 

1. Project Description

1.1 Project Name
Ban Xue Gang High-Tech Zone Urban Core Area Quality Improvement International Design Competition

1.2 Competition Sponsors, Organizers, and Supporting Agencies
Sponsors: People's Government of Longgang District, Shenzhen, Shenzhen Urban Management Bureau
Organizers: Bantian Sub-district Office, Longgang District, Shenzhen,Longgang District Urban Management Bureau, Shenzhen
Competition Guide Agencies: Urban Planning, Land & Resources Commission of Shenzhen Municipality,Transport Commission of Shenzhen Municipality

Competition Technical Support and Implementation Agency: RJRX Urban Planning & Design Consultants Co. Ltd.
Media Support: ArchDaily, Domus, gooood, UED, ABBS, Nanfang Daily, Yangcheng Evening News, Shenzhen Special Zone Daily, Southern Metropolis Daily, Shenzhen Economic Daily, Shenzhen Evening News,Daily Sunshine, Shenzhen Overseas Chinese News, Shenzhen Metropolis Daily, Shenzhen News

1.3 Region Overview and Competition Background Information
1.3.1 Ban Xue Gang High-Tech Zone Overview
Ban Xue Gang High-Tech Zone, located at the key node of Shenzhen in connecting North and South, uniting West, and expanding in East; the core is Bantian Sub-district jurisdiction.
The research region of this competition is bounded by Meiguan Expressway on the west side, Jihe Highway on the north side, Qingping Highway on the , and a part of Silver Lake Mountain Suburban Park in the South, including four statutory planned area ( Bantian North, Bantian South, Minle region, and LG102-T4). Total area is about 39 squared kilometers.

Ban Xue Gang High-Tech Zone is surrounded by mountain and lakes, on the north, east, and south sides there are 6 characteristic (suburban) parks, in the mountains there are 7 reservoirs, it has good ecological basis, overall high vegetation coverage; at the same time, Ban Xue Gang has a list of Hakka walled villages, including Yangmei Lo Wai, Xiangjiaotang Lo Wai, Bantian Lo Wai, and Hepingtang Lo Wai, has rich history.

Ban Xue Gang High-Tech Zone Regional Transportation Analysis in the Scope of Shenzhen Ban Xue Gang High-Tech Zone Regional Transportation Analysis in the Scope of Shenzhen

International renowned enterprise—Huawei's headquarter is in Ban Xue Gang High-Tech Zone, Longgang, Shenzhen. Because there are a group of high-tech and creative enterprises led by Huawei headquarter congregated here, they have pushed forward rapid development of Ban Xue Gang High-Tech Zone.

Ban Xue Gang High-Tech Zone Strategic Orientation Analysis in the Scope of Guangdong, Hong Kong, and Macau Bay Area Ban Xue Gang High-Tech Zone Strategic Orientation Analysis in the Scope of Guangdong, Hong Kong, and Macau Bay Area

In recent years, under the strategic background of Shenzhen eastward strategy, the municipal government has increased investment in the eastern area of Shenzhen. Ban Xue Gang High-Tech Zone as "the precursor demonstrative zone of Shenzhen Eastward Strategy", together with Shenzhen Qiaanhai, Houhai headquarter base, East center, and Guangming Phoenix City have constituted key development area of Shenzhen.

Location of Ban Xue Gang High-Tech Zone in Shenzhen Location of Ban Xue Gang High-Tech Zone in Shenzhen

Proposed in Ban Xue Gang High-Tech Zone Urban Design International Consultation and Planning Implementation Scheme a Already completed, Ban Xue Gang High-Tech Zone led by high-tech creative enterprises and as Huawei takes the lead, will become a "strategically important zone leading the Pearl River Delta creative industry participating in global competition and collaboration".

In the future Ban Xue Gang High-Tech Zone will use information and communications technology, and technological creative industry as its engine, together with Longhua Center, Qinghu Sub-center, Shenezhenbei Railway Station business center, to develop jointly and become a demonstrative area that unites technological business, industry incubation, and service, merges industrial and urban qualities.
The construction goal of Ban Xue Gang High-Tech Zone is to become a compound technological green creative city that is in the forest, facing the future, having global vision, creative ideal and humanities!

Employment Population density Employment Population density
Population density Population density

(Ban Xue Gang High-Tech Zone is right next to the urban center of the Pearl River Delta—Shenzhenbei Railway Station, half an hour commute time from Hong Kong central area West Kowloon, which is helpful for gathering technological and creative talents from Hong Kong and the Pearl River Delta, can effectively connect regional creative talents and local "Silicon Valley in the sense of hardware equipment" industrial environment, and stimulate more creative enterprises.)

Ban Xue Gang High-Tech Zone Creative Elements Distribution Analysis Map Ban Xue Gang High-Tech Zone Creative Elements Distribution Analysis Map

(Ban Xue Gang surrounding area is starting to aggregate motivational elements for creation—like Maker Space, Incubator, and other research institutions, making that area the important bearer of Shenzhen creative industry moving northward, and becoming the new origin of creativity.)

1.3.2 Competition Background Information
"Clear rivers and green hills are as valuable as mountains of gold and silver", and pointed out that "protecting ecological environment is protecting productivity", deeply unveiled the relationship between economic development and ecosystem protection, deepened recognition of rules of economic and social development and natural ecosystem, and thus provide guideline and impetus for making China beautiful.

Under the strategic instruction of this guideline, this international competition is held according to orientation of Ban Xue Gang High-Tech Zone required by the municipality of Shenzhen to make it "the precursor demonstrative area of Eastward Strategy", "the key area of Shenzhen urban quality improvement", and Shenzhen's objective of creating the "Cleanest City of the Nation" and "World Renowned Flower City", and building "National Forest City" work arrangement, and in order to improve quality of the core area of Ban Xue Gang High-Tech Zone, improve sub-district environment, promote sub-district image, and support sustainable and healthy development of the industry at Ban Xue Gang High-Tech Zone, and at the same time connect to the overall urban planning execution plan of Ban Xue Gang High-Tech Zone and ensure periodical results are enacted.

1.4 Competition Overall Goal
This design competition should have a worldly vision, learn from development experiences of developed areas of the globe, unites international top-rank design wisdom, and fully enhances "rooted in local, embrace the world" creative spirits. Should connect the urban quality improvement plan and current problems that need to be dealt with urgently, make sure the plan can be implemented in the near future, and strive to make a substantial improvement of regional urban quality in a relatively short time period, and then improve overall urban service and competitiveness of the area. 

At the same time, through improvement in spatial quality, drive local cultural quality to improve, strive to reach the realm and height of "express local essence through culture", gradually reach the development goal of "city-industry integration, green and humane smart city pioneer demonstration area".

1.5 Competition Principles

  1. Stick to the principle of being urban and public, pay attention to interactive relationship between the project and urban surrounding regions, emphasize openness and inclusiveness when put into practice;
  2. Sustainable principle, pay attention to the application of low-carbon eco-technology, the sponge city technology, and green building design technology;
  3. Cost-controlled principle, while make the plan creative, practical, and visually pleasing;
  4. Respect local cultural context principle, pay attention that the plan is localized, and make sure local history, culture, and geology will be preserved.

