ponedjeljak, 16. siječnja 2017.

Arch Daily

Arch Daily


Dra. Campoy Dental Clinic / Jaime Sepulcre Bernad

Posted: 15 Jan 2017 09:00 PM PST

© David Frutos © David Frutos

© David Frutos © David Frutos © David Frutos © David Frutos

© David Frutos © David Frutos

From the architect. On a perfectly square diaphanous room -15 x 15 m- with four central pillars, the project proposes the structuring of the future clinic in three programmatic bands of very similar proportions:

Sections Sections

Waiting Area:

The first band is the most public, which is accessed and basically contains the reception and a large waiting room. All this generous space of reception and waiting opens its views towards an outer square through the great circles that make up the facade. The reception, organized in a circular piece of furniture, becomes the centerpiece of this first space and from it is controlled its operation. After the reception, there is a small administration office and a small relaxation room.

© David Frutos © David Frutos

Dental Space:

The most intimate and protected part of the clinic is the properly clinical band that appears alongside the back facade facing a boulevard. This dental care space is composed of a battery of five cabinets connected to each other visually. In this band also appears a secondary access for exclusive use of the personnel.

© David Frutos © David Frutos

Server Area:

Finally, between the most extrovert and the more introverted space appears an intermediate band that makes of filter and that contains all the uses properly servants. This servant band is carried out by the sterilization room around which the functioning of the dental offices gravitates. In this band are also the ray room, the laboratory, the engine room, the staff room, the wardrobe, the office of the doctor and the toilets for patients.

© David Frutos © David Frutos

Three materials:

Three material ideas formalize this space with vocation of continuous space - constant height 2.70 m-:

1 / The idea of ​​achieving maximum transparency through the use of "glass"; 2 / The idea that the only pieces that appear loose are the three boxes that make up the intermediate band and that materialize like metal boxes, of "aluminum"; And 3 / the idea that the whole plane of the ground is a single material, continuous, and warm, human, "wood" - which is finally a good laminate-. And the rest, white.

© David Frutos © David Frutos

Urban Logo:

The idea for the facade was to take a fragment of the logo of the clinic and expand it to scale city. The new facade therefore relies on a corporate image that was already consolidated and now acquires an urban scene size.

© David Frutos © David Frutos

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Sunbeams Music Centre / MawsonKerr Architects

Posted: 15 Jan 2017 07:00 PM PST

© Simon Kennedy Photography © Simon Kennedy Photography

© Simon Kennedy Photography © Simon Kennedy Photography © Simon Kennedy Photography © Simon Kennedy Photography

  • Client: Sunbeams Music Trust
  • Main Contractor: Thomas Armstrong Construction Ltd
  • Structural Engineer: JS Engineering
  • Cost Consultant : Johnstons
  • Acoustic Consultant: DACS
  • Service Engineers: JH Partners
© Simon Kennedy Photography © Simon Kennedy Photography

Completion of the £2.0 million Sunbeams Music Centre marks a significant milestone in an extraordinary journey for Sunbeams Music Trust and Newcastle based MawsonKerr Architects.

© Simon Kennedy Photography © Simon Kennedy Photography

This journey began 12 years ago as a university thesis project for MawsonKerr director Will Mawson then studying the charity for his final year project at Newcastle University; in an unusual turn of events this became a live project following unanimous approval by the board of trustees.

Pencil Render Pencil Render

Established in 1992, Sunbeams Music Trust deliver their 'Music For Life' programme to tens of thousands of needing members of society each year and were eager for a home. 

© Simon Kennedy Photography © Simon Kennedy Photography

A green field site with transformational therapeutic qualities was generously donated overlooking Ullswater Valley near Penrith following which a lengthy fund raising period began for the centre including a number of sponsored "endurance challenges" by MawsonKerr and friends of the charity such as a Forrest Gump style 24 hour coast to coast run. 

Floor Plan Floor Plan

MawsonKerr's resultant building is designed to embody musical qualities of rhythm, timbre and melody within the landscape; shaped along the curved natural contours it grows with a crescendo at the canopy to the eastern main entrance. Inserted along the rhythmical elevation are a series of playful introverted volumes housing key activities.

© Simon Kennedy Photography © Simon Kennedy Photography

The architecture is intended to reflect synthesis between the natural context, a contemporary vernacular and musical union; housing several unique functions it is also importantly an outward facing advert for the charity. 

© Simon Kennedy Photography © Simon Kennedy Photography

External envelope materials are primarily slate stone clad spine walls with an oak façade to the main curved elevation, a series of lozenge shaped cedar shingle clad volumes all topped with an extensive green roof; many of these materials continue internally to create a rich interior texture. Radially spanning glulam beams run with a rhythm throughout the building creating the projecting eaves and entrance canopy. 

© Simon Kennedy Photography © Simon Kennedy Photography

The primary function of the centre is providing music therapy, in acoustically treated spaces specifically designed for group sessions or one on one. Secondly the important administrative requirement for a growing charity like Sunbeams Music Trust and thirdly the centre allows promotion of Sunbeams work throughout with exhibitions open to the public and music concerts generating funds for the programmes they run.

© Simon Kennedy Photography © Simon Kennedy Photography

There is a strong sustainable agenda to the design based on first principles; the six hundred square metre Sunbeams Music Centre is predominantly naturally ventilated, naturally lit and the heating provided by ground source heat pump. U-values are to passivhaus standards with a large amount of locally sourced sheep wool and carefully designed south facing elevation to limit overheating. All materials are sustainably sourced and from as local a source as possible.

