Arch Daily |
- Tehranpars Showroom / FEA Studio
- GAD Park / Gokhan Avcıoglu + GAD Architecture
- Winners Announced For Norwegian Competition to Convert Grain Silo into Art Museum
- Powerhouse / ISA
- Matthijs Ia Roi Wins Belgian Monument Competition with Museum of Hospitality
- Happy Holidays from the Architects (2016 Edition)
- House RR / Rivero Rolny Arquitectos
- Fairy Tales and Architecture: Places Journal Explores the Narrative of the Fantastical
| Tehranpars Showroom / FEA Studio Posted: 24 Dec 2016 06:00 PM PST  © Ali Daghigh
 © Ali Daghigh From the architect. This Exhibition is located at Tehranpars neighborhood, adjacent to RESALAT highway. It faces issues like urban chaos, variety of scales, and crowdedness like most of neighborhoods in Tehran.  Diagram It is a 20x25 m2 area, built by steal structure concrete ceiling and a 20 m wide opening. The building consists of a ground floor and a half first floors, beside two underground floors allocated for parking and infrastructural amenities.  © Ali Daghigh The idea is defining a new urban representation redefining the relativity of seeing and being seen. The showcase located in the two-dimensional faced into a bilateral interaction between the three-dimensional inner and outer volumes, therefore the new showcase emerged through caving and casting a void from the site spatial-mass brings about the needed space while redefines the relation between in and out.  Plan -1  Section  Plan Mezzanine This posting includes an audio/video/photo media file: Download Now |
| GAD Park / Gokhan Avcıoglu + GAD Architecture Posted: 24 Dec 2016 12:00 PM PST  © Mustafa Nurdogdu
 © Mustafa Nurdogdu After a few years of searching, we found a building that lifts the vehicles up to the floors instead of the structures designed as parking on the ground floor. Since the public can't serve quickly in haste, the owners decided to change the function of the building. This building, which has the potential to respond to the magnificence and magnificence we wanted, blinked at us as a windowless and infinite 'ruin beauty'. She was waiting for us with a thick, heavy structure.  © Mustafa Nurdogdu We said goodbye to the infrastructure difficulties we suffered in old buildings. We are enjoying the rise that allows the floor to be added. Every architect's fetish dream is concrete bearing the soul of our contemporary mold. It must stay but still we need to soften the cold. By developing technologies architectural offices now require more digital infrastructure.  © Mustafa Nurdogdu Architecture offices are actually a bit different from other offices. They must have a section where models, workshops can be done with a flexible planning. Planning must be flexible enough to handle the number of architects that work around a project. This means creating an office with a physical structure in accordance with all kinds of working methods.  © Mustafa Nurdogdu Although we have two separate institutions, the GAD Foundation and GAD, the two structures are located in this office together. Since 2013, Gokhan Avcioglu & GAD Foundation has brought professionals and students together from all around the world to discuss and plan on issues related to architecture, design, society, education, culture and environment. Because the fluid between the foundation and GAD, the warm relationship is returning to us in a positive sense.  Entrance Floor Plan  Section  Mezzanine Floor Plan There is an acacia tree table in our meeting room which is left as natural as possible, quite heavy and big. If we had drawn many of our customers or friends by its texture, shape they would not know where to eat and they would find it without form. However, since we arrived, we tried everybody, everyone could find a place on the corner of the table. Architecture is a bit like this, you have to try it out. The green courtyard view of the window in the office entrance is one of the most beautiful scenes we can find in Istanbul. There's a controlled light inside. We used a particularly dramatic size in the windows. We opened 2x2 windows that someone could easily put on. The light from these windows joins the middle field and gives us exactly what we want. We need more window openings at one or two points, maybe we can open them after a while.  © Mustafa Nurdogdu There is reinforced concrete system in the building. The floor is polyurethane. Since the material itself is a finished material, it is possible to continue to work on it all the time. Glass workers, manufacturers worked after the material was laid and did not have any problems. In the coming days we will make changes in the finish materials. We planned to put the meeting room on wooden parquet.  © Mustafa Nurdogdu The entrance will be a library, we have plenty of books and models. Actually, some things will be done while we live here. We want to show them here. The staircase you see on the photographs is a temporary staircase. We want to use the place where the staircase is currently located for various conversations, gatherings. We have various activities for 20-30 people. We have a huge kitchen that team can come together.  © Mustafa Nurdogdu We are in a time zone like "No space, no time" and there is no point where the offices are. For us the more important thing is to build relationships with people, then to build projects. So we have made the office where we can develop relationships and have chat more with our clients. We make our meetings as much as possible here because there is a lot of resources we can show here. We have recovered both physically and mentally; what we are doing, where we are, what we have done and what we want to do, we are thinking about all of these, still looking for answers. This posting includes an audio/video/photo media file: Download Now |