1.6 Competition Content
This competition includes four projects: "Bantian in the Forerst" Surrounding Characteristic (Suburban) Parks Holistic Conceptual Design Plan International Competition, Ban Xue Gang Art Center and Surrounding Block Architecture Conceptual Design Plan International Competition, Ban Xue Gang High-Tech Zone Streets and Nodes Greenery and Landscape Improve Design International Competition, and Ban Xue Gang High-Tech Zone Urban VI and Application Design International Competition. ( DOWNLOAD FILE: https://pan.baidu.com/s/1kUYHSsZ )

(After each Design agency submit formal sign up form, competition implementation agency will send detailed competition file of each project via email to the email address of signed up agency. )

2. Competition Rules

The rules of this competition will be divided into two categories depending on the projects that competition agencies choose. Category one is planning and design, including three projects:"Bantian in the Forerst" Surrounding Characteristic (Suburban) Parks Holistic Conceptual Design Plan International Competition, Ban Xue Gang Art Center and Surrounding Block Architecture Conceptual Design Plan International Competition, Ban Xue Gang High-Tech Zone Streets and Nodes Greenery and Landscape Improve Design International Competition; ( DOWNLOAD FILE: https://pan.baidu.com/s/1sloKI5n )

Category two is art and graphic design, which refers to Ban Xue Gang High-Tech Zone Urban VI and Application Design International Competition project.( DOWNLOAD FILE: https://pan.baidu.com/s/1qXGWLBm )

2.1 Competition Rules of Category One
Competition rules of category one require that this competition be divided into two phases, the first phase is open sigh up and qualification examination; the second phase is design competition. 

2.1.1 Phase One: Open Sign up and Qualification Examination
Build Qualification Examination Committee, members are constituted of 5 representatives who are familiar with design level of the industry and have background in the industry of architecture, landscape architecture, and art design, etc. Qualification Examination Committee will have a committee chair to host examination work, the committee chair will be generated through recommendation, and have the same power in decision as other members; specific qualification rules will be decided by Qualification Examination Committee.  

Methods of qualification examination. Qualification Examination Committee will use disclosed ballot method to examine qualification, achievement, prospective project team, project plan of participation teams, and conceptual design plan, and based on the ranked scores, determine the top 8 teams that will get design compensation, and 2 alternate teams (also to be ranked), if any of the top 8 teams drop out of the second phase of competition, then alternate teams can substitute according to their rank.

Other teams that pass qualification examination can also participate in the second phase design competition on their own will, and deliver formal participation confirmation to competition sponsors. Design teams participate on their own will do not get design compensation.

2.1.2 Phase Two: Design Competition 
Build Plan Examination Committee, members are constituted of 7 renowned experts in the industry from China or other countries. The committee chair will be hosting examination work of Plan Examination Committee, and has equal right to vote as other members. Plan Examination Committee will determine specific examination rules. 

Participating teams should submit final files that meet the requirements of design assignment. Plan Examination Committee will examine all submitted design plans, and choose the top 2 teams, provide review, and recommend to the sponsors. The sponsors will research and determine the rank of the top 2 winning teams on the basis of fully respecting expert review opinions. 

The design team gets the first prize will, base on expert review, be responsible for uniting competition results and deepening conceptual plan design, and hold at least 2 workshops. In the end complete deepening conceptual plan design; the conceptual plan design after deepened should reach the depth of a plan design. The design team gets the second prize should send a core designer participating in the 2 workshops held by the design team that wins, and participate in uniting competition results and deepening conceptual plan design.

2.1.3 Requirements for Design Outcome

  1. Design outcome should meet the requirements of Republic of China, Guangdong Province, and Shenzhen on urban design regulation and regulatory files, meet the requirements of competition file, expression of content should be complete, clear, and accurate. 
  2. Design outcome must be signed and seal affixed by the participating agency or team to be effective. Participating agency should label the name of the design agency on the lower right corner of the back of a complete design outcome file, seal affixed by the design agency, and leave in a folder individually.
  3. Each participating agency can only submit one design outcome.
  4. All design outcomes (see Design Assignment for design outcome requirements) must be submitted altogether on time, and get receipt from organizers.
  5. All design outcomes must be delivered or mailed to location appointed by the sponsors by the deadline (location will be announced later).

2.1.4 Qualification Examination File Submission Requirements  

Required qualification examination files

  1.  Sign up form (see appendix 1); DOWNLOAD FILE: https://pan.baidu.com/s/1jIADFt8
  2. Introduction to the design agency
  3. Copy of effective business license (or business registration certificate);
  4. Enterprise credential files or awards received (copy, seal affixed)(if there is any);
  5. Proof of sign up agency or chief designer participating in projects alike in the past 5 years (not exceeding 5 similar projects), and provide proof materials below:     a) Copy of certificate of merit or design contract page that is signed and seal affixed; b) Relevant photos or master drawing of design work; c) Effective office phone number, contact and other relevant proof materials of client of design work.
  6. Introduction to chief designer and design team of this project, should provide: introduction to  chief designer and members of design team, personal professional qualification certificate.
  7. Work plan: list of members in the design team if enters phase two, team collaboration mode, design cycle and other work arrangements;
  8. Certificate of legal representative, power of attorney from legal representative (original file, seal affixed or signed), ID of principal (copy, seal affixed);
  9. Agencies sign up as a team should submit Design Team Agreement signed by all design firms of the team (see Appendix 2),and specify the agency leading design process (original copy, seal affixed);
  10. Other materials participating agencies think are necessary to provide;

☆ If applicant is a team, each agency of the team provide materials stated above separately and fill in the sign up form. All materials above should be seal affixed.

Qualification examination files compilation 

  1. All contents above make into a pamphlet with catalog. Paper size A4, 5 copies, seal affixed;
  2. Electronic version of all files above copied in a thumb drive and submit together with paper version; send electronic version to competition designate email  BXG_Q2017@163.com 
  3. Submitted file should avoid overwrapping on the principle of environmental protection. Pamphlet should not exceed 50 pages (including printed on both sides).

Qualification examination files submission
Participating agency should send materials above to Room 1309, Gongyuandao Building unit B, No.26 Dengliang Road, Shenzhen, before 3 p.m. on November 17.2017(UTC+8). Recipient: Ms. Li, contact: +86 0755 86549494;13632658134.

Qualification examination files received after the deadline will be rejected and returned to the applicant.

2.4 Competition Rules of Category Two (Ban Xue Gang High-Tech Zone Urban VI and Application Design International Competition Rules)( DOWNLOAD FILE: https://pan.baidu.com/s/1qXGWLBm )

2.4.1 Phase One: Directional Invitation and Sign up
Category two of this competition uses both directional invitation and open sign up, directional invited agencies and open signed up agencies compete fairly in the competition critique stage. List of agencies invited directionally will be announced at another time.

2.4.2 Phase Two: Competition Critique 
Build Plan Examination Committee, members are constituted of 7 renowned experts in the industry from China or other countries. The committee chair will be hosting the examination work of Plan Examination Committee, and has equal right to vote as others. Plan Examination Committee will determine specific examination rules. 

Participating teams submit final files that meet the requirements of design assignment. Plan Examination Committee will examine all submitted design plans, and choose the top 2 teams and 8 nominees, provide review, and recommend to the sponsors. The sponsors will research and determine the rank of the top 2 winning teams selected by the committee, on the basis of fully respecting expert review opinions.

The design team gets the first prize will, base on expert review, be responsible for uniting competition results and deepening conceptual plan design, and hold at least 2 workshops. In the end complete deepening conceptual plan design; the conceptual plan design after deepened should reach the depth of a plan design.

2.4.3 Phase Three: Public Vote 
In order to further market result of this VI design, the finalist plans and plans win the first and second prize will be competing for the Best Online Popularity Award through online platform, the participating agency wins the most votes will gain respective prizes. Detailed rules of public vote will be announced at another time.