Section Section

Integrated into the centre are a host of bespoke designed elements, such as the reception desk formed around the music signature of a harp, green walls, musically derived ironmongery, tiling incorporating imagery of the fund raising challenges and the main Glassical Hall (named after Philip Glass one of the patrons) whose oak clad walls are design to create an optimum acoustic performance. 

© Simon Kennedy Photography © Simon Kennedy Photography

Product Description. Burlington Slate Wall – One of the key drivers to the design is in creating a beautiful aesthetic of natural materials that are resilient and locally sourced. We were able to have great buy in by local quarry Burlington who were the source of all the amazing stone which runs radially throughout the building internally and externally.

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Enjoy Concrete HQ / Govaert & Vanhoutte Architects

Posted: 15 Jan 2017 06:00 PM PST

© Tim Van De Velde © Tim Van De Velde

© Tim Van De Velde © Tim Van De Velde © Tim Van De Velde © Tim Van De Velde

© Tim Van De Velde © Tim Van De Velde

From the architect. Enjoy Concrete produces and installs architectural prefabricated concrete elements. The brief for their new corporate building was to combine a production hanger together with offices, while integrating their own product within the building. Being on a strategic point in between an industrial estate and a green canal, they wanted to be seen by the passing traffic, as well as to become a transition from green to industrial.

© Tim Van De Velde © Tim Van De Velde

The design for the headquarters for Enjoy Concrete became a true showcase for their own capabilities, being constructed entirely out of prefabricated concrete elements. Its facade are made out of concrete slabs of 6 by 3 meters. All windows share these same proportions. 

© Tim Van De Velde © Tim Van De Velde

The building mainly consists out of a hall for production and storage. The office spaces are in front of the building, spread over 4 levels, allowing light and visibility onto the main road. A cantilevered volume (12m50 in total) containing the board room is located at the top corner of the building. This box also shares the same 6x3 meters proportion. The long volume was made out of a lighter steel structure, allowing large windows on the south west façade. The steel structure is internally anchored into the concrete staircase, creating a counter weight for the long cantilever. Inside the boardroom a solid steel table stands only on 2 legs, having an over span of 7m50.

© Tim Van De Velde © Tim Van De Velde

The facade is further characterized by a pattern image, of the beautiful treeline along the canal "Damse Vaart" on the prefab slabs through the application of the "Graphic Concrete" procedure. The digital image was broken down into big dots, making the total picture become clear only from a distance. The facade creates an interesting interaction between the building and its surroundings, as the building reflects the nature across the street and canal. 

Section Detail Section Detail

In essence the HQ for enjoy concrete is one big concrete block. The floating boardroom functions as an eye catcher for the approaching traffic, and also breaks the simple volume. The print of the treeline blends the concrete mass into the green surroundings. 

© Tim Van De Velde © Tim Van De Velde

Product Description. -  Enjoy Concrete produces and installs architectural prefabricated concrete elements. The brief for their new corporate building was to combine a production hanger together with offices, while integrating their own product within the building. Being on a strategic point in between an industrial estate and a green canal, they wanted to be seen by the passing traffic, as well as to become a transition from green to industrial.

© Tim Van De Velde © Tim Van De Velde

The design for the headquarters for Enjoy Concrete became a true showcase for their own capabilities, being constructed entirely out of prefabricated concrete elements. Its facade are made out of concrete slabs of 6 by 3 meters. All windows share these same proportions. 

© Tim Van De Velde © Tim Van De Velde

The building mainly consists out of a hall for production and storage. The office spaces are in front of the building, spread over 4 levels, allowing light and visibility onto the main road. A cantilevered volume (12m50 in total) containing the board room is located at the top corner of the building. This box also shares the same 6x3 meters proportion. The long volume was made out of a lighter steel structure, allowing large windows on the south west façade. The steel structure is internally anchored into the concrete staircase, creating a counter weight for the long cantilever. Inside the boardroom a solid steel table stands only on 2 legs, having an over span of 7m50.

Section Detail Section Detail

The facade is further characterized by a pattern image, of the beautiful treeline along the canal "Damse Vaart" on the prefab slabs through the application of the "Graphic Concrete" procedure. The digital image was broken down into big dots, making the total picture become clear only from a distance. The facade creates an interesting interaction between the building and its surroundings, as the building reflects the nature across the street and canal. 

© Tim Van De Velde © Tim Van De Velde

In essence the HQ for enjoy concrete is one big concrete block. The floating boardroom functions as an eye catcher for the approaching traffic, and also breaks the simple volume. The print of the treeline blends the concrete mass into the green surroundings.

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Córdoba-Flat / Cadaval & Solà-Morales

Posted: 15 Jan 2017 12:00 PM PST

© Imagen Subliminal © Imagen Subliminal

© Imagen Subliminal © Imagen Subliminal © Imagen Subliminal © Imagen Subliminal

  • Architects: Cadaval & Solà-Morales
  • Location: Calle Córdoba, Roma Nte., Ciudad de México, CDMX, México
  • Architects In Charge: Eduardo Cadaval & Clara Solà-Morales
  • Area: 90.0 m2
  • Year Project: 2015
  • Photographs: Imagen Subliminal
  • Builders: Eugenio Eraña, Juan Carlos Cajiga
  • Structure: Ricardo Camacho.
© Imagen Subliminal © Imagen Subliminal

From the architect. The project is located in the Colonia Roma, a historic neighbourhood in the central sector of Mexico City. La Roma developed in the 19th century as one of the first extensions of the city centre, with an orthogonal grid of large houses inhabited by the upper classes of the city. With the emergence of suburban life in the 50s, la Roma decreased its population throughout the second half of the 20th century, getting to its worst with earthquake of 1985. 