| Winners Announced For Norwegian Competition to Convert Grain Silo into Art Museum Posted: 24 Dec 2016 06:00 AM PST  Winning proposal by MESTRES WÅGE ARQUITECTES and MX_SI ARCHITECTURAL STUDIO. Image Courtesy of Kunstsilo The winners of the Kunstsilo (Art Silo) competition to convert a 1935 harbor-side grain silo into an art museum in Kristiansand, Norway have been announced, with one overall winner and five runners up. MESTRES WÅGE ARQUITECTES and MX_SI ARCHITECTURAL STUDIO, a team from Barcelona, have won the competition, out of 101 proposals, with their concept, SILOSAMLINGEN ("The Silo Collection"), which, according to the jury, "demonstrates a crystal-clear combination of architectural self-assurance and humble respect for the silo building and its newly assigned task." The proposal utilizes several uncompromising cuts to the silo's interior, in order to open the space up to more light and create a sense of character for the new museum. The existing space is considered to be one of Norway's finest examples of Functionalism and was additionally one of the first grain silos in the country to be constructed with cylindrical cells made of reinforced concrete.  Winning proposal by MESTRES WÅGE ARQUITECTES and MX_SI ARCHITECTURAL STUDIO. Image Courtesy of Kunstsilo  Winning proposal by MESTRES WÅGE ARQUITECTES and MX_SI ARCHITECTURAL STUDIO. Image Courtesy of Kunstsilo Five additional runners-up were selected by the jury: Lysningen / Galmstrup LTD  Courtesy of Galmstrup LTD Dream / LARA - Andrea Rabagnani Architecture Lab  Courtesy of LARA - Andrea Rabagnani Architecture Lab Kultur-Industrielt Kompleks / X + I ARCHITECTURE  Courtesy of X + I ARCHITECTURE Kulturakse / NA TO WA Architects and Austigard Arkitektur AS  Courtesy of NA TO WA Architects and Austigard Arkitektur AS Kunstsilo X / Rorbaek Og Moller Arkitekter APS  Courtesy of Rorbaek Og Moller Arkitekter APS Project planning for the winning design will begin in 2017 so that the museum can be opened to the public in 2020. News via: Kunstsilo and Galmstrup. This posting includes an audio/video/photo media file: Download Now |
| Posted: 24 Dec 2016 05:00 AM PST  © Sam Oberter
 © Sam Oberter Powerhouse carefully fits a dense cluster of 31 units into Philadelphia's Francisville neighborhood fabric, providing single family townhomes, duplexes, and two small apartment buildings that meet the needs and budgets of residents with a wide variety of living options at a range of prices.  Diagram Francisville is a rapidly gentrifying edge between an expanding Center City core and outlying Philadelphia neighborhoods. Development here has the opportunity to provide variety and diversity in keeping with the character of the community around it. The site strategy for Powerhouse allows infill to grow to blockfill, addressing neighborhood scale with added density and street life.  © Sam Oberter The cluster of buildings wraps an urban corner, navigating existing buildings on a sloping site by varying typologies and scales across the block. Three existing rowhouses were integrated into the streetwall, inspiring an in-and-out jog along the sidewalk that looks to camouflage the old and new into a single zone.  Courtesy of ISA  © Sam Oberter  Sections Powerhouse is deeply green as architecture and as an urban block. Stormwater is completely managed by way of green roofs and rain gardens along the curb line, taking in water from the street surface. The buildings themselves are super energy-efficient with all 31 units achieving LEED Platinum certification.  © Sam Oberter  Diagram  © Sam Oberter The stoop is a traditional Philadelphia condition that acts as a mediator between the public sidewalk and the private residence. This project expands on this idea with a "super stoop" – a sequence of generous entry platforms navigating grade changes, entry stairs, and basement windows, and featuring fabricated metal handrail panels designed by a local artist..  © Sam Oberter This posting includes an audio/video/photo media file: Download Now |
| Matthijs Ia Roi Wins Belgian Monument Competition with Museum of Hospitality Posted: 24 Dec 2016 04:00 AM PST  Courtesy of Matthijs Ia Roi London-based Dutch architect Matthijs Ia Roi has won the Belgian Monument Competition with his proposal, Museum of Hospitality, which will be built in Amersfoort, Netherlands. The museum will serve as a symbol of hospitality for refugees in the Netherlands and will compliment the neighboring World War I monument, which was a gift from Belgium in recognition of the Netherlands hosting Belgian soldiers during the war.  Courtesy of Matthijs Ia Roi
 Courtesy of Matthijs Ia Roi The pavilion will feature two masses, each of which will host a small exhibition space—the first area will detail the Belgian refugee crisis in the Netherlands during World War I, and the second space will exhibit 100 years of refugee hospitality in the Netherlands from World War I onwards.  Courtesy of Matthijs Ia Roi  Courtesy of Matthijs Ia Roi Inspired by the "Amsterdam-style" of the existing monument, the building's form mimics the plasticity of masses essential to the style through movement and pliancy. Furthermore, the new building will utilize the same brick and limestone as the existing monument. Construction on Museum of Hospitality is set to complete in 2019. News via: Matthijs Ia Roi. This posting includes an audio/video/photo media file: Download Now |
| Happy Holidays from the Architects (2016 Edition) Posted: 24 Dec 2016 01:30 AM PST
'Tis the season for offices from around the world to send us a bit of holiday cheer! See our favorites below (or check out our reader-submitted cards). Here's to a wonderful, architecture-filled 2017! Happy Holidays from the ArchDaily team!