2.5 Outcome Copyright and Law

  1. The right of authorship of all proposals submitted belongs to the design firms. The organizer will not return any documents submitted. The organizer retingtains the copyright of all proposals.
  2. The organizer is entitled to use proposals free of charge, including notifying the evaluation result after appraisal, and introducing, displaying and critiquing the proposals through media, professional magazines, books or other forms.
  3. All submitted schemes must be originally created by the design firms and are forbidden to cover any material infringing the intellectual property right of any third party. In case of any infringement, the design firms shall undertake the relevant legal responsibilities themselves, which has nothing to do with the organizer. Meanwhile, the participation qualification of the infringing design organizations will be abolished, and their legal responsibilities will be looked into.
  4. All documents provided by the organizer (including texts, drawings and electronic data) are subject to copyright protection. Without authorization, any person is forbidden to duplicate, amend, distribute, disclose, lend or transfer the concerned contents; otherwise, he will assume relevant legal liabilities.
  5. Governing law: This international competition rule is governed by laws of the People's Republic of China, which are applicable for the competition work and all documents. In case of any dispute, if the negotiation fails, both parties agree to submit the dispute to China International Economic and Trade Arbitration Commission, Shenzhen Branch (CIETAC), for arbitration based on CIETAC arbitration rules, with arbitration taking place in Shenzhen. The arbitration will be final and binding on both parties concerned.
  6. Confidentiality: Before the announcement of competition results, the organizer will keep all proposals secret. Without the permission of the organizer,any person or institution is forbidden to disclose, publicize or display the proposals in any form before the evaluation is completed, otherwise, that person will bear related legal liabilities.

3. Basic Information on the Four Competition Projects

3.1 "Bantian in the Forest" Surrounding Characteristic (Suburban) Park Holistic Conceptual Design Plan International Competition ( DOWNLOAD FILE: https://pan.baidu.com/s/1c1DXvRM )

3.1.1 Project Background
Good ecological basis, but lack of protection and proper usage.

Bantian are has a relatively good basis in ecological resources. It has 6 characteristic (suburban) mountain parks, but they lack conncection to urban lives, and are in urgent need of reform to make accessible to the citizens, need convenient transportation passageway connecting to the built area of the city; currently between and inside the characteristic (suburban) parks are segmented by multiple railways, highways, and expressways, need to use extremely creative and feasible method to sew up the segmented nodes and edges, connect the characteristic (suburban) surrounding Bantian Sub-district as a whole. 

Ban Xue Gang High-Tech Zone Holistic Urban International Consultancy and Planning Implementation Plan Ecological Layout and Greenway Planning Structure Map Ban Xue Gang High-Tech Zone Holistic Urban International Consultancy and Planning Implementation Plan Ecological Layout and Greenway Planning Structure Map

3.1.2 Project Goal 
Collect extremely creative and feasible plan, build convenient passageway, sew up nodes and edges segmented by urban railways, highways, and expressways in Bantian area, connect urban built up area and characteristic (suburban) parks, transform existing ecological green space into accessible characteristic (suburban) parks to the citizens, make the characteristic (suburban) parks surrounding Bantian Sub-district a whole.

Conceptual Plan Research Scope Map Conceptual Plan Research Scope Map

3.1.3 Competition Design Range and Main Design Content 
This competition project contains design on 3 layers, respectively are conceptual planning and research range, holistic connection design range, and detailed design of nodes.

1) Conceptual Design Range:
Eco-line controlled region of surrounding characteristic (suburban) park, and total area is about 36.75 squared kilometers. Conceptual plan range should pay especially high attention to current situation of urban highway and expressway cutting through the parks and holistic connection problem, holistic connection problem of greenway, and propose creative and feasible conceptual plan.
The key point is to complete master layout conceptual plan of the 6 characteristic (suburban) parks, solve connection problem between the parks, like connect segmented nodes and edges by highway and expressway, greenways inside the parks and urban greenways, and characteristic (suburban) parks and urban build up area.
Specific content includes conceptual plan of overall landscape and greenery of the parks, park and urban passageway connection plan, etc.

2) Key Design Range:
Focusing on the characteristic (suburban) parks in Bantian Sub-district, emphasize research on the design of passageways connecting urban space inside Bantian Sub-district, urban greenway, and entrances and exits of the parks, total area is about 8.33 squared kilometers.
Main design content includes: design plan of connection of the parks and urban passageways; infrastructures inside the parks, entrances and exits, resting and view deck, signage system, emergency distress signal system, etc., climbing route (expedition trail, stairs trail, gentle slope trail, round-reservoir sightseeing trail, and leisure trail), main observation deck and ecological passageway; small-scale infrastructure (resting point, toilet, seats, lights, and trash cans, etc.); park signage system and emergency distress signal system design.

3) Node park detailed design:
The three node design ranges introduced below are suggested by the competition sponsors, design teams can add nodes according to design analysis, or optimize nodes design range.

Key Design Range and Nodes Distribution Map Key Design Range and Nodes Distribution Map

Node 1: Gangtou Technology Park Entrance Node
Node 1 design range area: 8.59 Ha (85944.8 m2)

Main design content:
a) Gangtou Technology Park entrance space detailed design.
b) Need to work on the geology difference cleverly, and seek for a convenient route going up the mountain.
c) Add slow passageways on the north and south sides of Banli Boulevard, and strengthen connection between suburban park and street park.
d) This node range's north side is right next to Gangtou Reservoir (also called Jinyuan Reservoir), which is drinking-water source, will gradually run closed management in the future. Therefore, this design plan should fully consider this factor, coordinate drinking-water source protection with surrounding landmass reasonable usage, and propose feasible design plan and implementation suggestions. (Please check basic information compilation of competition file for detailed reservoir blue line protection range)

Node 1: Gangtou Technology Park Entrance Node Range Map Node 1: Gangtou Technology Park Entrance Node Range Map

Node 2: Ma An Tang Entrance Node
Node 2 design range area: 8.8 Ha (88036.5 m2)

Main design content:
a) Suburban park entrance space design
b) Ma An Tang community has a simple climbing trail along both sides of Zhengkeng Reservoir, needs to be redesigned, improve view and comfort, and form a walking trail round Zhengkeng Reservoir.
c) Current ground parking can be changed to underground parking under ideal situation, so that the space above the underground parking can be used as part of the park entrance.
d) Current climbing trail goes through under Nanping Expressway, the trail space under the expressway needs to be designed.
e) This node range's south-east side is right next to Zhengkeng Reservoir, which is drinking-water reservoir, will gradually run closed management in the future. Therefore, this design plan should fully consider this factor, coordinate drinking-water source protection with surrounding landmass reasonable usage, and propose feasible design plan and implementation suggestions. (Please check basic information compilation of competition file for detailed reservoir blue line protection range)
f) Climbing trail should closely relate to geology, lower influence on the ecologic system.

Node 2: Ma An Tang Entrance Node Range Map Node 2: Ma An Tang Entrance Node Range Map

Node 3: San Lian Suburban Park Entrance Node
Node 3 design range area: 25.8 Ha (258095.9 m2)

Main design content:
a) Suburban park entrance space design
b) Overcome complicated geology, explore climbing trail cross highway, connect mountains on two sides of the highway. Add slow passageway on both sides of Jihua Road.
c) Under ideal situation, amend damage by illegal buildings on the overall appearance of the mountains.
d) Connect park entrance with heavy passageway on the east side.
e) Qingping Highway and Jihua Road separate the mountains, should amend and connect them through feasible methods.

Node 3: San Lian Suburban Park Entrance Node Node 3: San Lian Suburban Park Entrance Node

3.14 Overall Requirements of Competition

  1. Characteristic (suburban) park is more than park! It is landscape engineering, and social engineering! Should emphasize its public feature, culture fusion, resource gathering, social amendment, and public engagement.Parks should be the place for urban community residents to communicate spiritually. Many cities over the world through their creative design to urban public space to improve quality of public space, and stimulate urban life. Use open mind, vision, and action, to bring new social relation and culture recognition to public spaces. And should pay attention to the connection between design and the city, community and everyday life.
  2. Emphasize participation of multiple fields. Suggest design team can include artist, urban planner, architect, sociologist, landscape architects, etc., make this park a place that creativity becomes part of the collaboration.
  3. Now that Shenzhen park design has a homogenization trend, this competition hope bidding teams can find the unique character of each park, explore its characteristic resource and features of surrounding urban environment, through creative design to elaborate and strengthen its uniqueness.
  4. Design plan should emphasize on restoring ecological status and landscape diversity. The suburban park design should be done on the basis of restore ecological status, and the plan should emphasize design that combine the sponge city technology with eco green space. Through creative design plan to enrich landscape diversity of the suburban park, make the suburban park more accessible, and improve its ecological and social efficiency.