© Imagen Subliminal © Imagen Subliminal

Due to the location of la Roma in what once was Lake Texcoco, the subsoil is highly muddy, so seismic waves are amplified; thus, during the strong earthquake of 85, la Roma was one of the more affected areas of the city: many buildings collapsed, and many of those which resisted were abandoned by its inhabitants because of their structural damage or because of the fear that the buildings would not resist another earthquake. 

© Imagen Subliminal © Imagen Subliminal
Plan Plan
© Imagen Subliminal © Imagen Subliminal

The neighbourhood became deeply deteriorated, with high levels of insecurity and abandoned buildings, until its recent re-emergence as one of the most active areas of the city, filled with art galleries, small restaurants, cafés and young people occupying again its streets and public areas.

© Imagen Subliminal © Imagen Subliminal
Plan Plan
© Imagen Subliminal © Imagen Subliminal

The project seeks to explore new possible configurations within the framework of the spatial distribution that allows the existing space. The intervention acts on the horizontal planes, divi- ding the space into two. An area of rooms with low ceilings, of small and cozy spaces and a spacious public area with double height. Two rooms, a studio relate to a unique space containing the living room, dining room and kitchen. A simplification of the spatial structure of the apartment is sought as a tool to allow a clear reading of the main space and their relationship with the city. 

© Imagen Subliminal © Imagen Subliminal

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13 Spectacular Living Roofs in Detail

Posted: 15 Jan 2017 08:00 AM PST

© Paul Warchol © Paul Warchol

In Le Corbusier's 5 points of architecture, he advocates the inclusion of flat roofs hosting roof gardens, providing valuable outdoor space for the inhabitants of the building in order to replace the ground lost to the construction of the building. But while this acknowledgement of outdoor space was important for people, Le Corbusier's sculptural concrete roof gardens were little consolation to the non-human flora and fauna that were displaced by his works.

Recent improvements in our understanding of ecosystems and the environment, as well as a better scientific understanding of the needs of plants, have changed this dramatically. In the past few decades, green roofs and living roofs have exploded in popularity, and now adorn every kind of building--from small private houses to the gigantic surface of Barclay's Center in Brooklyn.

We've collected together some excellent examples of these living roofs, including the structural detailing that makes them possible. Read on for 13 spectacular green roofs that achieve environmental benefits including reduced stormwater runoff, and reductions in energy use and the heat island effect.

© Pedro Lobo © Hiroyuki Oki © José Hevia © Luis Alonso

Lakeside Retreat / GLUCK+

© Paul Warchol © Paul Warchol
Lakeside Retreat / GLUCK+ Lakeside Retreat / GLUCK+

House for Trees / Vo Trong Nghia Architects

© Hiroyuki Oki © Hiroyuki Oki
House for Trees / Vo Trong Nghia Architects House for Trees / Vo Trong Nghia Architects

Vias Cultural Center / Estudio SIC

© Esaú Acosta © Esaú Acosta
Centro Creación Joven Espacio Vias / Estudio SIC Centro Creación Joven Espacio Vias / Estudio SIC

House at León / ALARCÓN + ASOCIADOS

© Cortesía de Alarcón + Asociados © Cortesía de Alarcón + Asociados
Casa en León / Alarcón + Asociados Casa en León / Alarcón + Asociados

House C / Hiroshi Nakamura & NAP

© Hiroshi Nakamura & NAP © Hiroshi Nakamura & NAP
Casa C / Hiroshi Nakamura & NAP Casa C / Hiroshi Nakamura & NAP

Galeria Mario Sequeira / Carvalho Araújo

© Pedro Lobo © Pedro Lobo
Galería Mario Sequeira / Atelier Carvalho Araújo Galería Mario Sequeira / Atelier Carvalho Araújo

Cubierta Verde / Cardoso + Zúñiga

© Luis Alonso © Luis Alonso
Cubierta Verde / Cardoso + Zúñiga Cubierta Verde / Cardoso + Zúñiga

Senior Citizen Community Center / F451 Arquitectura

© José Hevia © José Hevia
Senior Citizen Community Center / F451 Arquitectura Senior Citizen Community Center / F451 Arquitectura

OS House / NOLASTER

© José Hevia © José Hevia
Casa OS / Nolaster Casa OS / Nolaster

Volcano Buono / RPBW

© RPBW © RPBW
Vulcano Buono / Renzo Piano Vulcano Buono / Renzo Piano

Villa Bio / Enric Ruiz Geli

© Lluís Ros / Optical Adiction © Lluís Ros / Optical Adiction
Villa Bio / Enric Ruiz Geli Villa Bio / Enric Ruiz Geli

Line of Work / Jill Anholt Studio

© Martin Tessler © Martin Tessler
Line of Work / Jill Anholt Studio Line of Work / Jill Anholt Studio

Sports Pavilion / Filipe Brandão and Nuno Sanches

© Nuno Sanches © Nuno Sanches
Pabellón de Deporte / Felipe Brandão y Nuno Sanches Pabellón de Deporte / Felipe Brandão y Nuno Sanches

Check out more great projects with green roofs here.

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Detail: Washrooms, Restrooms, Bathrooms, Lavatories, and Toilets

Posted: 15 Jan 2017 06:00 AM PST

Besides the kitchen, the bathroom often takes top priority when building or renovating a home. However, choosing a look is not always easy, so here we have gathered 13 stunning bathrooms from previously published projects to provide inspiration in your own designs. Each is filled with inspiring ideas for your own project; from relaxing tubs to sleek showers, one of these bathrooms is sure to suit your style. 

The first steps in the evolution of the physical space of the bathroom that we know of today occurred in Scotland, where the first rustic latrines were constructed, and in Pakistan, where systems of pipes of cooked mud embedded in brick constructions have been found. These innovations date back to 3000 BC, later evolving into the first vats, toilets and ceramic pipes of the Minoan nobility, then to the copper plumbing of the Egyptians (who used their baths to celebrate religious ceremonies), then to the Romans, who transformed personal hygiene into a social act with public baths, covered with tiles.