 Karim Rashid  Emergent Design Studios  BIG  ZHA  OBBA  OOPEAA  arquitectura en estudio  Harry Guger Studio  arhitektri
 ARX  HIRVILAMMI ARCHITECTS  cvdbarquitectos  Miralles Tagliabue EMBT  LWK  Sangrad AVP  Lund Hagem  Simón García arqfoto  vPPR  MCKNHM Architetekten  bcmf  Subvert  Hacedor Maker Arquitectos  gema arquitetura  menos é mais
 MAD
 MVRDV  FIGUEROA  Andrea Milani
 PLUSURBIA  Kalliope Kontozoglou  1.1 arquitectura.design  AVA Andrea Vattovani Architecture  Museum of Estonian Architecture  C.F. Møller  metamorphOse  LOHA
 Mareines Patalano Arquitetura  nelson resende arquitecto  Fundación Arquitectura Contemporánea  Migliore Servetto Architects  OPUS  Pedro Pegenaute  Espairous Arquitectura
 Richard Meier and Partners  TEN Arquitectos  Roland Lu and Partners  Setter Architects  Louise Braverman Architect  Davis Brody Bond  spacelab
 SAAHA
.jpg?1482510568 "LIANG Wenzhao (梁文昭)") LIANG Wenzhao (梁文昭)  Bohlin Cywinski Jackson
 ADWANGStudio  Mecanoo  OMA  Balmond Studio  RAULINO ARQUITECTO  Copeland Associates Architects  Joaquim Portela Arquitetos  Garcia Tamjidi  Architecture For London %EF%BC%8Ddragon_tree.jpg?1482510529 "YE Zifeng (叶子风)－dragon tree") YE Zifeng (叶子风)－dragon tree  Albert Faus  AZPML AU.jpg?1482510907 "COOP HIMMELB(L)AU") COOP HIMMELB(L)AU  Schmidt Hammer Lassen Architects  David Macullo Architects  Roland Baldi Architeckt Architetto  adrià pina  Museum of Finnish Architecture  atelier rzlbd  Nic Owen
 Archilier Architecture  Archilier Architecture  Archilier Architecture
__DENG_Rusi_(%E9%82%93%E5%84%92%E6%80%9D).jpg?1482510647 "ZHANG Chao(张超), DENG Rusi (邓儒思)") ZHANG Chao(张超), DENG Rusi (邓儒思)
-Kunming_University_of_Science_and_Technology.jpg?1482510618 "CHU Jianfei(褚剑飞)-Kunming University of Science and Technology") CHU Jianfei(褚剑飞)-Kunming University of Science and Technology  Neri&Hu
 Fleetwood Fernandez  Urban Agency  Schjelderup Trondahl  Rintala Eggertsson  PLUKK  Arrowstreet  martin boles  ALL ARQUITECTURA  Tchoban Foundation Museum of Architectural Drawing  Stefan Forster  Triptyque Architecture  Other Architects  Reiulf Ramstad Architects This posting includes an audio/video/photo media file: Download Now |
| House RR / Rivero Rolny Arquitectos Posted: 24 Dec 2016 01:00 AM PST  © Manuel Agustin Valerio Landivar
 © Manuel Agustin Valerio Landivar “Structure as space designer” Structure stops hiding behind the drawing and comes out to participate as the main character of the play. Based on the structure performance, everything occurs. The stage combines different but simple lines, materials, forms and senses.  © Manuel Agustin Valerio Landivar Four concrete porticoes are set in the edges of the structure creating three real and imaginary longitudinal spaces. In the front the access yard, where beams emerge. Inside the house, the scene develops in freedom, delimited by containing planes. Finally, at the end of the non-disturbing crossing beams the gallery appears as the last scenography.  © Manuel Agustin Valerio Landivar The house is located in a small scale residential zone which is recently developed. This site is situated on a corner and is 14 x 30 meters, with a total of 402m2. Project must adapt to a young couple needs. Thus the house was thought to be built in two different time stages: first, a studio apartment (fully functional nowadays) that will became the dining room in the future. Then bedrooms will be added in the front part of the plot.  © Manuel Agustin Valerio Landivar The already built studio apartment was designed across the plot, keeping utilities package facing south; bathroom, kitchen and a small laundry space with independent access from the backyard.  © Manuel Agustin Valerio Landivar Behind a permeable grid wall, the medium scale front yard was thought as a soft transition feeling between theoutside and the inside of the house.  Floor Plan Same goal was set for the gallery that merges the studio apartment with the green backyard. Besides, glass transparencies predominance contributes to soften even more the edges.  © Manuel Agustin Valerio Landivar Chosen material were simple and austere. Bare concrete to highlight columns and beams structure that crosses the house from side to side.  Section Below structure height, white wallswork as partial lateral covers. Finally, generous aluminum joinery completes the triad.  © Manuel Agustin Valerio Landivar Inside the house textures are aligned: polished cement floor cover, reinforced concrete kitchen counter and calcareous lining in the bath, kitchen and laundry.  © Manuel Agustin Valerio Landivar This posting includes an audio/video/photo media file: Download Now |
| Fairy Tales and Architecture: Places Journal Explores the Narrative of the Fantastical Posted: 23 Dec 2016 11:00 PM PST  Courtesy of Places Journal Narrative has a powerful place in architecture, and some of the most enduring narratives come in the form of fairy tales. A recent series by Places Journal brings the two directly together, exploring "the intimate relationship between the domestic structures of fairy tales and the imaginative realm of architecture." The curation team reflects this duality, with the diverse collection put together by writer Kate Bernheimer and architect Andrew Bernheimer. Read on for a quick look at four new additions to the series released by Places Journal this week. Tiddalik the Frog by Snøhetta Courtesy of Places Journal "What brings real pleasure in life is often unusual, wouldn't you say?" In this Australian Aboriginal Dream Time tale, Tiddalik the frog quenches a desperate thirst until the earth is dry. The other animals try their best to make him laugh to release the water from his swollen body, but it is not until Tiddalik sees the "unusual"—the platypus—that he begins to laugh. Snøhetta see Tiddalik's swing "between laughter and apathy" reflective of architecture's need to "intertwine aesthetic value with ethical value." Flatland by Ultramoderne Courtesy of Places Journal Written by a math teacher, Flatland is a story that takes place in a two-dimensional world existing on a very large sheet of paper. Sounds a bit like a drawing set, no? In both the fairy tale and Ultramoderne's architectural response, flatness does not "allege a lack of imagination," but becomes a richly generative constraint. Gripho by Smiljan Radić Courtesy of Places Journal It is the idea of the gripho more than the gripho itself that led to its inclusion in the series. While its dictionary definition is "a winged creature with the head of an eagle and the body of a lion," what is even more magical is the fact that something like a gripho exists in popular thought. Just as griphos play testament to the importance of play and imagination to our world, so do Smiljan Radić's physical collages, "a model for a building that nobody knows what is going to be." The Seven Ravens by Bernheimer Architecture Courtesy of Places Journal It's tough being one of eight children, especially when the other seven of your siblings get turned into ravens and you have to walk to the ends of the earth, dismembering yourself in the process, to get them back. So goes the tale of The Seven Ravens and its intrepid heroine. Bernheimer Architecture respond with a magnifiable drawing, playing with scale just as the fairytale plays with "many events in several scales, in simultaneity." These four stories are simply the latest installments of Places Journal's Fairy Tale Architecture series, a set of articles which now includes 16 articles going back 5 years. You can see the entire Fairy Tale Architecture series here. This posting includes an audio/video/photo media file: Download Now |
| You are subscribed to email updates from ArchDaily. To stop receiving these emails, you may unsubscribe now. | Email delivery powered by Google |
| Google Inc., 1600 Amphitheatre Parkway, Mountain View, CA 94043, United States | |
Nema komentara:
Objavi komentar