3.1.5 Sign up Requirements
In this competition, design agencies can sign up individually, or sign up as a team of multiple agencies.
Design firms that habe intention to sign up should submit sign-up file before deadline. Sign up file contains business documents and conceptual proposal.
In order to make sure project planning and design staff understand accurately background and relative requirements in China, there must be at least one person in the project design team that is fluent with Chinese.

Business documents:

  1. Credential documents, including company introduction, industrial & commercial registration documents, and qualification certificate, etc. (qualification certificate is not mandatory);
  2. Documents of past design projects of the same kind, including project introduction, completion status, photos of the project, and award certificate, etc.;
  3. Materials of prospective team members, including a list of team members, resume, and proofing materials of chief designer leading other projects of the same kind, etc.

Conceptual proposal:
Conceptual proposal should state understanding of this project, analysis of characteristics and resources of this area, overall planning and design of the parks, and design ideas of part of the nodes (depth of design is not limited).
The proposal should be within 15 pages, paper size A3. It should clearly state design concept in principle, and let judges accurately understand core design intention.

3.1.6 Phase One Qualification Examination Principle
This qualification examination will be assessed under the principles below:

3.1.7 Competition Award Prizes and Related Fees

Award Prizes
Design teams get into top 2 will gain award prizes as follow:
The first prize will gain award prize 1.8 million. This prize contains the work for competition outcome integration and conceptual design plan deepening. According to critique experts' opinion, hold at least 2 workshops, complete integration of competition outcome and deepen conceptual design plan, conceptual design plan after deepening should reach the depth of design plan, and plan need to gain permission from the sponsors.
The second prize will gain award prize 800 thousand Chinese yuan. This prize contains the work for competition outcome integration and conceptual design plan deepening. The team wins second prize should send chief designer to participate in the workshops held by the winner of the competition (at least twice), collaborate with integrating competition outcome and deepening conceptual design plan.

Design Compensation
8 finalist teams after submitting outcomes fulfilling competition file requirements, will each gain 200 thousand Chinese yuan design compensation. Except for the 8 finalist competition teams, other teams participating willingly will not gain design compensation. If teams participating willingly get into top 2, respective award prize will be paid.

Payment of Award Prizes and other Related Fees
Award prizes and design compensation of this competition will be paid in Chinese yuan, participating teams are responsible for any taxes generated by award prizes and design compensation, and need to provide Chinese domestic duty-paid invoice meet the requirements of sponsors.
Related fees will go through the formalities of payment after finishing final competition outcome publicity.
Foreign design agencies that cannot accept Chinese yuan using its own account need to sign a third party payment agreement with the sponsors and authorize domestic legal independent juridical person to collect award prizes, and design team need to be responsible for taxes generated.

Others
Competition teams need to be responsible for all costs generated relating to this competition (including travel expenses and accommodation).
Award prizes and design compensation of this competition cover the lump payment for the outright purchase of copyrights of deliverables (intellectual property).
If Plan Examination Committee consider the outcome submitted by participating teams do not meet the depth and requirements of this competition design work, the sponsors will not pay for design compensation.

3.2 Ban Xue Gang Art Center and Surrounding Block Architecture Conceptual Design Plan International Competition( DOWNLOAD FILE: https://pan.baidu.com/s/1i45FKVF )

3.2.1 Project Background
The municipal party committee, municipal government, district party committee, and district government clearly propose to build high quality cultural and art center in Bantian as soon as possible, and thus promote cultural quality of the district. Through allocation research at earlier stage, the decision is to fully make use of Golden Mountain Park and supplied landmasses from surrounding projects to build Ban Xue Gang Art Center. 

Competition Goal 
Collect world-class, extremely creative, rich in regional cultural characteristics design plan, make art center a future landmark and cultural heritage of Ban Xue Gang High-Tech Zone.

3.2.3 Competition Design Range and Main Design Content
This competition includes two layers, one is from the angle of detailed urban design, propose control requirements to surrounding landmasses' architectural style, height, and volume that are coordinative with the art center; the other is conceptual architecture design plan and landscape design plan that unite the art center and Golden Mountain Park.

Design range has three layers:
Area of the landmass that the main architecture of art center is on is 4.86 Ha;
Area used for landscape design for unifying design of Golden Mountain Park is about 10.2 Ha, of which 5.33 Ha is Golden Mountain Park; area of urban design research on surrounding landmasses is about 13.62 Ha;

Among these, the main functions of the art center is suggested to include but not limited to content below:

  1. Large theater no less than 1600 seats, for large performance like ballet, opera, and symphony, etc.;

  1. Multifunction small theater that can fit 430-500 people, suitable for local drama and chamber music, also can be used for performance conference, preview screening, VIP member activities, and sponsor cocktail party;

  1. A multifunction technology and art museum, may include small-scale museum, technology exhibition, and multiple new technology experience showroom, etc.;
  2. Artists studios 8-15, can be relatively independent from others;
  3. Use fluid public space inside the art center, like the entrance hall, as exhibition space for art pieces;
  4. Other kinds of assistive functional space.

Gross floor area of all functions mentioned above is suggested to be 80 – 100 thousand squared meters.

3.2.4 Overall Requirements of Competition

  1. This competition hope to fully consider the different need from the past eras of citizens under new era context for art center kind of public architecture, pay attention to the need of general public for engagement and openness for public architecture. Therefore, design plans should stress public character, creativity, and originality. Participating design teams should conduct sufficient research on the characteristics of excellent theater architecture and public art infrastructure, research in depth on the topics of building atmosphere, openness, local weather, operations management, high-efficiency resources usage, analyze and generate creative design concept, form an architecture expression style that is open and congruent with local features, design an art center architecture that breathes together with the city.
  2. Different from "isolated island" type of cultural architecture in the past, we hope the new art center can amend the scattered and separated status of the district, become a point connecting surrounding communities, connect and cover the whole region in a grid public service infrastructure and public space system, design and organize a kind of public social life style that is characteristic of the region.
  3. Encourage design teams to be creative in consideration of actual conditions on building materials, modeling, structure, green building technology, etc., for this competition. But the teams should not be pushing for unique architecture modeling, and should match the actual function with spatial modeling of architecture. If the design team submit a design plan of unique structure, then the design team should provide feasibility report of this kind of structure and preliminary budget of building cost together.
  4. Because the main function of this project includes large theater, the design team should closely combine the features of large theater, key focus on public transit routes and location of entrances and exits of the theater, especially make independent freight transport entrance and exit for stage props of large-scale performance. 
  5. In order to improve the art center's public feature and engagement of citizens, suggest to fully considering in the design plan that without large-scale performance, other public facilities and public spaces except for the theater can run independently, part of the public space can open to public 24 hours.

The design plan should emphasize the combination of architectural space and park green space, and combination with current geology.

3.2.5 Sign up Requirements

  1. In order to widely collect creative design plan, agencies can participate individually in this competition, or can participate as a team of multiple agencies. Designers of the design agencies participating in this competition should be registered at the agency, chief designer should be someone who has held multiple projects of the same kind, and must directly participate in the whole process of the competition.
  2. In order to make sure project planning and design staff understand accurately background and relative requirements in China, there must be at least one person in the project design team that is fluent with Chinese. 
  3. Design firms that have intention to sign up should submit sign-up file before deadline. Sign up file contains business documents and conceptual proposal.