During the middle ages, a widespread lack of concern for hygiene arose, but plumbing systems resurfaced in the early seventeenth century - although some of this era's most impressive constructions, such as the palace of Versailles, did not include bathrooms. The early industrial revolution in England also did not contribute much, since the rapidity of urbanization and industrialization caused an overcrowding that was very difficult to control. It was only in the 1830s that an outbreak of cholera in London forced the authorities to launch a campaign to incorporate sanitary facilities into homes, taking the first step towards the toilets with cisterns that we use today.

Today the bathroom as a space has gone beyond its purely hygienic function and has entered into an exclusive area of its own design. Now, regardless of whether you are a bath person or strictly a shower person, these 13 awe-inducing bathrooms take daily cleansing to a whole new level.

Returning Hut / FM.X Interior Design

© WU Yong-Chang © WU Yong-Chang

+ Takapuna House / Athfield Architects

Takapuna House / Athfield Architects. Image © Simon Devitt Takapuna House / Athfield Architects. Image © Simon Devitt

+ House W / 01Arq

Casa W / 01Arq . Image © Mauricio Fuertes Casa W / 01Arq . Image © Mauricio Fuertes

+ Tigh Port na Long / Dualchas Architects

Tigh Port na Long / Dualchas Architects . Image © Andre Lee Tigh Port na Long / Dualchas Architects . Image © Andre Lee

+ Caterpillar House / Sebastián Irarrázaval

 Casa Oruga / Sebastián Irarrázaval Delpiano . Image © Sergio Pirrone Casa Oruga / Sebastián Irarrázaval Delpiano . Image © Sergio Pirrone

Refugi Lieptgas / Georg Nickisch + Selina Walder

© Ralph Feiner © Ralph Feiner

Totem House / rzlbd

Courtesy of rzlbd Courtesy of rzlbd

+ Casa L / Serrano Monjaraz Arquitectos

Casa L / Serrano Monjaraz Arquitectos. Image © Jaime Navarro Casa L / Serrano Monjaraz Arquitectos. Image © Jaime Navarro

+ Can Manuel d'en Corda / Marià Castelló + Daniel Redolat

Can Manuel d'en Corda / Marià Castelló + Daniel Redolat . Image © Estudi Es Pujol de s'Era Can Manuel d'en Corda / Marià Castelló + Daniel Redolat . Image © Estudi Es Pujol de s'Era

+ Apartment Refurbishment in Pamplona / Iñigo Beguiristain

 JA Rehabilitación de departamento en Pamplona / Iñigo Beguiristáin . Image © Iñaki Bergera JA Rehabilitación de departamento en Pamplona / Iñigo Beguiristáin . Image © Iñaki Bergera

+ Grow / APOLLO Architects & Associates

 Grow / APOLLO Architects & Associates . Image © Masao Nishikawa Grow / APOLLO Architects & Associates . Image © Masao Nishikawa

+ Fagerstrom House / Claesson Koivisto Rune

 Vivienda Fagerstrom / Claesson Koivisto Rune . Image © Åke E:son Lindman Vivienda Fagerstrom / Claesson Koivisto Rune . Image © Åke E:son Lindman

+ House On The River Reuss / Dolmus Architects

Casa en el río Reuss / Dolmus Arquitectos. Image © Roger Frei Casa en el río Reuss / Dolmus Arquitectos. Image © Roger Frei

Need more inspiration? Check out our Pinterest bathroom board, and remember you can find all the latest materials by checking out our Product Catalog

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The Dunn House / The Practice of Everyday Design

Posted: 15 Jan 2017 05:00 AM PST

© Arnaud Marthouret © Arnaud Marthouret

© Arnaud Marthouret © Arnaud Marthouret © Arnaud Marthouret © Arnaud Marthouret

© Arnaud Marthouret © Arnaud Marthouret

From the architect. Our clients, a young married couple, purchased a two and a half story historic home in Parkdale, Toronto. The house had previously been subdivided into three apartments that they wished to convert back into a single family dwelling to accommodate their future family. They wanted a friendly, open concept house that would allow them to entertain anything from dinner parties to sports viewing. The design strategy was to open up the common areas so that everyone could more easily be connected. A variety of nooks were created throughout the house which serve as both reading and hangout spaces. 

© Arnaud Marthouret © Arnaud Marthouret

The front of the house was largely left intact. Some minor repairs were done to the brickwork and new windows were installed that respect the historic character of the house. The interior was completely gutted and a new, underpinned basement was dug out. An extension, clad in black aluminum to contrast it from the existing house, was constructed in the back. Between this addition and the original house is a load-bearing brick wall which was stripped bare on the inside, white washed, and pierced to create passages between the new and the old.

© Arnaud Marthouret © Arnaud Marthouret
© Arnaud Marthouret © Arnaud Marthouret

The front entrance opens onto a large living-dining-room space and a kitchen beyond. A stair, lined with a large wooden bookcase, leads up to a double-height family room and a wood-clad structure housing two bedrooms and a bathroom. Above these rooms is a cozy loft accessible by ladder and which overlooks the double-height space below. Through an opening in the brick wall is the master bedroom suite overlooking the garden below.

© Arnaud Marthouret © Arnaud Marthouret
Section Section
© Arnaud Marthouret © Arnaud Marthouret

Product Description:

The original rear brick facade was left exposed and painted white, emphasizing the passage between the old house and the new addition.

© Arnaud Marthouret © Arnaud Marthouret

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13 Stunning Inner Courtyards

Posted: 15 Jan 2017 04:00 AM PST

We would like to take a second to focus on the wonderful, yet often overlooked, inner courtyard. The inner courtyard is essentially a "contained outside space" made up of transparent walls, and a well thought-out drainage system is a must. Other elements such as furnishings, decks, vegetation, stairs, water are then added, complicating the space created. The inner courtyard also plays a role in the building's layout; in most cases it functions as the central point from which the other rooms and functions of the project are organized, giving them air and light when the façade openings are not enough.

Here is our selection of 13 stunning inner courtyards of houses and buildings that we have previously published on our site.

+ House Quinta Do Carvalheiro / GSMM Architetti

Casa Quinta Do Carvalheiro / GSMM Architetti . Image © FS + SG Casa Quinta Do Carvalheiro / GSMM Architetti . Image © FS + SG

+ House W / 01Arq

Casa W / 01Arq . Image © Mauricio Fuertes Casa W / 01Arq . Image © Mauricio Fuertes

+ Residence In Legrena / Thymio Papayannis and Associates

Residencia en Legrena / Thymio Papayannis and Associates . Image © Charalampos Louizidis Residencia en Legrena / Thymio Papayannis and Associates . Image © Charalampos Louizidis

+ Chilean House / Smiljan Radic

 Casa Chilena 1 y 2 / Smiljan Radic . Image © Gonzalo Puga Casa Chilena 1 y 2 / Smiljan Radic . Image © Gonzalo Puga

+ Evangelical Temple in Terrassa / OAB 

Templo Evangelico en Terrassa / OAB . Image © Alejo Bagué Templo Evangelico en Terrassa / OAB . Image © Alejo Bagué

+ The Wall House / FARM 

The Wall House / FARM . Image © Bryan van der Beek & Edward Hendricks The Wall House / FARM . Image © Bryan van der Beek & Edward Hendricks

+ Spa Querétaro / Ambrosi I Etchegaray 

Spa Querétaro / Ambrosi I Etchegaray . Image © Luis Gordoa Spa Querétaro / Ambrosi I Etchegaray . Image © Luis Gordoa

+ Casa SL / Llosa Cortegana Arquitectos 

 Casa SL / Llosa Cortegana Arquitectos . Image Courtesy of Llosa Cortegana Arquitectos Casa SL / Llosa Cortegana Arquitectos . Image Courtesy of Llosa Cortegana Arquitectos

+ Bamboo Courtyard Teahouse / Harmony World Consulting & Design

Casa del Té de Bambú / Harmony World Consulting & Design . Image © T+E Casa del Té de Bambú / Harmony World Consulting & Design . Image © T+E

+ PR House / Bach Arquitectes 

Casa PR / Bach Arquitectes . Image © Lluís Casals Casa PR / Bach Arquitectes . Image © Lluís Casals

+ Roku Museum / Hiroshi Nakamura & NAP

Museo Roku / Hiroshi Nakamura & NAP . Image © Masumi Kawamura Museo Roku / Hiroshi Nakamura & NAP . Image © Masumi Kawamura

+ Casa in Palmela / Pedro Rogado + Catarina Almada

 Casa en Palmela / Pedro Rogado + Catarina Almada . Image © Thorsten Humpel Casa en Palmela / Pedro Rogado + Catarina Almada . Image © Thorsten Humpel

+ Joanopolis House / Una Arquitetos

Casa en Joanopolis / Una Arquitetos . Image © Bebete Viégas Casa en Joanopolis / Una Arquitetos . Image © Bebete Viégas

Find more inspiration by visiting our Pinterest boards, and remember you can find all the latest materials by checking out our Product Catalog

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16 CAD Files of Skylights and Light Tubes Available for Your Next Project

Posted: 15 Jan 2017 01:30 AM PST

GGL single standard install into natural slate © Velux GGL single standard install into natural slate © Velux

In the spirit of supporting our readers' design work, the company Velux has shared a series of .DWG files with us of their different roofing windows models. The files can be downloaded directly from this article and include great amounts of detail and information.

Check the files below, separated into 'Pitched Roofs', 'Flat Roofs' and 'Light Tube'.

Pitched Roofs

+ Pitched Roofs / Basic Installation

GGL single standard install into natural slate © Velux GGL single standard install into natural slate © Velux

Download here

GGL single standard install into low profiled tile © Velux GGL single standard install into low profiled tile © Velux

Download here

+ Pitched Roofs / Multiple Installations

GGL combi standard install into natural slate © Velux GGL combi standard install into natural slate © Velux

Download here

GGL coupled standard install into plain tile © Velux GGL coupled standard install into plain tile © Velux

Download here

GGL combi standard install into profiled tile © Velux GGL combi standard install into profiled tile © Velux

Download here

Flat Roofs

+ Flat Roofs / CFP-CVP Extension

CVPCFP extension install into timber flat roof © Velux CVPCFP extension install into timber flat roof © Velux

Download here

+ Flat Roofs / CFP-CVP Standard

CVPCFP standard install into timber flat roof © Velux CVPCFP standard install into timber flat roof © Velux

Download here

Light Tube

These are designed to provide natural light in corridors, stairwells, bathrooms and closets, where installing a skylight isn't possible.