Business documents:

  1. Basic documents, including company introduction, industrial & commercial registration documents, and qualification certificate, etc. (qualification certificate is not mandatory);
  2. Documents of past design projects of the same kind, including project introduction, completion status, photos of the project, and award certificate, etc.;
  3. Materials of prospective team members, including a list of team members, resume, and proofing materials of chief designer leading other projects of the same kind, etc.

Conceptual proposal:
Conceptual proposal should state understanding of this project, analysis of characteristics and resources of this area, design ideas of architectural conceptual plan of the art center and surrounding landmasses (depth of design is not limited).
The proposal should be within 15 pages, paper size A3. It should clearly state design concept in principle, and let judges accurately understand core design intention.

3.2.6 Qualification Examination Principle

3.2.7 Competition Award Prizes and Related Fees 
Award Prizes
Design teams get into top 2 will gain award prizes as follow:
The first prize will gain award prize 2.5 million. This prize contains the work for competition outcome integration and conceptual design plan deepening. According to critique experts' opinion, hold at least 2 workshops, complete integration of competition outcome and deepen conceptual design plan, conceptual design plan after deepening should reach the depth of design plan, and plan need to gain permission from the sponsors.

The second prize will gain award prize 800 thousand Chinese yuan. This prize contains the work for competition outcome integration and conceptual design plan deepening. The team wins second prize should send chief designer to participate in the workshops held by the winner of the competition (at least twice), collaborate with integrating competition outcome and deepening conceptual design plan.

Design Compensation
8 finalist teams after submitting outcomes fulfilling competition file requirements, will each gain 300 thousand Chinese yuan design compensation. Except for the 8 finalist competition teams, other teams participating willingly will not gain design compensation. If teams participating willingly get into top 2, respective award prize will be paid.

Payment of Award Prizes and other Related Fees
Award prizes and design compensation of this competition will be paid in Chinese yuan, participating teams are responsible for any taxes generated by award prizes and design compensation, and need to provide Chinese domestic duty-paid invoice meet the requirements of sponsors.
Related fees will go through the formalities of payment after finishing final competition outcome publicity.
Foreign design agencies that cannot accept Chinese yuan using its own account need to sign a third party payment agreement with the sponsors and authorize domestic legal independent juridical person to collect award prizes, and design team need to be responsible for taxes generated.

Others
Competition teams need to be responsible for all costs generated relating to this competition (including travel expenses and accommodation).
Award prizes and design compensation of this competition cover the lump payment for the outright purchase of copyrights of deliverables (intellectual property).
If Plan Examination Committee consider the outcome submitted by participating teams do not meet the depth and requirements of this competition design work, the sponsors will not pay for design compensation.

3.3 Ban Xue Gang High-Tech Zone Streets and Nodes Greenery and Landscape Improve Design International Competition ( DOWNLOAD FILE: https://pan.baidu.com/s/1kV89JpX )

3.3.1 Project Background
Focus on the problems of low quality current streetscape of Ban Xue Gang High-Tech Zone, and low recognizability of nodes at the entrance.
This competition select 4 main municipal roads and 10 nodes as design objects, in the hope of progressively improve the whole area through quality improvement of the four main municipal roads and landscape of the nodes.

3.3.2 Competition Goal
Build municipal roads and nodes rich in regional characteristics. Invite excellent designers from China or other countries to participate in making this conceptual plan. Use high standard and starting point to build streets with distinguished landscape and nodes for Ban Xue Gang High-Tech Zone, through collecting creative and worldly vision design plan.

3.3.3 Competition Content
This competition project includes four roads and ten nodes, node design range is suggested by the competition sponsors, design teams can add the number of nodes according to research analysis, or optimize node design range (Please check basic information compilation of competition file for detailed node design range)

Functional features of the four roads and location characters of the nodes: 

  1. Ban Xue Gang Boulevard (the section south of Bulong Road is the key point of implementation in recent stage)—after Banyin Passageway open to traffic, Ban Xue Gang Boulevard becomes an important transportation route to enter Ban Xue Gang High-Tech Zone from Shenzhen Special Area, and the location of important nodes of multiple stations along metro line 10.
  2. Along Wuhe Boulevard—Wuhe Boulevard connects Nanping Expressway and Meiguan Expressway, is a major transportation route to enter Ban Xue Gang High-Tech Zone;
  3. Along Banli Boulevard—connects Longhua District and Buji Sub-district. 
  4. Along Beier Road and Jihua Road—is the main community road of Ban Xue Gang;
  5. Ten nodes—transition area located between each munipal roads and surrounding municipal administrative districts. 

Street Cross Section requirements:
Ban Xue Gang Boulevard: Design length is 6.29 kilometers (section between Banli Boulevard and Nanping Expressway), road red line width 60 meters, green belt width 20 meters;

Along Wuhe Boulevard: Design length 9.39 kilometers, road red line width 60 meters, green belt width 26 meters;

Along Banli Boulevard: Design length 4.99 kilometers, road red line width 100 meters, greenbelt width 33 meters;

Along Beier Road and Jihua Raod: 

Beier Road: Design length 2.02 kilometers (Meiguan Highway—Banlan Boulevard), road red line width 70 meters, green belt width 24.5 meters;

Jihua Road: Design length 2.32 kilometers, road red line width 70 meters, green belt width 14 meters.

Design Requirements: 
Need to target at roads and nodes described above to design streets and nodes greenery, through greenery design to create streetscape and nodes landscape rich in regional characteristics, and thereby improve aesthetic standard of the public to street landscape view.
Design plan must emphasize combination of the sponge city technology and municipal roads and green spaces. 

3.3.4 Sign up Requirements
In order to widely collect creative design plan, agencies can participate individually in this competition, or can participate as a team of multiple agencies.
Design firms that have intention to sign up should submit sign-up file before deadline. Sign up file contains business documents and conceptual proposal.
In order to make sure project planning and design staff understand accurately background and relative requirements in China, there must be at least one person in the project design team that is fluent with Chinese. 

Business Documents

  1. Basic documents, including company introduction, industrial & commercial registration documents, and qualification certificate, etc. (qualification certificate is not mandatory);
  2. Documents of past design projects of the same kind, including project introduction, completion status, photos of the project, and award certificate, etc.;
  3. Materials of prospective team members, including a list of team members, resume, and proofing materials of chief designer leading other projects of the same kind, etc.

Conceptual Proposals:
Conceptual proposal should state understanding of this project, analysis of characteristics and resources of this area, ideas of street greenery and landscape design and nodes landscape design (depth of design is not limited).
The proposal should be within 15 pages, paper size A3. It should clearly state design concept in principle, and let judges accurately understand core design intention.

3.3.5 Qualification Examination Principle

3.3.6 Competition Award Prizes and Related Fees
The competition bonus includes, first prize is 800 thousand Chinese yuan, second place 300 thousand Chinese yuan, 8 finalist teams will each get 100 thousand Chinese yuan design compensation fee.

Award Prizes
Design teams get into top 2, will gain award prizes as follow:
The first prize will gain award prize 800 thousand Chinese yuan. This prize contains the work for competition outcome integration and conceptual design plan deepening. According to critique experts' opinion, hold at least 2 workshops, complete integration of competition outcome and deepen conceptual design plan, conceptual design plan after deepening should reach the depth of design plan, and plan need to gain permission from the sponsors.

The second prize will gain award prize 300 thousand Chinese yuan. This prize contains the work for competition outcome integration and conceptual design plan deepening. The team wins second prize should send chief designer to participate in the workshops held by the winner of the competition (at least twice), collaborate with integrating competition outcome and deepening conceptual design plan.

Design Compensation
8 finalist teams after submitting outcomes fulfilling competition file requirements, will each gain 100 thousand Chinese yuan design compensation. Except for the 8 finalist competition teams, other teams participating willingly will not gain design compensation. If teams participating willingly get into top 2, respective award prize will be paid.