+ Sun Tunnel / Residential Tunnel

TCR TCF © Velux TCR TCF © Velux

Download here

TLF flexible sun tunnel into slate © Velux TLF flexible sun tunnel into slate © Velux

Download here

TLR rigid sun tunnel into slate © Velux TLR rigid sun tunnel into slate © Velux

Download here

TWF flexible sun tunnel into tile © Velux TWF flexible sun tunnel into tile © Velux

Download here

TWR rigid sun tunnel into tile © Velux TWR rigid sun tunnel into tile © Velux

Download here

+ Sun Tunnel / Industrial

TTK TTC Hard finished ceiling © Velux TTK TTC Hard finished ceiling © Velux

Download here

TTK TTC Hard finished ceiling © Velux TTK TTC Hard finished ceiling © Velux

Download here

TOC Open ceiling installation © Velux TOC Open ceiling installation © Velux

Download here

TTK TTC Tile ceiling installation © Velux TTK TTC Tile ceiling installation © Velux

Download here

*Find more related products here.

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Spazio Lilt / Ottavio Di Blasi & Partners

Posted: 15 Jan 2017 01:00 AM PST

© Beppe Raso     © Beppe Raso

© Beppe Raso     © Beppe Raso     © Beppe Raso     © Beppe Raso

  • Structural Engineering: Davide Besana
  • Job Architect: Marzia Roncoroni
  • Mechanical Engineering: Claudio Riva
© Beppe Raso     © Beppe Raso

From the architect. The new center, designed by OTTAVIO DI BLASI & Partners (Milan), has an area of ​​2,700 square meters. It represents a point of excellence of the Health Care Network of Piedmont hosting Prevention and Rehabilitation facilities managed by LILT (Italian league against Cancer)

SPAZIO LILT is a two-storey building conceived around a central distribution core articulating two juxtaposed curved wings. It is not just the container of LILT activities but it is also its mirror by embodying the image and values of the League.

Scheme Scheme

• An "open house" and a landmark for the entire city of Biella- The modern curved shape make it easily accessible for all the citizens and is a reference point for the whole community. In addition to LILT offices, it houses surgeries, the prevention center, the rehabilitation gym, a conference room and hosts a number of volunteers associations operating in the area.

• A friendly and efficient building – Easy access, immediacy guidance and the quality of services offered play a major role to the perception of warmth and efficiency that characterize LILT – SPAZIO LILT is a place where prevention and treatment coexist as two aspects of the same human reality.

© Beppe Raso     © Beppe Raso

• A place where the link between health and environment is fully expressed by the relationship between architecture, light and efficient and green environment. SPAZIO LILT is energy efficient and built with environmentally friendly and recyclable materials.

The unique features of the building are due to the glazed terracotta façade in red and white, the colors of LILT. The large terracotta louvers shield the building from direct sunlight and provide privacy to clinics. The choice of terracotta has to do with the durability and the self-clean ability of the surfaces.

© Beppe Raso     © Beppe Raso

In this project, the emotional value and the technical features of the louvers façade are an unicum in which the brightness of the surfaces is most fitting with the bright and positive atmosphere that inspires the entire building.

The open floor plan and the curved shape of the facades of the building and amplify the dynamism that characterize it in an original way.

© Beppe Raso     © Beppe Raso

Product Description. The custom Glazed terracotta façade give the unique features of the building. Glazed terracotta profiles are about 150/160 cm long.- They are assembled on an aluminum frame  holding louvers of two different sizes ( 21 cm end 8 cm) . An aluminum tube inside the hollow profile of every terracotta louver secures the structure. Glazed terracotta provides bright looking and self-cleaning features. The ventilated façade ensure privacy and shelter sunrays. The empty space between the terracotta skin and the building façade host maintenance walkway. 

© Beppe Raso     © Beppe Raso

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The 10 Best Global* Architecture Projects of 2016 (*Asia, Africa and South America Not Excluded)

Posted: 15 Jan 2017 12:00 AM PST

As the common phrase attests, "history is written by the victors." We therefore know that the story of the West is that of Europe and the United States, while the other actors in world history are minimized or invisible: it happened to the Chinese and Japanese during World War II, to the Ottoman Empire in sixteenth-century Europe, and to racial majorities in the common reading of Latin American independence. The same thing happens in architecture.

The current boom of the Global South is based not only on new work, but rather on the recognition of an invisible architecture which was apparently not worthy of publication in the journals of the 1990s. The world stage has changed, with the emergence of a humanity that is decentralized yet local; globalized, yet heterogeneous; accelerated, yet unbalanced. There are no longer red and blue countries, but a wide variety of colors, exploding like a Pollock painting.

This serves as a preamble to consider the outstanding projects of 2016 according to the British critic Oliver Wainwright, whose map of the world appears to extend from New York in the West to Oslo in the East, with the exception of Birzeit in Palestine. The Global South represents more than 40% of the global economy and already includes most of the world's megacities, yet has no architecture worthy of recognition? We wanted to highlight the following projects in order to expand the western-centric world view, enabling us to truly comprehend the extent of architectural innovation on a global scale.

Lideta Market / Vilalta Arquitectura
Ethiopia

Mercado Lideta / Vilalta Arquitectura. Image © Gonzalo Guajardo Mercado Lideta / Vilalta Arquitectura. Image © Gonzalo Guajardo

Mercado Lideta / Vilalta Arquitectura. Image © Gonzalo Guajardo Mercado Lideta / Vilalta Arquitectura. Image © Gonzalo Guajardo Mercado Lideta / Vilalta Arquitectura. Image © Gonzalo Guajardo Mercado Lideta / Vilalta Arquitectura. Image © Gonzalo Guajardo

Ethiopia balances a decade of economic growth with increasing social, economic and racial tensions. It's still one of the 10 poorest countries in the world, but its growing middle class (and foreign investors) demand more products and services, creating unprecedented changes in its cities.

In the capital, a new market draws inspiration from the vernacular, traditional Mercato, the largest open-air market in Africa. Eschewing the glass-clad box typology of contemporary shopping centers (which are not efficient, but project an air of "development"), the building functions as an environmentally-appropriate public edifice, with the perforations in its prefabricated concrete skin harkening back to the traditional Ethiopian fractal patterns used to moderate the entry of light. The generous interior volume encourages natural ventilation and the rooftop features photovoltaic umbrellas to combat deficiencies in the energy supply.

Capilla San Bernardo / Nicolás Campodónico
Argentina

Capilla San Bernardo / Nicolás Campodónico. Image Courtesy of Nicolás Campodónico Capilla San Bernardo / Nicolás Campodónico. Image Courtesy of Nicolás Campodónico Capilla San Bernardo / Nicolás Campodónico. Image Courtesy of Nicolás Campodónico Capilla San Bernardo / Nicolás Campodónico. Image Courtesy of Nicolás Campodónico

To the east of the province of Córdoba—in a place that doesn't even have basic utilities—architect Nicolás Campodónico melds nature and brick into a chapel that borders an estate and opens up to an ample field. Facing the sunset, natural light bathes the chapel in warmth, serenity and symbolism. In a year when brick was lauded for its versatility, popularity and availability at the Venice Biennale, the Capilla San Bernardo brings together a precise alignment of individual bricks around an invisible, six-meter diameter sphere. The resulting structure is not only exquisite, but also echoes the shape and form of traditional Argentinian coal ovens.

UVA El Paraíso / EDU
Colombia

UVA El Paraíso / EDU. Image © Alejandro Arango UVA El Paraíso / EDU. Image © Alejandro Arango

UVA El Paraíso / EDU. Image © Alejandro Arango UVA El Paraíso / EDU. Image © Víctor García UVA El Paraíso / EDU. Image © Alejandro Arango UVA El Paraíso / EDU. Image © EDU

Still recovering from its stigma as the drug-trafficking battleground of the 80s and 90s, Medellín is now a city transformed, and public investment in architecture has played an essential role in this renaissance. The EDU (Empresa de Desarrollo Urbano de Medellín) has been an exemplar in the initiative to bring high quality public spaces to the city, including projects like the Unidades de Vida Articulada (UVA). The UVAs are inserted into low-income, dense neighborhoods and are primarily reformulated or refurbished existing spaces that provide opportunities for cultural programming, performances and sports. EDU is a powerful example for other states and governing bodies to follow; the potential and impact of investing in architecture and urbanism can make cities better, more equitable places.

Leixões Cruise Terminal / Luís Pedro Silva Arquitecto
Portugal

Terminal de Cruceros de Oporto / Luís Pedro Silva Arquitecto. Image © Fernando Guerra | FG+SG Terminal de Cruceros de Oporto / Luís Pedro Silva Arquitecto. Image © Fernando Guerra | FG+SG

Terminal de Cruceros de Oporto / Luís Pedro Silva Arquitecto. Image © Fernando Guerra | FG+SG Terminal de Cruceros de Oporto / Luís Pedro Silva Arquitecto. Image © Fernando Guerra | FG+SG Terminal de Cruceros de Oporto / Luís Pedro Silva Arquitecto. Image © Fernando Guerra | FG+SG Terminal de Cruceros de Oporto / Luís Pedro Silva Arquitecto. Image © Fernando Guerra | FG+SG

The Leixões cruise terminal is not only a beautiful physical interpretation of the flows it distributes, but also a great response to its site—at the center of the the connection of Souto de Moura's conversion of the South Matosinhos coastal promenade and Álvaro Siza's historic Piscinas de Marés. The building is expected to welcome over 130,000 passengers per year and it currently shares spaces with the Marine Science and Technology Park of Oporto University. Local artisans created hexagonal ceramics inspired by the Portuguese "calçada" to imbue a modern building with meaning and utility.

Terra Cotta Studio / Tropical Space
Vietnam

Terra Cotta Studio / Tropical Space. Image © Hiroyuki Oki Terra Cotta Studio / Tropical Space. Image © Hiroyuki Oki

Terra Cotta Studio / Tropical Space. Image © Hiroyuki Oki Terra Cotta Studio / Tropical Space. Image © Hiroyuki Oki Terra Cotta Studio / Tropical Space. Image © Hiroyuki Oki Terra Cotta Studio / Tropical Space. Image © Hiroyuki Oki

Le Duc Ha's workshop sits on the edge of the Thu Bon river, which it shares with communities which work in the production of Terracotta and silk. Structured as a three-dimensional bamboo grid, the studio gives the artist the flexibility to work, have tea, rest, and store his finished works, without endangering the property should the river flood. Beyond reveling in the material qualities of bamboo and clay brick, the project is a beautiful volumetric exercise in which a permeated facade reveals little of the interior while maintaining the privacy of the artist, and allowing adequate ventilation and connection to the outdoors.

Community Primary School for Girls / Orkidstudio
Sierra Leone

Escuela comunitaria primaria para niñas / Orkidstudio. Image © Peter Dibdin Escuela comunitaria primaria para niñas / Orkidstudio. Image © Peter Dibdin

Escuela comunitaria primaria para niñas / Orkidstudio. Image © Peter Dibdin Escuela comunitaria primaria para niñas / Orkidstudio. Image © Peter Dibdin Escuela comunitaria primaria para niñas / Orkidstudio. Image © Peter Dibdin Escuela comunitaria primaria para niñas / Orkidstudio. Image © Peter Dibdin

In Sierra Leone, projects like this one must deal with societal fissures, educational issues and public health crises. Orkidstudio asked, "What role can architecture play in the aftermath of such a crisis?" Avoiding a paternalistic approach and collectivizing the construction of a better future, this architecture in particular mends the wounds of a broken country. In this primary school, architecture activates and mobilizes the parts of society that will surely contribute to a solid transformation of this African nation.