Payment of Award Prize and other Related Fees
Award prizes and design compensation of this competition will be paid in Chinese yuan, participating teams are responsible for any taxes generated by award prizes and design compensation, and need to provide Chinese domestic duty-paid invoice meet the requirements of sponsors.
Related fees will go through the formalities of payment after finishing final competition outcome publicity.
Foreign design agencies that cannot accept Chinese yuan using its own account need to sign a third party payment agreement with the sponsors and authorize domestic legal independent juridical person to collect award prizes, and design team need to be responsible for taxes generated.

Others
Competition teams need to be responsible for all costs generated relating to this competition (including travel expenses and accommodation).
Award prizes and design compensation of this competition cover the lump payment for the outright purchase of copyrights of deliverables (intellectual property).
If Plan Examination Committee consider the outcome submitted by participating teams do not meet the depth and requirements of this competition design work, the sponsors will not pay for design compensation.

3.4 Ban Xue Gang High-Tech Zone Urban VI and Application design International Competition (DOWNLOAD FILE: https://pan.baidu.com/s/1c165TzM )
3.4.1 Project Background
Ban Xue Gang High-Tech Zone has a characteristic basis of specific industry (high-tech enterprises represented by Huawei) and urban culture, but these resources are lack of refinement, improvement, and expression. In urgen need of a systematic urban visual identification system using visual elements to express urban characteristics of Ban Xue Gang High-Tech Zone.

3.4.2 Competition Goal
Through this international competition, intend to collect a unique visual identification (brief VI) system plan of Ban Xue Gang High-Tech Zone, and through the use of VI system in urban public space, public facilitlies and public activities, broadcast cultural characteristics of Ban Xue Gang High-Tech Zone, make nte urban image of Ban Xue Gang High-Tech Zone popular, and further improve regional culture brand effect,. It is an important measure of making culture of Bantian Sub-district standing out and driving regional development.

3.4.3 Competition Content

This competition project includes three layers: 

  1. Combines current resource characteristics and develop trend of Ban Xue Gang High-Tech Zone, design VI system in coherence to local culture; 
  2. Use VI design core elements on streets, signage, outdoor advertisements, faces along the streets, cultural sculptures, street performance, greenery, slow speed facilities, festivals, etc., to create a uniform urban visual system of Ban Xue Gang High-Tech Zone; 
  3. Provide a series of feasible maintenance management advices for plans above.

3.4.4 Overall Requirements of Competition

Design work submitted should fulfill requirements below:

  1. Design theme should root in the special function and importance of Ban Xue Gang High-Tech Zone as "internationally famous enterprise—location of Huawei's headquarter ", and as "one of the Guangdong, Hong Kong, Macau Bay Area core city nodes", "key development area of Shenzhen", and "precursor demonstrative are of Shenzhen Eastward Strategy", to show its identity, culture, and characters as Ban Xue Gang High-Tech Zone;
  2. Design plan needs to be simple and elegant, while the theme is lively, rich in meaning, easy to identify, can enlarge or shrink, suitable for holistic image combination and multiple applications, including architecture façades, exhibition, signage, propaganda, festivals, media and other derivatives;
  3. The sign designed needs to have ductility, flexibility, plasticity, capability, and creativity, and have the potential to become dynamic, 3-dimensional, gradient, interactive, material, visual, color, and digital, etc.
  4. Design plan must be realistic, and propose a series of feasible implementation and maintenance management plan sustainable in the long term.

3.4.5 Design Work Requirements

  1. Dimension of stationary work needs to be 1920*1080 pixels (width*height), RGB color mode, JPG file. Please keep AI vector file.
  2. If there is dynamic work, dimension needs to be 960*640 pixels (width*height), RGB color mode, upload in GIF file.
  3. If need to add video file elaborating on design concept and application, can upload the video to online video platform, and attach video link to work description.
  4. Submitted work should include visual image design graphic and design description.
  5. Design description is helpful for helping judges to understand the work during critique, it should clarify signage design thinking and idea. Description should be simple and clear. The format should be clear and expression should be complete.
  6. Submitted design should not include any information related to the designer, all information of this kind should be filled in as required in the business documents submitted for sign up.

3.4.6 Sign up Requirements
During this competition, signed up design agencies should have relatively rich design experience in the whole VI system design, promote and subsequent application design experience.
Design firms that have intention to sign up should submit sign-up file before deadline.

Sign up Documents:

  1. Basic documents, including company introduction, industrial & commercial registration documents, and qualification certificate, etc. (qualification certificate is not mandatory);
  2. Documents of past design projects of the same kind, including project introduction, completion status, photos of the project, and award certificate, etc.;
  3. Materials of prospective team members, including a list of team members, resume, and proofing materials of chief designer leading other projects of the same kind, etc.

3.4.7 Sign up files submission
Participating agency should send materials above to Room 1309, Gongyuandao Building unit B, No.26 Dengliang Road, Shenzhen, before 3 p.m. on November 17.2017(UTC+8). Recipient: Ms. Li, contact: +86 0755 86549494;13632658134.
Competition  submission files received after the deadline will be rejected and returned to the applicant.

3.4.8 Competition Award Prizes and Related Fees
This competition uses both directional invitation and open sign-up, directional invited agencies will gain invitation fee 10 thousand Chinese yuan each. Directional invited agencies and open signed up agencies compete fairly in the competition critique stage.
Competition award prizes contain: first prize is 800 thousand Chinese yuan, and need to collaborate with the government to complete a one-year technical support work to promote the VI system; second prize is 300 thousand Chiense yuan; 8 finalist teams will each get 10 thousand Chinese yuan prizes.
In order to further advertise and promote result of this VI design, the finalist plans and plans win the first and second prize will be competing for the Best Online Popularity Award through online platform, the participating team wins the most vote will get 20 thousand yuan extra prizes. 

Payment of Award Prizes and other Related Fees
Award prizes and design compensation of this competition will be paid in Chinese yuan, participating teams are responsible for any taxes generated by award prizes and design compensation, and need to provide Chinese domestic duty-paid invoice meet the requirements of sponsors.
Related fees will go through the formalities of payment after finishing final competition outcome publicity.
Foreign design agencies that cannot accept Chinese yuan using its own account need to sign a third party payment agreement with the sponsors and authorize domestic legal independent juridical person to collect award prizes, and design team need to be responsible for taxes generated.

Others
Competition teams need to be responsible for all costs generated relating to this competition (including travel expenses and accommodation).
Award prizes and design compensation of this competition cover the lump payment for the outright purchase of copyrights of deliverables (intellectual property).
If Plan Examination Committee consider the outcome submitted by participating teams do not meet the depth and requirements of this competition design work, the sponsors will not pay for design compensation.

4. Competition Sign up Method

Design agencies that have intention to sign up can fill out the sign up information form from now (see attachment) and send it to competition committee email (BXG_Q2017@163.com ) to sign up formally, so that we can inform project progress in time and send detailed competition files.

Sign up consultation: Ms. Li +86 075586549494; 13632658134

Each competition announcement file and formal sign up form (see attachment)
More Information: Search WeChat id: RUPDCSZ

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The Top 10 Predicted Cities for Amazon's HQ2 (And Why HQ2 Will Be a Major Urban Catalyst for the Winner)

Posted: 24 Oct 2017 02:30 AM PDT

Amazon's current campus in Seattle. Image© <a href='https://www.flickr.com/photos/joebehr/35438852205/'>Flickr user joebehr</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a> Amazon's current campus in Seattle. Image© <a href='https://www.flickr.com/photos/joebehr/35438852205/'>Flickr user joebehr</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a>

The bidding process for HQ2, Amazon's second headquarters in North America, reached a crescendo last week as the submission deadline drew close. While 238 American cities scrambled to submit proposals and run campaigns in the hope to woo Amazon—or as Slate witheringly described the process, "The Bachelor: Corporate America Edition"—the internet abounded with all sorts of discussions on the project. Does our city have what it takes to house the second headquarters? How would HQ2 affect the selected city? Why are smaller cities submitting proposals when they clearly don't meet the criteria? Can we predict which cities are more likely to make the cut?