Da Chang Muslim Cultural Center / Architectural Design & Research Institute of SCUT
China

Centro Cultural Musulmán Da Chang / Architectural Design & Research Institute of Scut. Image © Yao Li Centro Cultural Musulmán Da Chang / Architectural Design & Research Institute of Scut. Image © Yao Li

Centro Cultural Musulmán Da Chang / Architectural Design & Research Institute of Scut. Image © Yao Li Centro Cultural Musulmán Da Chang / Architectural Design & Research Institute of Scut. Image © Yao Li Centro Cultural Musulmán Da Chang / Architectural Design & Research Institute of Scut. Image © Yao Li Centro Cultural Musulmán Da Chang / Architectural Design & Research Institute of Scut. Image © Yao Li

China's rapid urbanization stimulated the planning and construction of gargantuan cultural hubs as a symbol of economic development and a catalyst for tourism. The projects are often characterized by a grand formal gesture that allows it to perform on its own, detached from its contents, in an attempt to capitalize on the elusive "Bilbao effect."

Even though China has more than 20,000 mosques around its vast territory and Islam is the third most popular religion in the country (uniting 10 of the 55 recognized ethnic minorities), the Da Chang Muslim Cultural Center is an exception. In Dachang, a Muslim enclave close to Beijing, this project reinterprets the spatial structure of the mosque, typically seen in arches, domes and Islamic symbols with new materials and an even grander scale. As a center for cultural activities, the architecture aids in bringing a physical space to a practice that has strong roots in western China as it approaches the megacities of the coasts.

Stavros Niarchos Foundation Cultural Centre / Renzo Piano Building Workshop
Greece

Centro Cultural Fundación Stavros Niarchos / Renzo Piano Building Workshop. Image © Michel Denancé Centro Cultural Fundación Stavros Niarchos / Renzo Piano Building Workshop. Image © Michel Denancé

Centro Cultural Fundación Stavros Niarchos / Renzo Piano Building Workshop. Image © Ruby On Thursdays Centro Cultural Fundación Stavros Niarchos / Renzo Piano Building Workshop. Image Courtesy of SNFCC Centro Cultural Fundación Stavros Niarchos / Renzo Piano Building Workshop. Image Courtesy of SNFCC Centro Cultural Fundación Stavros Niarchos / Renzo Piano Building Workshop. Image Courtesy of SNFCC

Investment in Olympic infrastructure often yields better returns for private financiers than for cities. Greece, and in particular Athens, ended up abandoning much of the sports infrastructure they constructed for the 2004 Olympic Games. However, twelve years later, Renzo Piano's project reused an old parking lot on the site of a former Olympic racetrack, bringing together the National Library and the National Opera in a single volume. Conceptually defined by its raised ground plane, Piano's single gesture creates a new green lung in the city and reconnects the urban fabric of the port of Kallithea with the sea. The project also generates enough solar energy to be self-sufficient in terms of electricity. At a time when cultural projects are often seen as a chance to create self-absorbed, questionably appropriate icons, the Stavros Niarchos Foundation Cultural Centre is a welcome addition.

Salas de Lectura / Fernanda Canales
Mexico

Salas de Lectura / Fernanda Canales. Image © Jaime Navarro Salas de Lectura / Fernanda Canales. Image © Jaime Navarro

Salas de Lectura / Fernanda Canales. Image © Jaime Navarro Salas de Lectura / Fernanda Canales. Image © Jaime Navarro Salas de Lectura / Fernanda Canales. Image © Jaime Navarro Salas de Lectura / Fernanda Canales. Image © Jaime Navarro

Latin American architecture has recently garnered attention for projects that re-evaluate public space in the city. A  similar situation precedes many design challenges: the resources available are public and limited; the spaces created must be multifunctional to meet multiple needs; the sites are leftover spaces; and the community must care for  and manage the new public space, or else it will die. Along those lines, Fernanda Canales proposed a civic and cultural module created from concrete. Its size was based upon another module: the standard dimensions of a parking space (2.5 x 5 meters), thus fitting into residual spaces in residential areas of the Latin American city. Answering  multiple programmatic needs, its form is designed to optimize the internal spaces while its thermal solution also offers four configurations to cover a series of different activities. This ensures its use throughout much of the day, while at night the structure functions as a lantern, improving the safety of the surrounding environment while also assuring its own.

Constitución Public Library / Sebastián Irarrázaval
Chile

Biblioteca Pública de Constitución / Sebastian Irarrázaval. Image © Felipe Díaz Contardo Biblioteca Pública de Constitución / Sebastian Irarrázaval. Image © Felipe Díaz Contardo

Biblioteca Pública de Constitución / Sebastian Irarrázaval. Image © Felipe Díaz Contardo Biblioteca Pública de Constitución / Sebastian Irarrázaval. Image © Felipe Díaz Contardo Biblioteca Pública de Constitución / Sebastian Irarrázaval. Image © Felipe Díaz Contardo Biblioteca Pública de Constitución / Sebastian Irarrázaval. Image © Felipe Díaz Contardo

In the embrace of the Pacific Ocean and at the mouth of the Maule River, Constitución was one of the cities most affected by the magnitude 8.8 earthquake that struck Chile in 2010. As a result of the ensuing public-private urban transformation plan, one of the projects built in front of the city's heart, the Plaza de Armas, was Sebastián Irarrázaval's Constitución Public Library. Three reticulated cubes of laminated pine order the project into three thematic areas; three showcases; three invitations to enter and three spaces for those who wish to pause while walking down the street. In a city sustained by the timber industry, the architects opted to use high quality local carpenters and the abundant wood to build a project that makes the  construction process and structural loads are intentionally evident.

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