Amazon's current campus in Seattle. Image© <a href='https://www.flickr.com/photos/joebehr/37039556922/'>Flickr user joebehr</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a> Amazon's current campus in Seattle. Image© <a href='https://www.flickr.com/photos/joebehr/37039556922/'>Flickr user joebehr</a> licensed under <a href='https://creativecommons.org/licenses/by-nd/2.0/'>CC BY-ND 2.0</a>

To pinpoint possibilities, some analysts studied biographical details of current Amazon employees, such as where they went to school; others calculated travel times from the Seattle headquarters to 40 closest participating cities. Similarly, metro analysts at Moody's Analytics used a data-driven approach to draw up a list for the top 10 cities and here's what it looks like:

  1. Austin, TX
  2. Atlanta, GA
  3. Philadelphia, PA
  4. Rochester, NY
  5. Pittsburgh, PA
  6. New York City, NY
  7. Miami, FL
  8. Portland, OR
  9. Boston, MA
  10. Salt Lake City, UT

You can read a detailed reasoning behind each of the choices here; but what's the big deal about HQ2 anyway? And how will it help the winning city?

@amazon @jeffbezos wouldn't you love this view everyday?! Put your #amazonHQ2 in #stl! #amazon2stl

A post shared by KMOV News 4 St. Louis (@kmovnews4) on

In September, when Amazon announced its decision to expand and build a second base outside of Seattle, it also promised investments worth $5 billion ("an amount that could build a small Gotham," in the words of CityLab writer Andre Perry), 50,000 high-paying jobs, and a campus with the potential to expand to up to 8 million square feet (750,000 square meters) by 2027. This automatically meant that the chosen city would get to see hundreds of thousands of job opportunities, both during and after HQ2's construction, as well as ambitious development projects in the surrounding areas.

Through its previous investments in Seattle, Amazon added $38 billion to the city's economy. Simply put, HQ2 would be a giant urban catalyst in terms of workforce development, investments in various sectors like education and technology, as well as improvements in existing amenities. It would also help attract foreign and local companies and businesses, encouraging them to invest or expand.

But what would a second Amazon city look like in terms of urban design? Presently, Amazon is the proud proponent of "sustainable, thoughtful design," renewable energy, and a focus on walkability and connectivity in the spaces that have sprung up around the Seattle campus. Their requirements for the second headquarters suggest that they are planning more of the same, as their RFP outlines a need for mass transit access directly at the site of the new campus.

Apart from the general advantages of being the home for HQ2, there are some that are city-specific or proposal-specific. Detroit, for example, would witness a complete regeneration. Baltimore, with its economic troubles and the decline of its shipping industry, would be prevented from falling into further decline. With Ontario proposing investments in the education sector in return for HQ2, it would mean a strong, skilled workforce.

But in spite of all of this enthusiasm, there are also plenty of people ready to question American cities' feverish courting of the technology giant. A sudden influx of high-paid workers can stress a city's housing supply and transit systems, and risks gentrification and displacement. One only needs to look to Northern California to see that a high ratio of technology-sector workers does not automatically create a perfect city. And, as CityLab writer Kriston Capps mentions in his tongue-in-cheek bid for Amazon to open HQ2 in his one-bedroom DC apartment, "Hosting Amazon's HQ2 means grappling with serious issues in housing supply and affordability, transit planning, access to education... Like most cities, I am not taking aggressive steps to address these problems. I'm completely unprepared for tens of thousands of workers moving into my apartment. I am bidding anyway."

Much has been written about the hundreds of proposals and publicity stunts—some practical, some impossible and some downright preposterous—that cities of all shapes and sizes put forward. And although the bidding is over, it is only the beginning of all speculation and commentary, since Amazon's announcement of the winner is not expected until sometime in 2018. For now, the saga continues to provide ample opportunity to discuss what, exactly, makes a city appealing—to both corporations and people.

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MT House / Telles Arquitetura

Posted: 24 Oct 2017 02:00 AM PDT

© André Scarpa © André Scarpa
  • Architects: Telles Arquitetura
  • Location: Loteamento Caminhos de San Conrado (Sousas), Brazil
  • Author: Bernardo Telles
  • Area: 318.0 m2
  • Project Year: 2015
  • Photographs: André Scarpa
  • Construction: Lázaro Antônio Manfra
  • Metal Structure: Mauro e Donizete Rezende
  • Foundations: WE Engenharia
  • Metal Structure Calculations: Mauricio Dario
  • Mep: Engelt, Solar
© André Scarpa © André Scarpa

From the architect. The project is situated in an area with beautiful vegetation to the rear in an environmental preservation area and located in the municipality of Campinas.

The sloping topography was organized through the execution of three plateaus in the center of the terrain between two large embankments in order to minimize the movement of land.

© André Scarpa © André Scarpa

The house is arranged over three levels with the garage and the entrance on the intermediate level. Stairs lead to the intimate area located on the upper deck and to the convivial space below.

© André Scarpa © André Scarpa

Two blocks of a metallic structure shelter the lower levels which are articulated by an inflection in the area of vertical circulation  turning the house towards the rural landscape and thus bringing the vegetation of the garden area to its interior while it partially divides the convivial area for a greater intimacy for the family.

A third block, made in structural masonry, houses the laundry, kitchen and barbecue areas where the latter two communicate directly with the convivial area, but at a slightly lower level.

© André Scarpa © André Scarpa
Cross Section Cross Section
© André Scarpa © André Scarpa

The result was a lean construction, with compact and fluid spaces, but with a certain independence between them. On the ground floor the objective was to create the transparency necessary to communicate with the street on one side and the landscape on another.

© André Scarpa © André Scarpa

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Sir David Adjaye and Ron Arad Architects Selected to Design UK's New Holocaust Memorial in Central London

Posted: 24 Oct 2017 01:25 AM PDT

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

A proposal by Adjaye Associates and Ron Arad Architects, with Gustafson Porter + Bowman, has been announced as the successful design for the UK's new Holocaust Memorial and Learning Center. The landmark will be located on the banks of the River Thames and adjacent to the Palace of Westminster, and will honor the six million Jewish men, women and children who were murdered in the Holocaust, and all other victims of Nazi persecution, including Roma, gay, and disabled people.

Two honorable mentions were awarded to heneghan peng architects with Sven Anderson, and Diamond Schmitt Architects.

The announcement comes after competition organizers Malcolm Reading Consultants revealed 10 shortlisted design proposals, which included teams comprising Caruso St. John, Allied Works, Foster + Partners, Studio Libeskind, and Zaha Hadid Architects. Adjaye and Arad were selected "unanimously" as the winning team by a jury including the Secretary of State for Communities and Local Government, the Mayor of London, the UK's Chief Rabbi, experts from architecture, art and design, and both first and second generation Holocaust survivors.

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects
© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

A co-located Learning Centre will "contextualize the Memorial above and use the stories and facts of the Holocaust to explore anti-Semitism, extremism, Islamophobia, racism, homophobia and other forms of hatred and prejudice in society today." According to the competition organizers it will, from its location next to Parliament, "ask questions about the role of society and its institutions in encouraging respect for others and preventing hatred."

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

Sir David Adjaye, speaking on behalf of Adjaye Associates, Ron Arad and Gustafson Porter + Bowman, acknowledges that "the complexity of the Holocaust story, including the British context, is a series of layers that have become hidden by time." He continues:

Our approach to the project has been to reveal these layers and not let them remain buried under history. To do so, we wanted to create a living place, not just a monument to something of the past. We wanted to orchestrate an experience that reminds us of the fragility and constant strive for a more equitable world.

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

Description of the Chosen Concept

"The winning design concept was inspired by research into the site, Victoria Tower Gardens, next to the Houses of Parliament, with Sir David Adjaye describing the location as a "park of Britain's conscience". The Memorial links with the statue of Emmeline Pankhurst, the Burghers of Calais and the Buxton Memorial: all four recognising injustice and the need to oppose it."

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

"In order to keep the park as a park and to maintain the green space, the team placed its Holocaust Memorial at the far southern end of the Gardens, embedded in the land. Accordingly, a visitor approaching the Memorial would see a subtle grass landform with only the tips of the Memorial's fins "bristling in the distance", its intriguing design giving a sense that something is happening underground and encouraging people to find out more."

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

"The design concept takes visitors on a journey that culminates in confronting the 23 tall bronze fins of the Memorial, the spaces in between representing the 22 countries in which Jewish communities were destroyed during the Holocaust. Entering the Memorial would be a sensory experience. While the outside and inside space emphasises collective gathering, the 23 bronze fins require the visitor to enter in an isolated, solitary way, each pathway planned as a different experience. Each path eventually leads down into the Threshold – a generous hall which acts as a place of contemplation and transition into the Learning Centre below ground. The Learning Centre includes a "hall of testimonies" and a "Contemplation Court": a silent, reflective space with eight bronze panels. On leaving the Memorial, the circulation route ensures visitors will emerge to see the classic uninterrupted view of Parliament – and the reality of democracy."

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

The jury comprised of:

  •          Sir Peter Bazalgette (Chair)
  •          Rt Hon Sajid Javid MP, Communities and Local Government Secretary
  •          Rt Hon Sadiq Khan, Mayor of London
  •          Chief Rabbi Ephraim Mirvis
  •          Samantha Cohen, Assistant Private Secretary to The Queen
  •          Charlotte Cohen, Prime Minister's Holocaust Commission Youth Commissioner
  •          Alice Greenwald, President and CEO National September 11 Memorial and Museum
  •          Ben Helfgott MBE, President 45 Aid Society, Holocaust Survivors and President HMDT, British Olympic Weightlifter
  •          Natasha Kaplinsky OBE, Broadcaster
  •          The Lord Daniel Finkelstein OBE, Journalist
  •          Dame Julia Peyton-Jones DBE, Former Director of Serpentine Gallery
  •          Sarah Weir OBE, CEO of Design Council
  •          Paul Williams OBE, Stanton Williams Architects.

© Adjaye Associates and Ron Arad Architects © Adjaye Associates and Ron Arad Architects

The winning concept will now undergo further development through discussion with Holocaust experts, survivors and other victim groups, and local residents, Westminster City Council, Historic England, Royal Parks and other statutory consultees. The British Government has committed £50 million for the UK Holocaust Memorial Foundation to take forward the recommendations of the Commission. Completion is slated for 2021.

10 Shortlisted Designs for London Holocaust Memorial Revealed

The UK Holocaust Memorial Foundation and Malcolm Reading Consultants have revealed the designs of 10 teams shortlisted to design a new Holocaust Memorial, to be located in London's Victoria Tower Gardens next to the Houses of Parliament.

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Arkitema Architects Designs 30 Shipping Container Apartments in Roskilde, Denmark

Posted: 24 Oct 2017 01:00 AM PDT

Courtesy of Arkitema Architets Courtesy of Arkitema Architets

Beat Box: 30 apartments in 48 containers to transform the Danish neighborhood of Musicon, adjacent to the famous Roskilde Festival area. Designed by Arkitema Architects and constructed by Container Living, Beat Box is an integral part of Roskilde's goal to revamp Musicon over the next 15 years by adding 1,000 jobs and 1,000 homes. 

In an effort to create more sustainable architecture, recycling material has become increasingly popular.  Shipping containers are at the forefront of the sustainable revolution. In addition to being eco-friendly, containers have that industrial, yet creative, aesthetic; which is exactly the look Roskilde, Denmark needs to transform their previously industrial neighborhood into an avant-garde community.

Courtesy of Arkitema Architets Courtesy of Arkitema Architets
Courtesy of Arkitema Architets Courtesy of Arkitema Architets

"Beat Box is a fun and challenging project. We are working within the very specific and set shapes of the container but are still able to transform them into something different and new. By preserving every containers exterior appearance, and placing them on the concrete base and the significant steel structures, we are providing Musicon with a whole new and authentic residential building. These apartments will match the simple and rough appearance of the area perfectly," says Rolf Kjær, Head of Business Area at Arkitema Architects.

Courtesy of Arkitema Architets Courtesy of Arkitema Architets

The concrete ground floor will be met with panoramic windows, connecting the historic neighborhood to its new residents. The containers will sit in a steel frame that extends up from the concrete base. Most containers will be assembled in pairs to create either one 60 square meter apartment or two 30 square meter apartments while 90 square meter apartments will also be available. While shipping containers have some dimensional restraints, they offer many opportunities.

The rugged exterior will remain, and the interior will be finished. Construction will be quick and easy - with the added ability to move the apartments later in their lifespan. Three blocks of apartments will be constructed in a half circle shape, with their facades facing the two central most streets of Musicon.

Courtesy of Arkitema Architets Courtesy of Arkitema Architets

All containers were inspected to make certain they meet housing requirements. Residents of shipping container apartments will have everything you would expect any normal apartment to have. Apartments will have doors, windows, and even balconies to bring light into the living space. A rear stairwell will lead residents from their indoor living space to community outdoor grilling facilities and bike parking.

"I am sure, we will see a lot more container houses, both in Denmark and internationally, in years to come," said Rolf Kjær.

News via: Arkitema Architects.

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London's Architectural Association Seeks New Director

Posted: 24 Oct 2017 12:30 AM PDT

Bayley Street to Bedford Square, 2008-10. Image © Kevin Sheppard Bayley Street to Bedford Square, 2008-10. Image © Kevin Sheppard

London's Architectural Association (AA) have announced that they are seeking a new Director, to be appointed by March 2018. The call comes following the departure of former Director Brett Steele, who has since taken up the Deanship of UCLA.

Candidates will be able to demonstrate the ability to foster creativity and innovation and to think beyond the conventional means of education.

The AA School is led by the AA Director, who is elected by the School Community and formally appointed by the AA Council, which bears the overall responsibility for the Architectural Association Inc.

The new Director must "provide intellectual, strategic and operational leadership as the AA charts its way through what will be an exciting yet challenging period in its history." According to the school, the ideal candidate will be "a respected figure" in the field of architectural education or practice with "the leadership skills and abilities to navigate organisational complexities and be a compelling communicator." In addition, "they will have a commitment to transparency and to maintaining and developing the AA's distinctive model of participatory democracy."

The first stage of the application process is fully confidential and includes candidates applying for the position, exploring the role with our search consultants, longlisting by the Search Committee, and the conducting of interviews. The second stage is short-listing, which is publicly announced. A unique aspect of the AA School and its search for a new Director is that all short-listed candidates will be required to present their vision to the AA School Community. If short-listed, each candidate will be asked to spend a day at the AA School meeting with students and staff during a series of discussions and events. The third and final stage is a vote. The AA School Community, which consists of current students, academic and administrative staff and all Council Members will take part in voting for the new Director.

For full information, including how to apply, the school asks interested candidates to refer to Saxton Bampfylde citing job reference "EAVDA". Applications should arrive not later than noon on November 20, 2017.

Director of London's Architectural Association, Brett Steele, to Become UCLA Dean

Brett Steele, Director of London's Architectural Association (AA) since 2005, has announced that he will become Dean of UCLA School of the Arts and Architecture in August 2017. Although American-born, Steele has since become a naturalized British citizen.

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